Faculty Recital: 2020-08-24 – Gustavo Romero, piano

Faculty recital performed at the UNT College of Music Winspear Hall.
Date: August 24, 2020
Creator: Romero, Gustavo
Object Type: Video
System: The UNT Digital Library

Faculty Recital: 2020-08-27 – Gustavo Romero, piano

Faculty recital performed at the UNT College of Music Winspear Hall.
Date: August 27, 2020
Creator: Romero, Gustavo
Object Type: Video
System: The UNT Digital Library

Faculty Recital: 2020-08-30 – Gustavo Romero, piano

Faculty recital performed at the UNT College of Music Winspear Hall.
Date: August 30, 2020
Creator: Romero, Gustavo
Object Type: Video
System: The UNT Digital Library
The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View (open access)

The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View

The objective of this dissertation is to review the discrepancies between the first edition, Stradal’s edition and Marzocchi’s edition of Reubke’s piano sonata, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as fingerings, pedaling, phrasing, tempo markings is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Detailed assessment of these discrepancies, accompanied by the author’s comments are listed in the comprehensive comparison table in Appendix A. Additionally, directions are given in cases of presumptive errors, and discrepancies are addressed with possible variant solutions. In conclusion, the relative merit of the three editions is assessed in Chapter 4.
Date: August 2014
Creator: Pátkai, Imre
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student (open access)

Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student

As new musical styles have emerged in the twentieth century with characteristic sounds, chords, forms, meters, and intervals, teachers need to broaden and re-define the way they introduce musical concepts to beginning piano students. The purpose of this study is to offer different instructional possibilities aside from conventional methods of teaching beginning pianists. This is accomplished through a comparison of the two different approaches of the Hungarian composer Béla Bartók and the American composer Ross Lee Finney. Bartók’s Mikrokosmos, a graded set of 153 pieces, and Finney's 32 Piano Games are examined through this paper.
Date: August 2011
Creator: Song, Hyun-Joo
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Johann Nepomuk Hummel’s Transcriptions of Beethoven´s Symphony No 2, Op 36: a Comparison of the Solo Piano and the Piano Quartet Versions (open access)

Johann Nepomuk Hummel’s Transcriptions of Beethoven´s Symphony No 2, Op 36: a Comparison of the Solo Piano and the Piano Quartet Versions

Johann Nepomuk Hummel was a noted Austrian composer and piano virtuoso who not only wrote substantially for the instrument, but also transcribed a series of important orchestral pieces. Among them are two transcriptions of Beethoven’s Symphony No. 2 in D Major, Op. 36- the first a version for piano solo and the second a work for piano quartet, with flute substituting for the traditional viola part. This study will examine Hummel’s treatment of the symphony in both transcriptions, looking at a variety of pianistic devices in the solo piano version and his particular instrumentation choices in the quartet version. Each of these transcriptions can serve a particular purpose for performers. The solo piano version is an obvious virtuoso vehicle, whereas the quartet version can be a refreshing program alternative in a piano quartet concert.
Date: August 2012
Creator: Kim, Aram
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra. (open access)

Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles.
Date: August 2007
Creator: Vázquez, Carlos Balam
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860 (open access)

The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860

The relationship between piano manufacturer and composer is interactive, and consequently both compositions and performance styles evolved organically due to this relationship. Early on, the instrument had more influence on the composer, whereas with the instrument’s establishment, composers began to exert more influence on the subsequent development of the instrument through their requests of manufacturers. The relationship between pianist-composers and manufacturers is important for pianists to study and understand, as well as the actual sound of a composer’s fortepiano and the way he performed on it. Through studying the development of the piano and the relationship between manufacturers and composers, pianists can reinterpret compositions before the mid nineteenth century, such as Mozart, Beethoven, Dussek, Chopin, and Liszt, using their knowledge of the aforementioned to bring a different perspective to their performances on the modern piano. There are numerous manufacturers and composers who made important contributions to the development of the piano. This dissertation focuses on selected pianist-composers and fortepiano manufacturers, and the impact of their relationship on piano literature before 1860.
Date: August 2012
Creator: Lin, Chao-Hwa
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Pedagogical Guide to Teaching Tone Production for Elementary-Level Piano Students, with Examples from Appropriate Elementary-Level Music (open access)

A Pedagogical Guide to Teaching Tone Production for Elementary-Level Piano Students, with Examples from Appropriate Elementary-Level Music

The early stage of piano students' training is one of the most important, because it is then that they establish their habits for life. Those who teach beginners need clear principles for developing a solid technical foundation and for preventing bad technical habits. One of the most difficult principles to inculcate in young students is that of tone production and quality. The primary purpose of this study is to provide a pedagogical guide to help piano teachers teach tone production to elementary-level students. To accomplish this purpose, the strategies of the twentieth-century pedagogues Josef Lhévinne, Josef Hofmann, and Heinrich Neuhaus are examined, and applied to the elementary-level piano literature. This study offers practical training suggestions to teachers of elementary piano students as well as musical examples from high-quality piano literature to accompany these suggestions.
Date: August 2020
Creator: Kim, Gyuwan
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences (open access)

The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences

The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure of Bortkiewicz's movements. In addition, the first movement of Mozart's Piano Sonata K. 545, Beethoven's Coriolan Overture, and the first movement of Schubert's "Trout" Quintet in A, D. 667, are examined in order to illuminate the similarities and differences between the use of the subdominant recapitulation by these composers and Bortkiewicz.
Date: August 2021
Creator: Chen, Yi Jing
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760 (open access)

Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760

This dissertation is divided into six chapters. The first chapter explains the purpose and significance of the study. The second chapter presents an analysis about Wanderer Fantasy, D.760 composed by Schubert, employing Schenker analysis to elucidate important motives. Chapter 3 provides an analysis of Schubert-Liszt, Wanderer Fantasy for Piano and Orchestra, S. 366 and shows how Liszt transcribed the original to emphasize certain motives, and further, describes the development of the piano history. Chapter 4 delves into an analysis of Schubert-Liszt, Wanderer Fantasy for Two Pianos, S. 653a transcribed by Franz Liszt and further explains the historic development of piano, in particular Érard's grand piano. Chapter 5 explains the analysis of Schubert-Liszt, Wanderer Fantasy for Piano Solo, S.565a and expands upon Érard's grand piano. Finally, Chapter 6 leads to this paper's summary and conclusion.
Date: August 2021
Creator: Kwon, Jin Ah
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Assessing Perception and Attitude of Pianists toward Ergonomically Scaled Piano Keyboards (ESPK): Raising Awareness about ESPK and Evaluating Changes of Attitude through an Educational Survey (open access)

Assessing Perception and Attitude of Pianists toward Ergonomically Scaled Piano Keyboards (ESPK): Raising Awareness about ESPK and Evaluating Changes of Attitude through an Educational Survey

As epidemiologic research demonstrates health concerns for hand problems among pianists, scientists are measuring historic piano keyboards and realizing that much of the piano literature was composed for and played on pianos with smaller keys compared to what is used on the modern piano. Having to play this literature on a larger keyboard is especially difficult for small-handed piano students and professionals. Fortunately, smaller keyboards are now available for use with standard pianos - and research shows that this ergonomic adjustment does reduce piano-related hand pain for small-handed musicians. Major universities are now offering this option to students, but only a few music schools possess these keyboards and not many people know about them. There are no known research studies to address people's awareness and attitude toward ergonomically scaled piano keyboards (ESPKs). The purpose of this study was to assess perception and attitude toward ESPKs and help to raise its awareness. To examine pianists' perception, two surveys was composed. First one was conducted on UNT campus in which ESPKs are available for their students, and the second survey was carried out on schools of music in the United States. The results reveal that substantial number of people already know about …
Date: August 2018
Creator: Son, Youjoo
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition (open access)

The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition

Disputes concerning the origin of the term bambuco persist among scholars in Colombia, as well as controversies regarding the process of notating the traditional bambuco (3/4 or 6/8), when it penetrates the written tradition of popular music. Composers writing popular and salon bambucos increasingly perceived the advantage of notating it in 6/8. This study investigates the traditional bambuco and its assimilation into nineteenth and twentieth-century cultivated tradition, with emphasis on piano pieces by representative Colombian composers of art music. I include specific analyses of Cuatro preguntas (ca. 1890) by Pedro Morales Pino (1863-1926), ChirimÍa y bambuco (1930) by Antonio MarÍa Valencia (1902-1952), Bambuco en si menor by Adolf o MejÍa (1905-1970), El bambuco by Manuel MarÍa Párraga (c. 1826-1895), and Trozos Nos. 6 and 158 (1927-1970) by Guillermo Uribe HolguÍn (1880-1971).
Date: August 1993
Creator: Martina, Aileen
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Scene: North Texas Daily (Denton, Tex.), Vol. 92, No. 2, Ed. 1 Friday, August 31, 2007 (open access)

Scene: North Texas Daily (Denton, Tex.), Vol. 92, No. 2, Ed. 1 Friday, August 31, 2007

Weekly magazine edition of the daily student newspaper from the University of North Texas in Denton, Texas that includes local, state and campus news along with advertising.
Date: August 31, 2007
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
North Texas Daily (Denton, Tex.), Vol. 91, No. 1, Ed. 1 Thursday, August 30, 2007 (open access)

North Texas Daily (Denton, Tex.), Vol. 91, No. 1, Ed. 1 Thursday, August 30, 2007

Daily student newspaper from the University of North Texas in Denton, Texas that includes local, state and campus news along with advertising.
Date: August 30, 2007
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
"Doce Canciones Mexicanas": A Singer's Guide to Manuel M. Ponce's (1882-1948) Romantic Mexican Art Song as Described in His Essay "La Canción Mexicana" (open access)

"Doce Canciones Mexicanas": A Singer's Guide to Manuel M. Ponce's (1882-1948) Romantic Mexican Art Song as Described in His Essay "La Canción Mexicana"

The underrepresentation of Mexican art song has left classical singers with few Spanish-language repertoire options. Currently, the music of Spain dominates this scene and Mexican art song has yet to earn a place in academic curricula and concert halls. Manuel María Ponce (1882-1948) retains an important position in Mexican music. However, Ponce's vocal repertoire—consisting of over 150 songs—remained dormant for many decades after his death due to its misclassification by music aristocrats in Mexico that greatly affected their diffusion. Consequently, few copies were published during Ponce's life, making them difficult to find. The need in the singing community for repertoire of this kind has raised many questions not only about its existence and availability, but also about its origins and relationship to the established Art Song canon. To promote the diffusion of this underrepresented repertoire, a style analysis of Ponce's Romantic Mexican Art Song is offered through the lens of his writings about Mexican Song. The analysis includes vital information about the origins, form, style, and subjects of these songs. Tangible examples of these traits are provided from Ponce's Doce Canciones Mexicanas along with historically-informed suggestions for singers and translations of the text with IPA transcriptions.
Date: August 2021
Creator: Rosas Posada, Jessica
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Ficta, Numbero 7, Agosto 2005 (open access)

Ficta, Numbero 7, Agosto 2005

Pioneering journal devoted to the performance practice of early music in Argentina. Index to issues 1977 - 1979 start on page 73.
Date: August 2005
Creator: Gonzalez, Jorge V.
Object Type: Journal/Magazine/Newsletter
System: The UNT Digital Library
The Pharr Press (Pharr, Tex.), Vol. 36, No. 33, Ed. 1 Thursday, August 14, 1969 (open access)

The Pharr Press (Pharr, Tex.), Vol. 36, No. 33, Ed. 1 Thursday, August 14, 1969

Weekly newspaper from Pharr, Texas that includes local, state, and national news along with advertising.
Date: August 14, 1969
Creator: Glover, Lloyd H.
Object Type: Newspaper
System: The Portal to Texas History
Rio Grande Herald (Rio Grande City, Tex.), Vol. 33, No. 45, Ed. 1 Thursday, August 21, 1975 (open access)

Rio Grande Herald (Rio Grande City, Tex.), Vol. 33, No. 45, Ed. 1 Thursday, August 21, 1975

Weekly newspaper from Rio Grande City, Texas that includes local, state and national news along with extensive advertising.
Date: August 21, 1975
Creator: Van Nest, Lloyd A.
Object Type: Newspaper
System: The Portal to Texas History
The Cotulla Record (Cotulla, Tex.), Vol. 80, No. 17, Ed. 1 Thursday, August 7, 1980 (open access)

The Cotulla Record (Cotulla, Tex.), Vol. 80, No. 17, Ed. 1 Thursday, August 7, 1980

Weekly newspaper from Cotulla, Texas that includes local, state, and national news along with advertising.
Date: August 7, 1980
Creator: Reddell, Lewis A., II & Kinsel, Patty
Object Type: Newspaper
System: The Portal to Texas History
Denton Record-Chronicle (Denton, Tex.), Vol. 112, No. 029, Ed. 1 Monday, August 31, 2015 (open access)

Denton Record-Chronicle (Denton, Tex.), Vol. 112, No. 029, Ed. 1 Monday, August 31, 2015

Daily newspaper from Denton, Texas that includes local, state, and national news along with advertising.
Date: August 31, 2015
Creator: Parks, Scott K.
Object Type: Newspaper
System: The Portal to Texas History
La Prensa. (San Antonio, Tex.), Vol. 1, No. 29, Ed. 1 Thursday, August 28, 1913 (open access)

La Prensa. (San Antonio, Tex.), Vol. 1, No. 29, Ed. 1 Thursday, August 28, 1913

Weekly Spanish-language newspaper from San Antonio, Texas that includes local, state, and national news along with advertising.
Date: August 28, 1913
Creator: Lozano, Ignacio E.
Object Type: Newspaper
System: The Portal to Texas History
South Texas Catholic (Corpus Christi, Tex.), Vol. 19, No. 56, Ed. 1 Friday, August 31, 1984 (open access)

South Texas Catholic (Corpus Christi, Tex.), Vol. 19, No. 56, Ed. 1 Friday, August 31, 1984

Weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.
Date: August 31, 1984
Creator: Bilton, William G.
Object Type: Newspaper
System: The Portal to Texas History
The Taft Tribune (Taft, Tex.), Vol. 64, No. 34, Ed. 1 Wednesday, August 20, 1997 (open access)

The Taft Tribune (Taft, Tex.), Vol. 64, No. 34, Ed. 1 Wednesday, August 20, 1997

Weekly newspaper from Taft, Texas that includes local, state, and national news along with advertising.
Date: August 20, 1997
Creator: Tracy, Belinda
Object Type: Newspaper
System: The Portal to Texas History