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2,865 Matching Results
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Doctoral Recital: 2017-04-08 – Ko Eun Jeoung, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
April 8, 2017
Creator:
Jeoung, Ko Eun
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2015-10-03 – Jinah Kwon, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
October 3, 2015
Creator:
Kwon, Jin Ah
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2014-11-08 - Sooyun Kim, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
November 8, 2014
Creator:
Kim, Sooyun (Pianist)
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2013-04-19 - Shuo-Hui (Sophie) Hung, piano
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
April 19, 2013
Creator:
Hung, Sophie (Shuo-Hui)
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2013-11-20 - Jieun Yum, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
November 20, 2013
Creator:
Yum, Ji-Eun
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2011-03-09 - Jieun Yum, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
March 9, 2011
Creator:
Yum, Ji-Eun
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2015-11-07 – Warren Kim, piano
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
November 7, 2015
Creator:
Kim, Warren
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2016-04-13 – Hanhan Li, piano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
April 13, 2016
Creator:
Li, Hanhan
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2019-03-08 – Yi-Jing Chen, piano
Recital performed at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
March 8, 2019
Creator:
Chen, Yi-Jing
Object Type:
Video
System:
The UNT Digital Library
Doctoral Recital: 2019-03-08 – Ying-Chieh Chen, piano
Recital performed at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
March 8, 2019
Creator:
Chen, Ying-Chieh (Pianist)
Object Type:
Video
System:
The UNT Digital Library
Ensemble: 2017-09-27 – Concerto Orchestra
Access:
Use of this item is restricted to the UNT Community
Concert orchestra concert performed at the UNT College of Music Winspear Hall.
Date:
September 27, 2017
Creator:
UNT Concert Orchestra
Object Type:
Sound
System:
The UNT Digital Library
Master's Recital: 2023-04-09 – Suwon Lee
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Date:
April 9, 2023
Creator:
Lee, Suwon
Object Type:
Video
System:
The UNT Digital Library
Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study
Lowell Liebermann, born in New York City in 1961, is one of America's most distinguished living composers. In addition, he often conducts and performs as pianist in his own works. His musical language is unique and unmistakably rooted in the grand tradition of Western music; however, his style combines old and new, simple and complex, emotional and intellectual aspects. It combines tuneful, catchy melodies with a rich harmonic language, all framed by a strong formal design. This study begins with presenting primary information on this concerto excerpted from an interview with Lowell Liebermann. This interview served as a reference for subsequent sections, and a transcript of the interview is appended to the end of this study. In the third chapter, the musical language of the composer is discussed. Chapters four and five constitute the main body of this dissertation. The goal of these two chapters is to understand the basic three-pitch motive of the work, to demonstrate how it operates at various levels, and to see how the raw material corresponds at a larger structure level. It is the author's hope that this study will guide performers to better understand Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12.
Date:
May 2010
Creator:
Chang, Hsiao-Ling
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors
The purpose of this dissertation is to offer a pedagogical guide to Woodsprite and Waterbug Collection (1977) by Dan Beaty (1937-2002) through an analysis of its pedagogical values and teaching applications. This set consists of twelve short, intermediate-level pieces, featuring various contemporary idioms. Each piece is also pedagogically written to help intermediate students to refine specific pianistic techniques beyond the elementary level. In addition, Beaty's collection expands students' musical vision and musicianship for more advanced studies via the incorporation of contemporary music theory and techniques. These qualities make Woodsprite and Waterbug Collection a valuable tool for intermediate piano students. It is also useful for instructors searching for repertoire to introduce contemporary idioms. The author hopes that this study will encourage performers, teachers and scholars to consider this work and Beaty's other piano compositions. By studying Woodsprite and Waterbug Collection, students will be more appreciative of contemporary repertoire and will welcome learning similar pieces in the future.
Date:
December 2018
Creator:
Hung, Sophie (Shuo-Hui)
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Ensemble: 2017-04-29 – Chamber Music Studies Competition
Access:
Use of this item is restricted to the UNT Community
Chamber Music Studies Competition performed at the UNT College of Music Voertman Hall.
Date:
April 29, 2017
Creator:
University of North Texas. College of Music. Chamber Music Studies.
Object Type:
Sound
System:
The UNT Digital Library
An Instructional Approach to Introducing Twentieth-century Piano Music to Piano Students From Beginning to Advanced Levels: a Graded Repertoire for Mastering the Challenges Posed by Logan Skelton’s Civil War Variations
Beginning and intermediate piano students typically study the repertoire of the eighteenth and nineteenth centuries. This pedagogical approach leaves them underprepared to approach compositions written since the latter part of the twentieth-century which are significantly different in terms of harmony, rhythm, meter, and compositional procedure. Therefore, a step-by-step method is necessary to prepare a student for the challenges of learning twentieth and twenty-first century piano music. Civil War Variations (1988), by Logan Skelton, is an excellent example of a piece that presents a number of challenges characteristically found in late twentieth-century piano music. The twenty-five variations that comprise the work incorporate a series of twentieth-century musical techniques, namely complex rhythms, extreme dissonance, frequent metric changes, dissonant counterpoint, the inclusion of blues scales and rhythms, and new notations. The purpose of this study is to identify the technical, musical, structural and notational challenges posed by a work such as Logan Skelton’s Civil War Variations; examination of this piece will lead to suggestions regarding repertoire that a teacher may assign to beginning, intermediate, and advanced students in order to prepare them logically and in a step-by-step fashion to cope with and meet the challenges posed by this and other compositions having similar …
Date:
December 2013
Creator:
Kim, Dajeong
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
An Introduction to the Piano Works of William Mason (1829-1908) and a Performance Guide to Selected Repertoire for Intermediate Students
William Mason (1829–1908) was a well-known American composer, pianist, and pedagogue. Researchers have mainly focused on Mason's career as a pedagogue in the United States and his pedagogical treatises, which are widely considered and used as the conceptual core of teaching materials on the nineteenth century. However, there has been only an annotated catalogue of Mason's music works, and no performance guide to his piano compositions. This dissertation is designed to be the first performance guide to his solo piano repertoire and act as an introduction to his music through an examination of selected works suitable for the intermediate student. This study provides instruction for students on how to practice these works through the analysis of the elements of practice – pedaling, phrasing, technique practice, touch, and musical expression – which were all considered as essential by Mason himself for a good performance. The five piano works selected are: Three Preludes, Op. 8, No. 1; Ballade et Barcarole, Op. 15; Valse Caprice, Op.17; Spring-Dawn, Mazurka–Caprice, Op. 20; and Spring Flower–Impromptu, Op. 21.
Date:
May 2021
Creator:
Chen, Ying-Chieh
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Kaikhosru Sorabji's Rapsodie Espagnole de Maurice Ravel, Transcription de Concert pour piano: A Comparison of the Two Versions from 1923 and 1945
Kaikhosru Shapurji Sorabji (1892-1988) was an English composer-pianist of Parsi descent. Although he composed many works for piano, these compositions remain largely unknown to the public due to the composer's self-imposed 40-year ban on public performances of all his works and the immense technical difficulty of his music. This research proposes a comparative study of Sorabji's two versions of Rapsodie espagnole de Maurice Ravel-Transcription de concert pour piano (1923, 1945). These transcriptions are based on Ravel's orchestral work and are different in terms of the style of their arrangements: the 1923 version is more of a literal transcription, whereas the 1945 version has been expanded upon the former. This dissertation compares the differences between the two versions, as well as identifying how Sorabji infused his own style into the 1945 transcription. This study relies on primary sources including writings and manuscripts of Sorabji, and secondary sources such as articles on interpreting Sorabji's piano works and biographies about Sorabji.
Date:
December 2018
Creator:
Chu, Fang-Yi
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Ensemble: 2006-09-27 – Chamber Orchestra
Access:
Use of this item is restricted to the UNT Community
Chamber orchestra concert performed at the UNT College of Music Winspear Hall
Date:
September 27, 2006
Creator:
University of North Texas. Chamber Orchestra.
Object Type:
Sound
System:
The UNT Digital Library
Faculty Recital: 2003-09-19 - Faculty Chamber Music with June Card, soprano
Access:
Use of this item is restricted to the UNT Community
Faculty and guest artist recital presented at the UNT College of Music Lyric Theater.
Date:
September 19, 2003
Creator:
Card, June
Object Type:
Sound
System:
The UNT Digital Library
Doctoral Recital: 2016-11-30 – Yeona Lee, piano
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
November 30, 2016
Creator:
Lee, Yeona
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2016-11-21 – Concert Orchestra
Orchestra concert performed at the UNT College of Music Winspear Hall.
Date:
November 21, 2016
Creator:
University of North Texas. Concert Orchestra.
Object Type:
Video
System:
The UNT Digital Library
Ensemble: 2016-11-21 – Concert Orchestra
Orchestra concert performed at the UNT College of Music Winspear Hall.
Date:
November 21, 2016
Creator:
University of North Texas. Concert Orchestra.
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2021-09-22 – Concert Orchestra
Access:
Use of this item is restricted to the UNT Community
Concert Orchestra performance at the UNT college of music Winspear Hall.
Date:
September 22, 2021
Creator:
University of North Texas. Concert Orchestra.
Object Type:
Video
System:
The UNT Digital Library