Transcript of an interview with Don Ferrier, a Certified Green Builder and CEO of Ferrier Companies, discussing the founding and development of the business, particularly green building technologies and high energy efficiency for both residential homes and commercial remodeling.

Transcript of an interview with architect Zaida Basora about her career and her work with the Dallas Green Building program and other programs related to energy efficient design.

Transcript of an interview with architect Kirk Teske discussing his experience designing buildings, the shift toward sustainable building and LEED (Leadership in Energy and Environmental Design) certification, and the connection between design and health.

Transcript of an interview with Denise Bates, an architect and interior designer who works at Gensler, discussing building construction and renovation that employ sustainability and resilient design, and how those concepts and codified standards have changed over time.

Transcript of an interview with designer Mary Dickinson discussing her education and influences that caused her to get involved with sustainable design projects, particularly around sourcing non-toxic materials and complying with LEED (Leadership in Energy and Environmental Design) standards.

Transcript of an interview with Randy Loftis, an environmental journalist and lecturer at UNT, discussing how he became involved with covering the environment -- starting with issues in the Everglades -- and how it has affected his perspective on journalism.

Since the adoption of neoliberalism, many cities have taken to integrating nature with capital accumulation to create a sense of place. This has been closely tied to urban greening, or green "revitalization." As part of curating this desired character, city governments are working to roll out plans to restore and renew neighborhoods using their natural landscapes through methods such as reforestation, the creation of parks, and commercial development. These cities, deemed Entrepreneurial cities, are increasingly incorporating natural or green spaces into their development of character as part of their branding schemes. This research focuses on the role of nature as the site of economic development and community revitalization within Dallas, Texas. This research examines how the City of Dallas uses nature to attract capital, and how the narratives of development relate to residents' visions for development in the historically neglected Joppa neighborhood in the Trinity River Corridor. Development near Joppa could be an example of how the natural landscape is being used to not only attract developers but also to bring a different ‘class' of resident into the area. By exploring this intersection of nature and capital in Dallas, we can better understand the nuanced ways through which the neoliberalization …

Transcript of an interview with UNT professor Stan Ingman about his experiences growing up in cities that with pollution and environmental degradation, his education, and his work in the Rehabilitation and Health Services Department to develop curricula connecting the well-being of people to the health of their environments.

Transcript of an interview with Mitzi Mills, a co-founder of Anzea Textiles in Fort Worth, discussing the fabric and design industry, the goals of the company, and the ways that they focused on natural and recycled fibers, as well as other sustainable practices.

Transcript of an interview with Howard Garret discussing his education and practice as a landscape architect and arborist, as well as his community engagement around organic gardening and soil health.

Transcript of an interview with Gary Olp, an architect and the founder of GGO Architects (the first green architecture firm in Dallas). He discusses how he became involved in sustainable architecture and with LEED rating systems, as well as his community outreach activities related to various green practices.

This dissertation examines the relationship between economic resilience, disaster experience, and smart growth policies at the local government level. The study is based upon three research questions that examine spatial distribution of economic resilience in Florida cities, and examines the impact of disaster experience, and smart growth policies adopted by local governments on economic resilience. Based upon the bounce-forward approach (Cowell, 2013; Klein et al. 2003), economic resilience is defined using three dimensions—economic stability, economic equity, and economic diversity. The spatial analysis is conducted by mapping economic resilience scores across 780 Census Designated Places in Florida through standard deviation method of classification, and conducting cluster-outlier analysis. Results suggest difference in economic resilience within coastal and inland communities—with higher scores mostly situated inland. East Central Florida, Tampa Bay, and South Florida were identified as high economic resilience clusters, and Northwest Florida was identified as low resilience cluster. Impact of disaster experience, and smart growth policies on economic resilience was examined based upon logic of focusing events by Birkland (1997, 2010). Data was collected from the U.S. Census, the National Climatic Data Center, and the Energy Sustainable Florida Communities Survey conducted by Florida State University in 2009. Results suggest significant association between …

Stan Kenton (1911–1979) formed his first full orchestra in 1940 and soon drew record-breaking crowds to hear and dance to his exciting sound. He continued to tour and record unrelentingly for the next four decades. Stan Kenton: This Is an Orchestra! sums up the mesmerizing bandleader at the height of his powers, arms waving energetically, his face a study of concentration as he cajoled, coaxed, strained, and obtained the last ounce of energy from every musician under his control. Michael Sparke’s narrative captures that enthusiasm in words: a lucid account of the evolution of the Kenton Sound, and the first book to offer a critical evaluation of the role that Stan played in its creation. “Michael Sparke’s book, the first general history of the Kenton Orchestra, is the best evaluation yet of Kenton’s 40-year musical development.”—The Wall Street Journal

Jazz Lecture Series presentation by Curtis Fuller on March 20, 1990 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Curtis Fuller, trombone, interspersed with questions from the audience.

Since Roy Bedichek's influential Adventures with a Texas Naturalist, no book has attempted to explore the uniqueness of Texas nature, or reflected the changes in the human landscape that have accelerated since Bedichek's time. Pride of Place updates Bedichek's discussion by acknowledging the increased urbanization and the loss of wildspace in today's state. It joins other recent collections of regional nature writing while demonstrating what makes Texas uniquely diverse. These fourteen essays are held together by the story of Texas pride, the sense that from West Texas to the Coastal Plains, we and the landscape are important and worthy of pride, if not downright bravado. This book addresses all the major regions of Texas. Beginning with Roy Bedichek's essay "Still Water," it includes Carol Cullar and Barbara "Barney" Nelson on the Rio Grande region of West Texas, John Graves's evocative "Kindred Spirits" on Central Texas, Joe Nick Patoski's celebration of Hill Country springs, Pete Gunter on the Piney Woods, David Taylor on North Texas, Gary Clark and Gerald Thurmond on the Coastal Plains, Ray Gonzales and Marian Haddad on El Paso, Stephen Harrigan and Wyman Meinzer on West Texas, and Naomi Shihab Nye on urban San Antonio. This anthology will …

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: McCoy, “It Was an Accident, Baby” (1st place); Dreier, “A Child’s Scraped Knee” (2nd place); Baker, “The Power of Will” (3rd place), and runners up, Cox, “A Marine’s Conviction”; Goffard, “Framed”; Thompson, “The Long Way Home”; Kleinfield, “Fraying at the Edges”; Kuchment and Thompson, “Seismic Denial”; Caruba, “55 Minutes”; and Wangsness, “In Search of Sanctuary.”

Interview with Angela Bynum, veteran of Operation Iraqi Freedom, as part of the Tarrant County War Veterans Oral History Project. The interview includes Bynum's personal experiences of childhood and education in California and Texas, enlisting in the U.S. Army, basic and advanced training as a motor transport operator, training in avoidance of improvised explosive devices, and transport missions between Iraq and Kuwait. Bynum also discusses her inability to withstand Airborne training, the decision to leave active duty in 2002, her use of the GI Bill benefits to attend Tarrant Community College, the 2004 call-up from reserve duty and deployment to Iraq, her family's concerns regarding deployment, and aspects of daily life for American soldiers stationed in Iraq.

Keith Johnson retired in 2014 from the University of North Texas, where he was Regents Professor of Trumpet and was honored with the Distinguished Teaching Professor award. Johnson wrote more than thirty articles, two pedagogical texts, and two method books. During his career, he presented masterclasses at universities and conservatories throughout the United States and worldwide. Johnson’s former students hold positions in universities, orchestras, and military ensembles in over a dozen countries. In The Art of Trumpet Teaching, his students describe Johnson’s teaching approach and tireless work to help each person succeed. Along with Johnson’s biography and studio stories, Leigh Anne Hunsaker presents an extensive collection of pedagogical concepts from Johnson’s six decades of teaching. Johnson’s hallmark pedagogical tenets, along with much practical advice given to his UNT students, provide a teaching and reference handbook for a new generation of teachers and players.

"Cold Anger is an important book about the empowerment of working-class communities through church-based social activism. Such activism is certainly not new, but the conscious merger of community organizing tactics with religious beliefs may be. The organizing approach comes from Aul Alinsky and his Industrial Areas Foundations (IAF). . . . The book is structured around the political life of Ernesto Cortes, Jr., the lead IAF organizer who has earned recognition as one of the most powerful individuals in Texas (and who has been featured on Bill Moyers' "World of Ideas"). . . . Cortes fashioned a hard-ball Alinsky approach onto the natural organizing ground of church-based communities. The experiment began in San Antonio . . . and was successful in the transformation of San Antonio politics. Such dramatic success . . . led to similar efforts in Houston, Fort Worth, El Paso, the Rio Grande Valley, Phoenix, Los Angeles, and New York, to mention only a few sites. Expansion beyond San Antonio meant organizing among Protestant churches, among African American and white, and among middle-class communities. In short, these organizing efforts have transcended the particularistic limits of religion, ethnicity, and class while maintaining a church base and sense of …

The New Yorker recently referred to Pat Metheny as “possibly the most influential jazz guitarist of the past five decades.” A native of Lee’s Summit, Missouri, just southeast of Kansas City, Metheny started playing in pizza parlors at age fourteen. By the time he graduated from high school he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Now 66, he attributes his early success to the local musical environment he was brought up in and the players and teachers who nurtured his talent and welcomed him into the jazz community. Metheny’s twenty Grammys in ten categories speak to his versatility and popularity. Despite five decades of interviews, none have conveyed in detail his stories about his teenage years. Beneath Missouri Skies also reveals important details about jazz in Kansas City during the sixties and early seventies, often overlooked in histories of Kansas City jazz. Yet this time of cultural change was characterized by an outstanding level of musicianship.

Series of fictional stories and commentaries about sports in the United States and how they affect individuals and communities.

Although in 2000 he became the first sideman inducted into the Rock & Roll Hall of Fame, “King Curtis” Ousley never lived to accept his award. Tragically, he was murdered outside his New York City home in 1971. At that moment, thirty-seven-year-old King Curtis was widely regarded as the greatest R & B saxophone player of all time. He also may have been the most prolific, having recorded with well over two hundred artists during an eighteen-year span. Soul Serenade is the definitive biography of one of the most influential musicians of the 50s, 60s, and early 70s. Timothy R. Hoover chronicles King Curtis’s meteoric rise from a humble Texas farm to the recording studios of Memphis, Muscle Shoals, and New York City as well as to some of the world’s greatest music stages, including the Apollo Theatre, Fillmore West, and Montreux Jazz Festival. Curtis’s “chicken-scratch” solos on the Coasters’ Yakety Yak changed the role of the saxophone in rock & roll forever. His band opened for the Beatles at their famous Shea Stadium concert in 1965. He also backed his “little sister” and close friend Aretha Franklin on nearly all of her tours and Atlantic Records productions from 1967 …

Interview with Dr. Shazia Ali, a professor from Dallas, Texas. Ali discusses her life and career as a Pakistani-American, including her family origins, growing up in Karachi and Dubai, her education, her work for a newspaper, the slums of Karachi, meeting her husband, being married over the phone, emigrating to Dallas, employment at UT-Dallas, having children, attending Richland College, cultural effects of September 11th, getting a PhD, parenting, and navigating cultures.

Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and …