The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others (open access)

The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others

The popularity of the miscellaneous wind bands in Italian society through the centuries, and the prominent use of the trumpet within these ensembles and as a solo instrument, become evident in the examination of the development of the banda sul palco (the band on stage) in Italian opera. Gioachino Rossini was the first to use the banda sul palco (stage band) with any regularity. Giovanni Paisiello, Giuseppe Gazzaniga, and Wolfgang Amadeus Mozart must be considered earlier contributors to the growing movement of using instrumental ensembles on stage.
Date: December 1998
Creator: Peters, Grant S. (Grant Shields)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
An investigation of the attitudes of selected professional classical solo singer-actors toward specific concerns of the music profession (open access)

An investigation of the attitudes of selected professional classical solo singer-actors toward specific concerns of the music profession

The purpose was to investigate attitudes of successful full-time performing classical singer-actors toward career concerns of the music profession. Five research problems were formulated to: (1) describe attitudes toward control of work conditions; (2) describe attitudes toward entrapment; (3) describe attitudes toward dependency; (4) report attitudes concerning current practices of training the solo singer; and (5) identify commonalities among the subjects regarding demographic, the attitudes described in problems one through four, and demeanor during the interviews.
Date: December 1990
Creator: VanEaton, Sunny F. C.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Bohuslav Martinu: An Examination of Selected Chamber Music Involving the Clarinet (open access)

Bohuslav Martinu: An Examination of Selected Chamber Music Involving the Clarinet

The discussion dealt with stylistic influences, compositional techniques, and performance considerations of chamber music involving clarinet composed by Bohuslav Martinu and included a performance of three of his works: Quartet. for clarinet, horn, cello, and side drum, Madrigals for oboe, clarinet, and bassoon, and Sextet for flute, oboe, clarinet, two bassoons, and piano. The selections performed and discussed in the lecture show compositional growth of the composer through the three periods of his life in which he composed chamber music which included winds. These three time periods are 1923-40 during his residency in Paris, 1941-56 during his residency in the United States, and 1957 until his death in 1959 when he returned permanently to Europe.
Date: December 1997
Creator: Walzel, Robert L.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Abilene Philharmonic Playbill: December 5-January 30, 1999 (open access)

Abilene Philharmonic Playbill: December 5-January 30, 1999

Program for an Abilene Philharmonic concert that ran from December 5th, 1998 to January 30th during the 49th season. It includes information about the pieces performed, artists and musicians, and advertising from local companies.
Date: December 1998
Creator: Abilene Philharmonic
Object Type: Pamphlet
System: The Portal to Texas History
Hearing History: Musical Borrowing in the Percussion Ensemble Works, Duo Chopinesque and Chameleon Music (open access)

Hearing History: Musical Borrowing in the Percussion Ensemble Works, Duo Chopinesque and Chameleon Music

Duo Chopinesque by Michael Hennagin and Chameleon Music by Dan Welcher represent two of the most significant percussion ensemble compositions written in the last twenty years. Both works are written for the mostly mallet type of percussion ensemble wherein the keyboard instruments predominate. However, the most unique aspect of these two pieces is their use of musical quotation. Duo Chopinesque borrows Chopin's Prelude in E minor in its entirety, while Chameleon Music borrows portions from four Mozart Sonatas. This paper places each work within the history of the percussion ensemble, and in the larger history of musical quotation in the twentieth century. In addition, the compositional characteristics of both works are examined with particular emphasis on each composer's use of borrowed material from the music of Mozart and Chopin. Particular attention is paid to the relationship between quoted material and newly composed rhythmic motives.
Date: December 1999
Creator: Fulton, Stephen L.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The J-TAC (Stephenville, Tex.), Ed. 1 Thursday, December 6, 1990 (open access)

The J-TAC (Stephenville, Tex.), Ed. 1 Thursday, December 6, 1990

Weekly student newspaper from Tarleton State University in Stephenville, Texas that includes local, state and campus news along with advertising.
Date: December 6, 1990
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
Ralph Vaughan Williams: An Interpretive Analysis of Concerto for Bass Tuba (open access)

Ralph Vaughan Williams: An Interpretive Analysis of Concerto for Bass Tuba

An interpretive analysis of Ralph Vaughan Williams' Concerto for Bass Tuba which compares tempi, interpretation of the melodic line, ornamentation, dynamics, pitches, rhythms. phrasing and articulations as utilized by four prominent tuba performers. Performers selected to share their interpretations include Arnold Jacobs, Donald Little, Richard Nahatzki and Harvey Phillips. Little, Nahatzki and Phillips provided a copy of their solo parts with their personal markings. Jacobs gave permission to transcribe his interpretation from the recording he made with the Chicago Symphony Orchestra. Performers' biological information is included along with musical reviews of Concerto for Bass Tuba.
Date: December 1998
Creator: Fischer, Michael A. (Michael Alan)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Preferred Oboe Vibrato: An Analysis of Pitch Modulation and Intensity Level Modulation (open access)

The Preferred Oboe Vibrato: An Analysis of Pitch Modulation and Intensity Level Modulation

The purpose of this study was to determine the pitch and intensity level characteristics found in the vibrati of preferred oboe players whose vibrato was ranked by a panel of experts. The investigation also sought to discover factors that distinguish the preferred oboe vibrato from vibrato that is less preferred.
Date: December 1996
Creator: Remley, Jon Stephen
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Content and Musical Language in the Piano Sonata of Sofia Gubaidulina, and Three Recitals with Works by Bach, Beethoven, Mozart, Chopin, Schumann, Debussy, and Rachmaninov (open access)

Content and Musical Language in the Piano Sonata of Sofia Gubaidulina, and Three Recitals with Works by Bach, Beethoven, Mozart, Chopin, Schumann, Debussy, and Rachmaninov

Sofia Gubaidulina is one of the leading composers in the contemporary music world. Her compositional interests have been stimulated by the exploration of and improvisation with rare folk and ritual instruments, and by a deep-rooted belief in the mystical properties of music. Gubaidulina is the author of orchestral and choral works, compositions for solo instruments, chamber music, as well as electronics music. Gubaidulina's Piano Sonata sums up the composer's thinking within her piano music, and at the same time projects the development of her spiritual vision within other genres that are to come. The analytical approach in this paper is based on the correlation between each of the elements of the musical material (form, rhythm, sound, etc.) and its contextual meaning in terms of musical dramaturgy. Set-theory is applied to the analysis of motivic components of the work. The traditional form is just the basis for the original intonational structure within a modern musical idiom. Varieties of rhythmic patterns, as well as an unconventional sound production, make this work breath with an impetuous power. The examination of the Sonata's musical language and content should give some insight not only into Guabaidulina's piano music, but also into a consequent development of …
Date: December 1998
Creator: Ćojbašić, Ivana
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others (open access)

The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others

In an appendix section, three notable arias have been transcribed for two clarinets, voice, and piano. A further evaluation of Classical period opera orchestration will aid modern performers and musicologists in their understanding of what clarinets and clarinetists were able and expected to do.
Date: December 1997
Creator: Thrasher, Michael, 1972-
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The North Texan, Volume 44, Number 4, December 1994 (open access)

The North Texan, Volume 44, Number 4, December 1994

The North Texan includes articles and notes about University of North Texas students, faculty, and alumni activities.
Date: December 1994
Creator: University of North Texas
Object Type: Journal/Magazine/Newsletter
System: The UNT Digital Library
Stamford American (Stamford, Tex.), Vol. 72, No. 40, Ed. 1 Thursday, December 28, 1995 (open access)

Stamford American (Stamford, Tex.), Vol. 72, No. 40, Ed. 1 Thursday, December 28, 1995

Weekly newspaper from Stamford, Texas that includes local, state, and national news along with advertising.
Date: December 28, 1995
Creator: Mathis, Chandra
Object Type: Newspaper
System: The Portal to Texas History
The Historically Black Colleges and Universities/Minority Institutions Environmental Technology Consortium annual report, 1991--1992 (open access)

The Historically Black Colleges and Universities/Minority Institutions Environmental Technology Consortium annual report, 1991--1992

The member institutions of the Consortium continue to play a significant role in increasing the number of African Americans who enter the environmental professions through the implementation of the Consortium`s RETT Plan for Research, Education, and Technology Transfer. The four major program areas identified in the RETT Plan are as follows: (1) minority outreach and precollege education; (2) undergraduate education and postsecondary training; (3) graduate and postgraduate education and research; and (4) technology transfer.
Date: December 1992
Creator: unknown
Object Type: Report
System: The UNT Digital Library
The Ranger (San Antonio, Tex.), Vol. 71, No. 11, Ed. 1 Friday, December 1, 1995 (open access)

The Ranger (San Antonio, Tex.), Vol. 71, No. 11, Ed. 1 Friday, December 1, 1995

Weekly student newspaper from San Antonio College in San Antonio, Texas that includes campus news along with advertising.
Date: December 1, 1995
Creator: San Antonio College
Object Type: Newspaper
System: The Portal to Texas History
A Survey of Singers: Is Mental Imagery Used in the Conceptualization of Pitch and Vowel? (open access)

A Survey of Singers: Is Mental Imagery Used in the Conceptualization of Pitch and Vowel?

Mental imagery is a common theme in research that clarifies how musical thought relates to musical performance. Unfortunately, minimal information exists regarding mental imagery and singers. The purpose of this study was to probe the role, if any, mental imagery plays in the conceptualization of pitch and vowel. By interviewing singers at differing levels of expertise, basic information was obtained about the mental processes used by singers. Through evaluations of the singers' mental processes, it was concluded that 95% of the singers in the study employed mental imagery. All singers described using kinesthetic imagery, while the majority implemented sensory and auditory imagery. Viso-spatial imagery was implemented among the more experienced singers. The majority of singers also reported: imaging pitch and vowel interactively; imaging from an internal perspective; and utilizing mental rehearsal. Less than half of the singers described using methods other than mental imagery to conceptualize pitch and vowel.
Date: December 1992
Creator: Moyer, Karen E. (Karen Elizabeth)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Mathis News (Mathis, Tex.), Vol. 67, No. 51, Ed. 1 Thursday, December 20, 1990 (open access)

The Mathis News (Mathis, Tex.), Vol. 67, No. 51, Ed. 1 Thursday, December 20, 1990

Weekly newspaper from Mathis, Texas that includes local, state, and national news along with advertising.
Date: December 20, 1990
Creator: Sullivan, Charles
Object Type: Newspaper
System: The Portal to Texas History
Altus Times (Altus, Okla.), Vol. 92, No. 241, Ed. 1 Friday, December 18, 1992 (open access)

Altus Times (Altus, Okla.), Vol. 92, No. 241, Ed. 1 Friday, December 18, 1992

Daily newspaper from Altus, Oklahoma that includes local, state, and national news along with advertising.
Date: December 18, 1992
Creator: Lomenick, Rick
Object Type: Newspaper
System: The Gateway to Oklahoma History
The Collegian (Hurst, Tex.), Vol. 12, No. 14, Ed. 1 Wednesday, December 8, 1999 (open access)

The Collegian (Hurst, Tex.), Vol. 12, No. 14, Ed. 1 Wednesday, December 8, 1999

Weekly student newspaper published in Hurst, Texas and serving the Tarrant County College District that includes school news and information along with advertising.
Date: December 8, 1999
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
Jewish Herald-Voice (Houston, Tex.), Vol. 82, No. 37, Ed. 1 Thursday, December 6, 1990 (open access)

Jewish Herald-Voice (Houston, Tex.), Vol. 82, No. 37, Ed. 1 Thursday, December 6, 1990

Weekly Jewish newspaper from Houston, Texas that includes local, state, and national news along with advertising.
Date: December 6, 1990
Creator: Samuels, Jeanne F.
Object Type: Newspaper
System: The Portal to Texas History
The Baytown Sun (Baytown, Tex.), Vol. 73, No. 29, Ed. 1 Sunday, December 4, 1994 (open access)

The Baytown Sun (Baytown, Tex.), Vol. 73, No. 29, Ed. 1 Sunday, December 4, 1994

Daily newspaper from Baytown, Texas that includes local, state, and national news along with advertising.
Date: December 4, 1994
Creator: Dobbs, Gary
Object Type: Newspaper
System: The Portal to Texas History