The purpose of this study is to trace the development of a comparatively young orchestral instrument, the bass clarinet, and its use in the symphony orchestra. The first chapter concerns the development of the bass clarinet from the earliest imperfect specimen to the modern day instrument. The second chapter discusses physical characteristics that are peculiar to the bass clarinet. The third chapter deals with the particular methods of using the bass clarinet in orchestral literature by various composers, from its introduction into the orchestra by Meyerbeer through the present.

The purpose of this investigation is to trace briefly the development of opera in Germany during and after the Thirty Year's War as a background for the understanding of the milieu in which Keiser's Pregunda was created, and to study in detail this work as a representative of contemporary North German opera.

This study traces the development of the baton conductor from his earliest origin up to and including the present day. From his initial role, that of a time beater and teacher, he has progressed to that of an interpreter and creator of music.

The problem of classifying variations according to technical plan and stylistic treatment centers on the determination of which elements of the theme (melody, harmonic scheme, structure) are retained in each component variation and the compositional methods (elaboration, embellishment, motivic fragmentation) which are applied.

This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form. This volume is a musical supplement to the thesis.

The Teheran Conference, November 27- December 1, 1943, set the stage for the present-day Cold War. In that conference Sir Winston Churchill, Prime Minister of Great Britain, played a forceful, but unsuccessful, role.

This study examines the life of Margo Jones and the creation of the Dallas Theatre, later renamed the Margo Jones Theatre.

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John the Baptist is a passion focusing on the sufferings of John in six movements for contralto, tenor, baritone, and bass soloists; chorus of mixed voices; boys' choir; and orchestra.

Paul Hindemeith adheres to the traditional concept of using two trumpets in his orchestral brass section. The trumpet parts are notated in concert pitch on the score implying the use of the "c" trumpet, although in actual practice, the parts are often transposed and played on the B-flat trumpet by the performer.

The opera, The Pilgrim's Progress, was written by Ralph Vaughan Williams in 1949. "The Seven Songs" are analyzed for performance, examining the elements of music and text of the songs, including melody, harmony, form, vocal line and accompaniment, with the intent of forming conclusions in regard to their usefulness as singular selections, or as a group, for performance.

Maps -- Chapter I. The regiments and the posts -- Chapter II. Recruitment -- Chapter III. Routine at the Western posts -- Chapter IV. Rations, clothing, promotions, pay, and care of the disabled -- Chapter V. Discipline and related problems -- Chapter VI. Entertainment, moral guidance, and burial of the frontier -- Chapter VII. Conclusion -- Bibliography.

"The major problem that motivated this study is the fact the Negro in Houston, 1969 does not have any real political power although the potential for such power exists. The major purpose of this study is to seek answers to the following questions. First does the Houston Negro have any real political potential under the present system; if he does, what can he do with it? Second, why are there such wide gaps between the number of Negroes who are eligible to vote and the number that registered to vote and between those who registered and those who actually voted in Houston? The third question is in what election has the Houston Negro demonstrated his greatest political interest and why? And finally, is the politics of Houston based on race or economics?" -- leaf v.