Copy of the second of three volumes of "Storia della musica" (Music History) containing nine chapters and three dissertations that talk about music in relation to ancient Greece, such as Greek mythological figures and festivals, Greek theories of music, and unique features of ancient Greek music.

Copy of the first of three volumes of "Storia della musica" (Music History) containing eleven chapters and three dissertations. The text describes various topics related to music history including music classification, early music in biblical descriptions, music theories, singing and harmonies, church music, and musical notations.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes corrigenda from the preceding volume, information about contributors to the current volume, and an index of content in previously-issued volumes.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes corrigenda from the preceding volume, information about contributors to the current volume, and an index of content in previously-issued volumes.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes information about contributors to the current volume, and an index of content in previously-issued volumes.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes information about contributors to the current volume, and an index of content in previously-issued volumes.

Video recording of an amateur production about the Italian American experience in Texas that appears to have been created for the fourth Italian Symposium of Texas held in Bryan, Texas in September 1984. North Texas State University (now UNT) professor Dr. Samuel J. Marino introduces the production and references Texas Woman's University professor of Government, Cavaliere Valentine J. Belfiglio's 1983 book, The Italian Experience in Texas, which this production was based on. Dr. Marino traveled to Texas towns that historically had Italian communities and filmed interviews with residents, as well as scenery and exteriors of local Italian owned businesses. Dr. Marino narrates the video from a script he wrote with Alfonso Nicosia. The visuals are of a poor quality and are often overexposed and blurry.

Video recording of a slideshow presentation by Samuel J. Marino that was directed and included photographs from Silas S. Stamper. It includes visuals of portraits, monuments, statues, busts, and books that depict Christopher Columbus. It was overlaid with music from the Italian Symposium of Texas and narration explaining who the artists, and writers were along with a history of Columbus.

Lecture recital presented at the UNT College of Music M232 in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Annual journal featuring "articles on all facets of Schenkerian thought, including theory, analysis, pedagogy, and historical aspects and reviews of relevant publications" (copyright page).

Video recording of an interview with James J. Muro, Acting Vice President for Development at North Texas State University (now the University of North Texas). The interview takes place in what appears to Muro's office on the UNT campus. Muro, a native of Pennsylvania, discusses his upbringing, his family and the demographics of his hometown, which had a large immigrant population of Slovaks, Poles, and Italians. Muro's father emigrated from Sicily, Italy at the age of 5 or 6. His mother, the daughter of immigrants, was of partial Italian heritage. Muro's father worked as a coal miner and instilled a strong work ethic in his son. Muro talks about discrimination related to his identity as an Italian Catholic that he experienced on the East Coast. He claims he not experience any discrimination when he moved to Texas. Before the interview begins, there are brief scenes of the UNT campus, including Fouts Field.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

Bound compilation of sheet music. The dates of publication range between 1840 and 1880, and most of the publishers' imprints were located in New York or Philadelphia, along with several other locations. Discard stamps from the Columbus, Ohio public library, and a stamp for R.B. McAdow, Music Dealer in the same city suggest the compiler's residence was also there; the name Minnie S. Greene is written in pencil on the first page of music. Page 127 of the scan, or 114 of the music, is also inscribed "Presented to Minnie Greene."