this thesis explores the writings of Anne Morrow Lindbergh and their potential for oral performance. Lindbergh's life and works are examined, theories of interpretation are explored, and a solo performance script is compiled from various writings of Anne Morrow Lingbergh. The script was rehearsed and presented so that its effectiveness in oral performance could be evaluated. Both the performer and the audience members attest to the appeal of Lindbergh's writings as literature to be performed orally.

The purpose of this study were to provide fundamental ethnographic information about the Ticuna Indians and to determine to what extent the programs of bilingual education, administered among them by the Ministerio de Educación Pública del Perú and the Summer Institute of Linguistics (SIL), had accelerated their integration into mainstream Peruvian Life.

This study traces the history of the 28th Texas Cavalry by using a traditional narrative style augmented by a quantitative approach. Compiled service records, United States census records, state tax rolls, muster rolls, and casualty lists were used to construct a database containing a record for each soldier of the 28th. Statistical analysis revealed the overwhelming southern origins of the regiment, the greater proportion of older and married men compared to other regiments, and a close resemblance to the people of their home region in terms of occupations, slaveholding and wealthholding.

Previous reports have shown that killed cells of S. aureus potentiate the lethal effect of crude staphylococcal alpha toxin for mice. In the present study this synergistic effect has been demonstrated with highly purified preparations of alpha toxin. Time studies indicate that the active principle does not appear to be released until approximately two hours following administration of the whole cells.

The purpose of this study is to trace the development of the concert band from its earliest stages to the present time and to compile a list of original compositions for band that are worthy of serious concert performance, including compositions from 1750 until the present.