Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A faculty recital performed at the UNT College of Music Voertman Hall.

A faculty recital performed at the UNT College of Music in Voertman Hall.

Interview with Kim Phillips, vice-president of the Denton Conventions and Visitors Bureau from Longview, Texas. Phillips discusses her love of Denton, her childhood and education, the music scene, the sense of community,, the CVB's work, local history, Quakertown, the Chamber of Commerce, the black and Hispanic communities, and the Confederate memorial. In appendix is a picture of Denton County Courthouse and the County Confederate Memorial.

This is the first Chronicle Research Services report in a three-part series on what higher education will look like in the year 2020. It is based on reviews of research and data on trends in higher education, interviews with experts who are shaping the future of colleges, and the results of a poll of members of a Chronicle Research Services panel of admissions officials.

Official, quarterly journal of the National Rehabilitation Counseling Association (NRCA) containing articles, opinions, and research in professional rehabilitation counseling regarding the needs of individuals employed in a wide variety of work settings and with wide-ranging professional interests.

After earning his theology degree from Union Seminary in New York, Lloyd Pfautsch (1921–2003) found his true calling in church music. He was invited to Southern Methodist University in 1958 to start their graduate program in sacred music and remained there for 34 years. Outside the university, he formed the Dallas Civic Chorus and led it for 25 years. He was nationally known for his conducting and the quality of the musicians he produced as well as for his compositions, many of which are illustrated here with his handwritten notations. This is the first biography of this important figure, and it is told from the viewpoint of a longtime colleague and friend. Aligned with the biography, Hart analyzes some of Pfautsch's hundreds of compositions. This is the definitive work on one of the most influential American choral musicians of the twentieth century.

The Texas Folklore Society has been publishing a regular volume of folklore research (our PTFS series) for the past several decades. Most of these books are what we call miscellanies, compilations of the works of multiple folklorists, and they feature articles on many types of lore. We've also published over twenty "Extra Books," which are single-author manuscripts that examine a more focused topic. Short Call: Snippets from the Smallest Places in Texas, 1935-2000 by Joyce Gibson Roach, is TFS Extra Book #24. Joyce Gibson Roach has collected “snippets” of stories, recipes, and traditions of life in Turtle, Texas, which represents many small towns—and the people who inhabit them. Many of the younger generations leave such towns, finding both place and society crumbling. Those who've stayed are finding new and interesting ways to put themselves and their places back together. Both the short and long pieces herein are about the folks who've elected to stay generation after generation, knowing that for them wherever they’ve stayed is still the Home Place. The characters' viewpoints are personal, sometimes agreeing with facts found in history books and sometimes not.

Interview with Pam Livingston, a Denton, Texas public servant from Kansas. Livingston discusses growing up, her family, attending North Texas State College (UNT), her impression of Denton, her jobs with the city, being a certified business development specialist, church activity, changes in Denton over time, and thoughts on community. In appendix is a picture of the Denton County Courthouse, and one of the Denton County Confederate Memorial.

Classic Keys is a beautifully photographed and illustrated book focusing on the signature rock keyboard sounds of the 1950s to the early 1980s. It celebrates the Hammond B-3 organ, Rhodes and Wurlitzer electric pianos, the Vox Continental and Farfisa combo organs, the Hohner Clavinet, the Mellotron, the Minimoog and other famous and collectable instruments. From the earliest days of rock music, the role of keyboards has grown dramatically. Advancements in electronics created a crescendo of musical invention. In the thirty short years between 1950 and 1980, the rock keyboard went from being whatever down-on-its-luck piano awaited a band in a bar or concert hall to a portable digital orchestra. It made keyboards a centerpiece of the sound of many top rock bands, and a handful of them became icons of both sound and design. Their sounds live on: Digitally, in the memory chips of modern keyboards, and in their original form thanks to a growing group of musicians and collectors of many ages and nationalities. Classic Keys explores the sound, lore, and technology of these iconic instruments, including their place in the historical development of keyboard instruments, music, and the international keyboard instrument industry. Twelve significant instruments are presented as …

Orcchestra portion of a concert performed at the UNT College of Music Winspear Hall.

Interview with Campbell Read, a professor at Southern Methodist University and Dallas-area LGBT activist from Edinburgh, Scotland. Read discusses fighting police harassment, organizing a televised rebuttal to televangelist James Robison's condemnation of the gay community, important members of the community in Dallas and Denton, attending college in Lebanon and the United States, becoming involved with gay rights' activities at SMU, his family, and bird-watching. In appendix are pictures of demonstration signs Read carried and relevant newspaper clippings.

Interview with Antonio Chavez, a former UNT student from Sonora, Texas. Chavez discusses the desegregation of schools in Sonora, experiences in grade school and the disparity in quality between segregated schools, his father's grocery business, discrimination, majoring in elementary education, working in geophysics, attending North Texas State College, life in Denton and on campus, and raising his family.

Lonnie Johnson (1894–1970) was a virtuoso guitarist who influenced generations of musicians from Django Reinhardt to Eric Clapton to Bill Wyman and especially B. B. King. Born in New Orleans, he began playing violin and guitar in his father’s band at an early age. When most of his family was wiped out by the 1918 flu epidemic, he and his surviving brother moved to St. Louis, where he won a blues contest that included a recording contract. His career was launched. Johnson can be heard on many Duke Ellington and Louis Armstrong records, including the latter’s famous “Savoy Blues” with the Hot Five. He is perhaps best known for his 12-string guitar solos and his ground-breaking recordings with the white guitarist Eddie Lang in the late 1920s. After World War II he began playing rhythm and blues and continued to record and tour until his death. This is the first full-length work on Johnson. Dean Alger answers many biographical mysteries, including how many members of Johnson’s large family were left after the epidemic. He also places Johnson and his musical contemporaries in the context of American race relations and argues for the importance of music in the fight for civil …

Interview with Sally Bravo, second generation of Bermejo women, for the Mexican American Women's Educational Experience Oral History Project. The interview includes Bravo's recollections of schooling in Fort Worth, the scholastic structure of her home life, cultural expectations and limitations on education, and the meaning of high school graduation, as well as educational goals for children, the role in sending children to college, and the generational changes in educational goals. It includes an appendix with the Bermejo family tree.

Interview with William "Jake" Wehrell, U.S. Marine Corps Veteran and Air America Pilot conducted for the Air America Oral History Project. He discusses his childhood and education in New Jersey and Central College; decision to enlist in the Marine Corps during the Korean War; experiences while stationed at El Toro, California, Japan, Cherry Point, NC, Parris Island, SC, and Beaufort, SC, and aboard an aircraft carrier; decision to join Air America; experiences while stationed in Taiwan, Bangkok, Saigon, and Phnom Penh; opinions on the Vietnam War and Air America’s role in it.

In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876–1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903–1961), broadened the pedagogical horizons for her students. Many of her own students achieved great professional heights as performers and church musicians. Robert Theodore Anderson (1934–2009) was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. He consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center—an organ that would influence concert hall instruments in subsequent decades.

Interview with Don Maison, President and Chief Executive Officer of AIDS services of Dallas. The interview includes Maison's personal experiences about his childhood, working with the Dallas County Juvenile Department, being gay, being involved with the gay community, and his experiences as a lawyer. He particularly talks about being involved with the Dallas Gay Alliance, the Village Station arrests, and the AIDS crisis.

Interview with Howard Okon, a businessman and LGBT community activist from Dallas, Texas. Okon discusses founding the Dallas Tavern Guild, running gay bars in the 1970s, coming out, drug use, political allies, vandalism and raids, changes in patronage, the current state of Texas gay bars, the AIDS epidemic, the impact of social media on the scene, the Dallas dance hall ordinance, activism, and generational differences.

Interview with Dana Lodge, an employee of the Denton Conventions and Visitors Bureau from Dallas, Texas. Lodge discusses growing up, her education, her work in the restaurant industry, entering the hospitality industry and her work with the Bureau, festivals and events in Denton, local history, and plans for the future of Denton. In appendix are pictures of the Denton County Courthouse and the Confederate Soldiers memorial. Includes an appendix.

Interview with Karen Dickson, vice-president of the Denton Chamber of Commerce Economic Development Division from Bryan, Texas. Dickson discusses her childhood and education, her career, economic development and the work she does for the Chamber of Commerce, thoughts on "community" and being a community leader, and the economic history of Denton. In appendix is a photo of the Denton County Courthouse and one of the Denton County Confederate Memorial.

Interview with Jeanne Gaudette, a yogini from Lynn, Massachusetts. Gaudette discusses growing up, discovering a love of nature, astrology and spiritualism, meditation, considering a monastic vocation as a teenager and quitting religion, thoughts on her family's struggles, her marriage and divorce, having a son, becoming a Ayurvedic yogini, reading charts, planetary energy, Scott and Helen Nearing, dowsing, death and souls, chakras, and Helen Nearing's death.

Interview with Gary Bruce, a resident of Pilot Point, Texas. Bruce recounts his childhood and growing up in a poor community, primary school, his parents, high school, racism, the JFK and MLK assassinations, the Texas State Fair, Juneteenth, jobs worked, his first marriage, children, his second wife, family history in north Texas, changes in Denton and Pilot Point over the years, segregation, and the Zimmerman trial. In appendix are a series of family photos.

Interview with Marvin "Smokey" Montgomery, musician, concerning his experiences as a member of the "Light Crust Doughboys" western swing band, 1935-42. Early musical career as a banjo player in a traveling tent show; employment with the 'Wanderers"; comments about Lee "Pappy" O'Daniel; work with Gene Autry and Republic Pictures; acquiring the nicknames "Junior" and later "Smokey"; "Doughboy recording sessions; comments about Bob Willis; comments about individual members of the "Doughboys" band; World War II and its effects on the "Doughboys"; employment making naval shells for Crown Machine and Tool in Fort Worth; relations between Bob Wills and 'Pappy' O'Daniel; moonlighting on the honky tonk circuit with the "Southern Selectors"; the "Doughboys" record sales; jamming with African-American musicians; performing with the "Duncan Coffee Grinders" during World War II; his return to the "Doughboys" after World War II; performances with the "Texo Hired Hands"; performing with the "Levee Singers" in the Levee Club in Dallas during th the 1960s; comments about rockabilly performer Ronnie Dawson; comments about the record business; his career as a music arranger; operation of the Sumet-Bernet Recording Studios in Fort Worth; employment as music director for the "Big D Jamboree," 1941-60; his song writing career; experiences with "Lefty" …