The problem I choose dealt with a new material to use in conceptual art. Since the nature of my work deals with ribbed sculptural forms that explore conceptual abstractions of recorded observations, I investigated a new material called composites. A composite is defined as two or more materials that are combined to share the best qualities of both. Laminated foam core, nylon fabric weave, vinyl, and resin composites may introduce an aesthetic and structural advantage to traditional material such as wood and metal. Innovations in laminated composites and methods of joining unfamiliar materials could offer an advantage for these new sculptures. A series of six ribbed sculptural forms were constructed, which consist of laminated composite material relating to personal observations expressed in my journal in the last quarter of the year 2000. The material was introduced in the desire for a cohesive formal relationship between the concepts and the forms. Patron, 2001 Mixed Media, 19"x 8"x 4"; PDQ, 2001 Mixed Media, 10"x 8"x 2"; PDQ2, 2001 Mixed Media, 21"x27"x3"; Bishop, 2001 Mixed Media, 23"x11"x5"; Coaster, 2001 Mixed Media, 14"x12"x9" and Putsch, 2001 Mixed Media, 69"x48"x24".

The present study concerns the use of native materials in craft problems which might be used profitably in public schools. The purpose of the research and experiments was fourfold: first, to make available information on the utility of certain native materials which the writer believed would be helpful to people interested in crafts; second, to acquaint interested individuals with native dye plants; third, to encourage a wide use of native materials; and fourth, to work out for use in public schools a series of craft problems utilizing native materials.

Grief is the reaction to the loss of anything valuable, and therefore both the widowed and the divorced experience the grief process. Research shows that learning about the cyclic stages and symptoms of grief and knowing that others have successfully recovered can be helpful to the griever. The purpose of this thesis has been to develop and produce a compiled Readers Theatre script containing factual material about the stages and symptoms of the grief process as it relates to the widowed and divorced, and also personal testimonies of people who have successfully worked through their grief. In addition to the script, the thesis includes a discussion on pathological grief and on the similarities and differences in widowed and divorced grief.

Document that details the conception, evolution and conclusions of a body of work consisting of seven prints executed in the printmaking technique of intaglio printing in the manner of the state print. The work is discussed by explaining the visual and conceptual associations that occur in an "Alice In Wonderland" manner, where the initial idea is paired with seemingly unrelated topics to establish a progressive visual language. This language is further supported by discussing a comparative of the state print with the idea of the sketchbook as a tool of thought generation and elaboration. The technical aspects of intaglio and the choice of techniques utilized are discussed to support this comparison. How the quality of the prints reflects the quality of the sketchbook and how these techniques combine with the conceptual reasoning, which result in the body of work. Findings for the work are based on three questions that deal with the progression of conceptual reasoning, predictability of recurring ideas and the intentions of the technical choices made.

It is the purpose of this thesis to describe various small-group activities which could be used in classes of secondary English to help to "teach-Johnny-to-write." These activities are divided into four areas of study--developing and practicing specific skills related to writing, developing a topic, planning a theme, and evaluating student writing.

This thesis consists of a collection of poems. By virtue of its content and arrangement, the collection ruminates on and attempts to work through the problem of corporeality and bodily experience: the anxieties surrounding illness, mortality, and the physicality of contemporary life. This collection explores the tension inherent in the mind/body duality and, rather than prescribing solutions, offers multiple avenues and perspectives through which to view bodily experience, as well as how that experience affects an individual’s identity, agency, and sense of self.

Mall after mall was built in American cities, exhaustively emulated by developers often working in concert with civic governments. In service of capital, neoliberal urban governance engages in the risky subsidization of spatio-spectacle production, working together with private business entities to bolster tax revenue and aid in private capital accumulation. The extensive replication of malls in close geographic proximity to one another across the American landscape, erected through the neoliberal partnerships of civic governments and private business interests, has greatly contributed to mall decline and mall death. There is now, however, a new spatio-spectacle that has arisen to take the place of the "great American shopping mall"—the luxury mixed-use development. These luxury mixed-use projects have been adopted as a new trend within urban development following the reality of sweeping mall decline and are proliferating across the (sub)urban landscape. Luxury mixed-use developments, I argue, are merely a continuation of late capitalism's problematic spectacle fetish. Moreover, this process is revealed to be inextricably entangled with gentrification, driven by cities' neoliberal desires to become/maintain status as global, "world-class" cities, performed through the spatialized ideology of neoliberal multiculturalism.

This study was designed to determine whether Time, Newsweek and U.S. News & World Report news magazines expressed. opinions in their coverage of four topics concerning the 1979 energy crisis: United States government, OPEC, oil companies, and consumers. A content analysis of all stories in the three magazines from May to December 1979 indicated that Time was the most opinionated, U.S. News & World Report was second, and Newsweek was most neutral in coverage of the energy crisis. The percentage of article space allotted had no apparent effect upon the magazines' handling of those topics.

The Garden Of Eden is a ballet for four instrumental quintets: brass, woodwind, string, and percussion. Each ensemble is associated with one of four dancers: God, Adam, Eve, -and the Serpent, respectively. The duration of this ballet is approximately sixteen minutes and is divided into three parts depicting (1) the creation of the world and Adam; (2) the creation of Eve-and the warning about the tree of knowledge; and (3) the Serpent's temptation of the main characters, as well as their subsequent banishment from the garden by God. One of my reasons for composing this work was to answer an important question: how to control musical motion and emotion. Since ballet incorporates both motion in its choreography and emotion in its program, it provided a perfect medium in which to work.

This thesis is a collection of poetry written between 1970 and 1975. The quality of the poems is admittedly uneven, but the inclusion of earlier, weaker poems may indicate a progression in the areas of flexibility, control of material, and strength of poetic voice. The poems are arranged into five sections, entitled "Love," "Rabbits," Poetry about Poetry," "Religion and Ancestors," and "Henry. Poems collected here are intended to demonstrate that experimentation with various forms contributes to an increased ability to control poetic material and technique. By confining a poem to particular forms, one is forced to be more creative, imaginative, and exact. Both control and flexibility are important in contemporary poetry, and my hope is that the following poems demonstrate a balance of those qualities.

Heterosexual romance and marriage are institutionalized ideals in our society, set forth, in part, through the portrayal of stereotyped gender roles in fairy tales, such as Cinderella, and by the mainstream media. This thesis explores the cultural messages aimed at women, which impose the necessity of altering oneself to achieve marriage, and offers feminist viewpoints. Using the form of the personal essay, I discuss the ideals of Cinderella, Prince Charming, marriage, and Happily Ever After as unrealistic, though still prevalent, given the popularity of books like The Rules: Time-tested Secrets for Capturing the Heart of Mr. Right, and Princess Diana as Cinderella icon. Essays on my own experience of marriage and divorce supplement the cultural issues, juxtaposing the personal and political toward a new paradigm for relationships.

The current study assessed the effectiveness of a training package, delivered in the form of a manual, to teach a parent to increase the variety and amount of food consumed by her son. The participant was a 5-year-old boy with Pervasive Developmental Disorder and limited food consumption. A changing criterion design across two variables, variety of food and quantity of food, was used. Results were that the parent who used the manual, with limited assistance from the experimenter, did succeed in increasing food variety and quantity of target foods.

The purpose of this study was to determine if there is a relationship between dogmatism, anxiety, and attitudes toward the Vietnam War, and, in the process of doing so, to test Rokeach's hypothesis of independence of belief structure and content in the contextual atmosphere of recent attitudes toward the Vietnam War. The Vietnam War Scale, Form E of the Dogmatism Scale, and a five-situation version of the S-R Inventory of Anxiousness were administered to 104 male students who were enrolled in introductory psychology classes at North Texas State University. It was hypothesized I. That there would be a significant positive relationship between dogmatism (as measured by the Dogmatism Scale) and anxiety (as measured by a five-situation version of the S-R Inventory of Anxiousness). II. That there would be a significant positive relationship between closed-mindedness (as measured by the Dogmatism Scale) and attitudes toward the Vietnam War (as measured by the Vietnam War Scale). III. That the Hawks would show a significantly higher level of dogmatism than the Doves. IV. That the Hawks would show a significantly higher level of anxiety than the Doves. Hypotheses one, two, and three were supported. Hypothesis number four was in the predicted direction, but was …

This thesis examines existing curricula at colleges and universities about sustainability and uses results to develop an introductory post secondary course curriculum. The proposed course is organized around three major elements - - science, philosophy, and economics - - all integral to understanding sustainability. Materials needed to teach the proposed 3-semester hour course including syllabus, teaching modules, transparencies, handouts, and exams were developed. Suggestions on how to teach a one-semester hour course on sustainability and a workshop on sustainability are also presented. The following research and curriculum development was a project established and funded by the Texas Energy Office, Renewable Resources and Sustainability Program.

The problem of this study is to compare certain elements of appeal in favorite comic books and favorite books of fiction read by 384 ninth-grade pupils in the J. P. Elder Junior High School, Fort Worth, Texas, during a three-months period from November 7, 1949, to February 7, 1950. The purpose of this investigation is to ascertain whether the same elements of appeal are common to both types of reading, and whether they compare favorably with the findings of other investigations reported in literature on the subject.

The chakra system consists of seven energetic vortexes ascending up the spine that connect to every aspect of human existence. These vortexes become blocked and unblocked through the course of a life, these openings and closings have physiological and mental repercussions. Knowledge of these physical and mental manifestations, indicate where the chakra practitioner is in need, the practitioner can then manipulate their mind and body to create a desired outcome. These manipulations are based upon physical exercises and associative meditations for the purpose of expanding the human experience. As a poem can be thought of as the articulation of the human experience, and the chakra system can be thought of as a means to understand and enhance that experience, it is interesting and worthwhile leap to explore the how the chakras can develop and refresh the way we read and write poetry. This critical preface closely reads seven poems, one through each chakra, finding what the chakras unveil. Here, each chakra is considered for its dynamic creative capabilities and for its beneficial potentiality in the reading and writing process, finding each chakra provides tools: idea generators with the potential to free the poet from usual patterns of creativity while broadening …

Sanguinet was one of the most important early architects in Texas. His partnership with Arthur and Howard Messer was responsible for the development of Arlington Heights, a prominent resort community. With partner Carl Staats and later partner Wyatt Hedrick, Marshall Robert Sanguinet designed most of the early towers of the Fort Worth central business district. In addition, the firm also designed residences, churches, educational facilities, courthouses, and club buildings in Fort Worth as well as in Dallas, Houston, San Antonio, and Wichita Falls, where branch offices are located.

During Matthew Arnold's lifetime England was in permanent transition: the emergence of a modern industrial society, the new science and liberalized Christianity, and the democratic and humanitarian movements. To be a writer during this time required a curious and precarious balances an alternation of steadfastness and change. Arnold's moving back and forth between the traditions of romanticism and rationalism does present a challenge to the contemporary reader; no single or systematic approach can be applied to his works. An examination of a selection of Arnold's poems, written predominantly between 1845 and 1857, shows the author's reassessment of man's place in the new cosmology as necessitated by the scientific and technological advances of the century. The poems selected also suggest movement away from the romantic concept of the greatness of the past and yesterday's larger-than-life hero toward an acceptance of the best life as represented by the present generation of men. Arnold's theory, that the best self or right reason manifests itself in heroic men, in leaders, and confirms ordinary men, is found throughout the poems studied.

What is the boundary between fiction and nonfiction? What happens if the line between the two is crossed? Can we possibly recall events in our lives exactly as they happened? In creative nonfiction, such as memoir, the audience expects the writer to recall things exactly as they happened, with no embellishments, re-ordering, additions, or subtractions. It seems as if authors of creative nonfiction are bound to be questioned about events, nitpicked on details, challenged on memories, and accused of portraying real-life people the "wrong" way. Yet when the writer creates fiction, it seems to go the other way: readers like to think there are parallels between an author and her stories. Readers congratulate themselves for finding the similarities between the two, and instead of focusing on the crafted story at hand, try to search out which parts are "true" and which are embellished. Does any of this matter, though; don't all stories tell a kind of truth? We have an insatiable urge to classify, to "know" the truth, but truth isn't merely a recollection of cold facts; likewise, a story isn't any less true if it's fiction.

By the early eighteenth century, French music was tangibly influenced by the Italian style which had already permeated much of Europe. The French Cantata is symptomatic of that often disparaged influx. The cantatas of Rameau are a significant contribution to an important form. Written almost entirely in the early years of the artist's career, they hold details of his stylistic development. In the present study of Rameau's cantatas several aspects of his style are discussed as they relate both to his theoretic writings and to the various influences of the time. Examples of those stylistic elements found in the cantatas are cited and discussed. There is, as well, a comparison of the works to the poetic form standardized by Rousseau.

Empowerment, which has been described as both a means of effecting higher and more efficient quality work outputs and a means of facilitating greater freedom in the workplace combines elements of philosophy, psychology, and management theory. The perceptions of the present empowerment level of 3500 employees of a division of a major corporation were analyzed using data from an empowerment survey. The results were examined using correlational and factorial measures to test the structure of the survey. ANOVA and pair-wise comparisons were used to examine group differences on five subscales of the survey based on employee level in the organization. Significant differences were found in almost all categories. Rank order for the three levels differed from previous findings, perhaps due to empowerment thrusts.

Overcapacity is a self-reflexive, personal journey film that explores the filmmaker's exploration of his lifelong problem with obesity and health. The film follows his progress as he discusses his weight problem with his partner and parents as well as works with a personal trainer and doctor in an effort to affect a lifestyle change while also confronting issues that have led to and perpetuate his current health situation.

A preliminary investigation of the extent to which supportive services contribute to the effectiveness of a methadone treatment program was conducted.

The problem is the investigation of the possibility of an alternative theory of literature that attempts to show literature's relation to human consciousness. A phenomenological theory of literature is presented as a comprehensive theory of literature as opposed to extrinsic theories that are not comprehensive. The basic assumption is that a comprehensive theory of literature must take into account literature's relationship to human consciousness. The shortcomings of traditional modes of literary theory are discussed in order to provide grounds for the proposed intrinsic alternative. The philosophical foundations for the proposed alternative are laid in the phenomenology of Husserl, Ingarden, Heidegger, and the French existentialists. These four positions are mediated through the introduction of the philosophy of Paul Ricoeur. Finally, the proposed alternative theory of literature is applied to the test case of Joseph Conrad's Lord Jim.