Sound recording of panelists at the Lone Star Sesquicentennial conference hosted by the University of Texas at Austin. Moderator: Archie McDonald; First panelist: Margaret Sweat Pinson; Second panelist: Daniel E. Fox; Third panelist: Dr. Marilyn McAdams Sibley, reading, "Lone Stars and State Gazettes: Texas Newspapers Before the Civil War." Side A ends in the middle of Pinson's lecture. Side B begins with Fox's presentation, and ends in the middle of Sibley's lecture.

Sound recording of Partners for Livable Places (Partners for Livable Communities) lecture with keynote speaker, Robert H. McNulty, founder, and president. Side A: audio cuts off mid-sentence. Side B: continued from side A - Robert McNulty lecture.

Sound recording of panelists at the Lone Star Sesquicentennial conference hosted by the University of Texas at Austin. First panelist: unknown; Second panelist: Robin Doughty, PhD. Clip 1 begins in the middle of the first presentation. Clip 2 ends in the middle of Doughty's lecture.

Sound recording of panelists at the Lone Star Sesquicentennial conference held by the University of Texas at Austin. First panelist: T.R. Fehrenbach, presenting, "The Texas Revolution in Perspective"; Second panelist: unknown. Fehrenbach's speech is cut off and the recording proceeds in the middle of the second presentation.

Sound recording of panelists at the Lone Star Sesquicentennial conference hosted by the University of Texas at Austin. First panelist: Margaret Sweat Pinson; Second panelist: James Pohl, reading, "Battles and Leaders of the Texas Revolution"; Third panelist: unknown; Fourth panelist: Dr. Marilyn McAdams Sibley, reading, "Lone Stars and State Gazettes: Texas Newspapers Before the Civil War." Clip 1 begins in the middle of Pinson's presentation and ends after Pohl's lecture. Clip 2 begins in the middle of an unknown presentation, and ends in the middle of Sibley's lecture.

Sound recording of Dr. Marilyn McAdams Sibley reading from, "Lone Stars and State Gazettes: Texas Newspapers Before the Civil War," at the Lone Star Sesquicentennial conference hosted by the University of Texas at Austin. Footage begins in the middle of Sibley's presentation.

Sound recording of Eunice Nelson speaking to Cross Timbers Genealogical Society, Monday, May 4, 1992. Side B: Speaker unknown. Writing on tape suggests it is Edw. Able, Jr., MPMA - 10/18/92; audio ends during the question and answer session.

Sound recording of Partners for Liveable Places Workshop: Archives (Partners for Livable Communities) lecture with keynote speaker, Robert H. McNulty, founder, and president. Lecture about what archives are and what their responsibilities to the community are; lecture does not start at the beginning. Side A: cuts off mid-lecture. Side B: lecture continued from side A. .

Sound recording of panelists at the Lone Star Sesquicentennial conference hosted by the University of Texas at Austin. First panelist: Robin Doughty, PhD; Second panelist: Frank de la Teja, PhD; Third panelist: Fane Downs, PhD; Moderator: T. R. Fehrenbach, author of the book "Lone Star", described as a historian who made Texas larger than life. Doughty gives a biographical account of an early pioneer frontierswoman; de la Teja discusses life in San Antonio in the 1820s; Downs discusses the role women played on the frontier, debunks the myths of the helpless heroine, the sturdy helpmate, and the bad woman. Side A starts in the middle of Doughty's presentation, and ends in the middle of Downs' presentation. Side B starts in the middle of a Q&A with the panelists.

JAC interview of Richard Rorty discussing social constructionism in relation to writing, philosophy, and rhetoric.

Audio cassette from The Black Academy of Arts and Letters recorded during an arts council meeting held on September 2nd, 1987. The audio on the tape is generally intelligible but overall covers summer activities and events that took place around Labor Day.

Audio recording of Steven Fromholz - Love Songs from Felicity Records; FR-007 c. 1988. Side 1: Lady's Man. Isla Mujeres. Solitude. I'd Have To Be Crazy. A Candle Burns. Side 2: Blue Would I Be. Cheatin' Home To Me. Making' My Getaway. Here's That Rany Day. Jane's House.

Audio cassette from The Black Academy of Arts and Letters recorded during their "Black Music and the Civil Rights Movement" concert recorded at Fair Park Music Hall on January 15th, 1984. The tape includes two tracks that are well recorded and includes speakers discussing Martin Luther King Jr. and the civil rights movement along with music by a large choir.

Audio cassette from The Black Academy of Arts and Letters recorded during their "Black Music and the Civil Rights Movement" concert recorded at Fair Park Music Hall on January 15th, 1984. The tape includes two tracks that are well recorded and includes speakers discussing Martin Luther King Jr. and the civil rights movement along with music by a large choir.

Audio reel from the Steven Fromholz Papers recorded Steve Fromholz's Love Songs at Wire Recordings.

Recording of Eduardo Pérez Maseda's Take me away. The axis of this work is a text by the Italian writer, Italo Calvino. This text was taken from the novel, "Il barone rampante", and includes both English and Spanish.

The text of Jean Giono, a prelude to his great novel, underlined by the sounds of nature, their treatment and their setting in space. A listening to to hear only the lullaby sung by the world "...

Recording of Yves Daoust's Ouverture. This is a work for electronics.

Recording of Damian Roskill's The kubrick suite. This is a work for electronics that includes English spoken word and distorted voices.

Recollections concludes the Time Past series of works started in 1981. It examines three key ideas in the works of Marcel Proust - time, memory and dreams - in the context of a solo performer struggling to reconstruct the opening of Dante's Vita Nuova. (He's forgotten the words, perhaps even how to speak and is learning the process all over again.) The amplified solo voice is integrated or contrasted with two tapes (heard simultaneously). One is based upon vocal sounds processed using the Fairlight II Computer Music Instrument, the other upon a simple montage of texts and abstracted fragments. Recollections was commissioned by the vocal group Vocem for Alan Belk with funds made available by Greater London Arts. The tape was realised in the Electroacoustic Music Studio at City University, London between November 1985 and January 1986. It was first performed by Alan Belk and the composer at an Electro-Acoustic Music Association Concert at The Place, London on the 20th of January 1986.

Recording of Barry Truax's Beauty and the Beast. This work is for narrator who also plays oboe d'amore and English horn, computer images, and two computer soundtracks. The computer graphic images and text were created by Theo Goldberg. This is a modern retelling of the traditional story of a young girl's voyage of self-discovery through her encounter with the Beast in the enchanted castle. This version of the story is a modern interpretation as suggest by Bruno Bettelheim in his 1976 book The Uses of Enchantment. Beauty and the Beast was commissioned by oboist Lawrence Cherney for the Musical Mondays series of young people's concerts, with the assistance of the Laidlaw Foundation and the Music Section of the Canada Council.

Recording of Steve McCaffrey and François Dufrêne's Les accords d'Helsinki. These pieces are part of a suite for electronics. Sound materials include vocalizations and spoken text.

Recording of Lewis Nielson's The hero/the martyr/thefool.

This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.