Recording of Lars Hojerdahl's A une passange. This work is for electronics and is based on a poem by the same name. The composer wove the text into their own musical structure and created this work as a piece of music where moods and rhythms leave traces of the original material.

Recording of Frances White's The old rose reader. This is a work for electronics that includes spoken word and flute performance. This recording includes two tracks, one for tape only and one with tape and flute.

Recording of Colin Black's Bouzouki Abstraction. This work explores the abstract connections between the traditional Greek bouzouki instrument and the constructs of music, heritage, and physical structures displaced in time. This is a bilingual piece that includes text performed in both English and Greek. Musically, this work combines electroacoustic composition, sound art, synthesis, harmonic singing samples, spoken word, and the traditional bouzouki instrument.

Recording of Florivaldo Menezes' Todos os Cantos. This is a work for electronics that includes sound samples of spoken word and voice. There is a small sample of the aria "Queen of the Night" by Mozart.

Recording of Sébastien Roux's Un grand ensemble. This is a work for electronics that includes English and French spoken word.

Recording of Peter De Moncey-Conegliano's In memoriam George Sand. This work pays homage to George Sand whose combination of acute social conscience and intense artistic sensibility are rare in today's world. This piece speaks on the outcomes of the Industrial Revolution and the first demand of socialism. The material in this piece includes texts by George Sand, fragments of a 19th century folk song, and Chopin's "Revolutionary Etude".

Recording of Pete Stollery's Banchory Ears. This work was commissioned by Woodend Arts Association and is a concert version of the music that the composer made to accompany the Banchory Faces photography exhibition in September 2003. The composer collected sonic photographs from various areas of Banchory in Aberdeenshire, Scotland. The composer thanks Bertha Forbes, a local historian, for her recollection of sounds and for the use of the interview with her in this piece.

Recording of Daniel Matej's Cave Songs (re)mix. This work was concieved mainly as a "next step" from the sound installation, Caves, which the composer had made with Tibor Szemző in 2004. Many of the used and non-used sounds from that installation were used to create this work. The work as a whole contains 5 separate pieces titled: 1. gospel, 2. blues, 3. de profundis, 4. sex, and 5. ho-chi-min. The composer gives thanks to Mr. Richard Sabo for his technical assistance as well as Jan Boleslav Kladivo for the 'artistic accompaniment'.

Recording of Felipe Otondo's Zapping Zappa. This work was created as a humoristic tribute to the composer Frank Zappa. The composer uses different types of samples from the music of Zappa. Within this piece there is a development in terms of timbral rhythmic layers that evolve gradually, changing in sonorities.

Audio recording of performances at The Mickey Newbury Gathering IV in Austin, TX, recorded live June 27, 2004.

Part 3 of an interview with U.S. Army Air Forces and U.S. Air Force veteran General P. K. Carlton. Carlton speaks about his association with General Curtis LeMay, bomber operations against Japan and Japanese occupied territory, his assignment with the Strategic Air Command Operations staff under LeMay, and the role of the SAC and the B-52 in relations with the Soviets. Additionally, Carlton speaks about LeMay's role in creating a safety program for the SAC and in building SAC's communications system, in the development of radar formation flying as well as in the development of Arctic bombing routes and in the USAF's acceptance of the B-52, LeMay's relationship with the press, his efforts to establish survival schools, his influence on USAF equipment decisions, operational contributions and emphasis on readiness, and his views on the use of airpower in Vietnam.

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Lecture given Saturday, June 26, 2004 at Abilene Christian University

Parts 1 and 2 of an interview with U.S. Army Air Forces and U.S. Air Force veteran General P. K. Carlton. Carlton speaks about his association with General Curtis LeMay, bomber operations against Japan and Japanese occupied territory, his assignment with the Strategic Air Command Operations staff under LeMay, and the role of the SAC and the B-52 in relations with the Soviets. Additionally, Carlton speaks about LeMay's role in creating a safety program for the SAC and in building SAC's communications system, in the development of radar formation flying as well as in the development of Arctic bombing routes and in the USAF's acceptance of the B-52, LeMay's relationship with the press, his efforts to establish survival schools, his influence on USAF equipment decisions, operational contributions and emphasis on readiness, and his views on the use of airpower in Vietnam.

Interview with Loweta Chesser, regarding her life experiences and viewpoints.

Interview with Jack Colville, who discusses his life experiences and viewpoints.

Lecture given Saturday, June 26, 2004 at Abilene Christian University: "An examination of the theology and practice of the Lord's Supper in Churches of Christ."