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Mnemothèque Internationale des Arts Electroacoustiques
184
Abilene Library Consortium
138
ACU Summit Lecture Series
138
College of Music Recordings
122
Tim Owens Jazz and Broadcast Collection
6
The Black Academy of Arts and Letters Records
3
National Museum of the Pacific War Oral History Collection
3
National Museum of the Pacific War Digital Archive
3
Journal of Composition Theory
2
Margaret Parx Hays Papers
1
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460 Matching Results
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Interpose
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Recording of Charles Nichols' Interpose. This is a work for guitar and computer-generated sound. The composer describes this work as "a study in the interposition of gestural content on the local and structural level".
Date:
1999
Creator:
Nichols, Charles, 1967-
System:
The UNT Digital Library
Grain Streams
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Recording of Eduardo Miranda's Grain Streams. This work was created for piano, electroacoustics, and live effects and consists of three movements: I. Maelstrom, II. Scintillation, and III. Vanishing Point. This composition explores the tension between the composers musical ego and computer-generated sequences. The composer created a program, CAMUS, to express automata patterns as musical notes, which act as a basis for the electroacoustic sound material.
Date:
1999
Creator:
Miranda, Eduardo Reck, 1963-
System:
The UNT Digital Library
Huecograbado
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Recording of Adolfo Núñez's Huecograbado. This work was written for B-flat clarinet and tape and was commissioned by Musica-Realta from Milan, Italy. It premiered at the Festival Metaphonia at ScalaTheatre. The composer describes this work was a "trip to the ocean", with the music taking a journey from a very flat land to the sea shore. The composer translates this journey into musical conent by taking the initial sounds and evolving them to create melodic shapes which increasingly become more uneven as the piece goes on.
Date:
1999/2000
Creator:
Núñez, Adolfo 1954-
System:
The UNT Digital Library
Story 1
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Recording of Artem Vassiliev's Story 1. This is a work for violin and tape that is based on the interplay of a plot and a character as it often can be found in the stories of literature. The title reflects some extra-musical aspects, which mostly affect the structure and dynamic shape of the composition. The composer states that this piece can be performed in a live concert setting where the soloist should play using a clock and watching the time grid in the score.
Date:
1999
Creator:
Vassiliev, Artem
System:
The UNT Digital Library
Pre-lute
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Recording of Artem Vassiliev's Pre-lute. This work includes improvised performance on a lute and explores various connections between sonic metaphors from different periods in history. It is an attempt to represent time by musical means. The structure of the piece was inspired by Franz Liszt's preludes.
Date:
1999
Creator:
Vassiliev, Artem
System:
The UNT Digital Library
FX 1050
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Recording of Rubén Hinojosa Chapel's FX 1050. This piece explores the possibility of electroacoustic music creation with limited means. The entire piece was developed from a sound fragment of a dot matrix printer. It premiered at the "XIV Festival de La Habana de Música Contemporánea" in 1999.
Date:
1999
Creator:
Hinojosa Chapel, Rubén
System:
The UNT Digital Library
Spiritus
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Recording of Lennart Westman's Spiritus. This is a work for audio and video and consists of 3 movements: 1. Passacaglia Spiritus, 2. Spiritus Animatus, and 3. Graal Hommage. The work as a whole was inspired by the poetry of the Swedish poet, Gustaf Fröding as well as the music of Bach. All three movements premiered at ICMC2002 in Gothenburg, Sweden. The work consists of synthesized sounds as well as segments performed by a four-part choir with singers from two Stockholm choirs.
Date:
1999/2002
Creator:
Westman, Lennart
System:
The UNT Digital Library
Como explicar el Rojo
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Recording of Pablo Cetta's Como explicar el Rojo. This is a work for alto saxophone and electronic sounds and is divided into three sections. The first and third sections are constructed by structuring pitch in sets that modulate in terms of consonance or dissonance. The central part, in contrast, is developed around slightly tonic sounds or variable pitch sounds. The title of the piece alludes to the question and the answer as well as the difficulty to describe what is perceived by the senses.
Date:
1999
Creator:
Cetta, Pablo, 1960-
System:
The UNT Digital Library
L'ouest du palmarès
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Recording of Robert Grassi's L'ouest du palmarès. The composer describes this work as a live improvisation from a sample percussionists and speaker. The instrumentation was created by Yamaha drums and a Yamaha sampler.
Date:
1999
Creator:
Grassi, Robert
System:
The UNT Digital Library
Materialismo
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Recording of Fernando Laub's Materialismo. The composer states that this work tries to express, in sonic terms, a point of view upon the aim that rules the 20th century.
Date:
1999
Creator:
Laub, Fernando
System:
The UNT Digital Library
Palabras del sur
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Recording of Federico Schumacher Ratti's Palabras del sur. This work was composed in response to the call for an open work "Le monde devenu Musique l'écoute du siècle". The sound materials in this piece come from instrumentals and vocals from the Kaweskar and Yamana indigenous groups as well as the Mapuche ethnic group and sheds a light on the perspective from the south.
Date:
1999
Creator:
Schumacher, Federico, 1963-
System:
The UNT Digital Library
Homo Oneiris
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Recording of Jean François Minjard's Homo Oneiris. The composer describes this work as an exploration on evolution and the idea that homo sapiens can continue to grow and evolve into something more powerful. He also mentions the importance of intention and meaning when creating art of any kind, and that the art itself does not hold the value, but rather the meaning behind it.
Date:
1999
Creator:
Minjard, Jean François
System:
The UNT Digital Library
xscho-haii
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Recording of Robert Grassi's xscho-haii. This recording was made for mini disc and is made up of percussion, electronic drums, and voice. The vocals in this work are impromptu of onomatopoeia and sound effects. The composer describes it as "vocal combat".
Date:
1999
Creator:
Grassi, Robert
System:
The UNT Digital Library
N.A.M.A.: "booty" don't walk
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Recording of Harry-Ed Roland's N.A.M.A.: "booty" don't walk. The composer dedicates this work to the memory of Michael Schleiter. The inspiration behind this piece is the experience of the composer living as a person of color and continuing to deal with inequality everywhere he goes. The work is about "creating inequality and its seemingly intrinsic hypocrisy and irrational fears".
Date:
1999
Creator:
Roland, Harry-Ed
System:
The UNT Digital Library
Expanse Hotel (Durango Mix)
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Recording of Ambrose Field's Expanse Hotel (Durango Mix). This work consists of five short movements: 1. Storm, 2. Horse Drama, 3. Orient Express, 4. Exotic Beach, and 5. Lost moments. Each movement portrays a different film situation, and the work as a whole represents old, British films.
Date:
1999
Creator:
Field, Ambrose
System:
The UNT Digital Library
Espaces V
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Recording of Rainer Boesch's Espaces V. The composer based this work on the sound of wing beats from pigeons.
Date:
1999
Creator:
Boesch, Rainer, 1938-2014
System:
The UNT Digital Library
Templum-tempus
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Recording of Jeff Kaiser's Templum-tempus.
Date:
1999
Creator:
Kaiser, Jeff
System:
The UNT Digital Library
Aquarius
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Recording of Anne Scarlett Harris' Aquarius. This work mixes the world of the "great outdoors" and the multifarious sounds of indoor life, using sound materials from different sources of water. The composer states that this piece reflects not only the fluid side of nature, but is also a tribute to the time it was written.
Date:
1999
Creator:
Scarlett Harris, Anne
System:
The UNT Digital Library
Multisound landscape part.2
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Recording of Yasuhiro Otani's Multisound landscape part.2. This work is comprised of two parts; this recording is part two. The piece premiered at "Oishi ne iro - The 22nd Tokyo Summer Festival 2006" and explores the concept of feeling the sound and music by way of virtual space and 3D vectors between speakers.
Date:
1999
Creator:
Otani, Yasuhiro
System:
The UNT Digital Library
What it is ain't exactly clear...
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Recording of Frederick L. Malouf's What it is ain't exactly clear.... This work is a "remix" of a recording the composer made at a family reunion in 1995. It is the third in a series that uses the same sound material, however in this piece the sounds are much more processed. The title comes from the lyrics to "For What It's Worth" by Stephen Stills which is about the turbulence in the 1960's. The composer also used family photos which were transformed into sound using the MetaSynth software program.
Date:
1999
Creator:
Malouf, Frederick L.
System:
The UNT Digital Library
Even event - Odd event
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Recording of Andréa Libretti's Even event - Odd event. This is a work for electronics that includes various vocalizations.
Date:
1999/2000
Creator:
Libretti, Andréa
System:
The UNT Digital Library
Raga fits Love Raga
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Recording of Stelios Giannoulakis' Raga fits Love Raga. The sound material in this work is improvised melodic lines played on an electric guitar. The piece as a whole explores the guitar as an instrument together with the processing and editing possibilities for its sound.
Date:
1999
Creator:
Giannoulakis, Stelios
System:
The UNT Digital Library
In Distress, In Disgrace or Three Entries to Form a Diary of Automatic Writing
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Recording of Grant Chu Covell's In Distress, In Disgrace or Three Entries to Form a Diary of Automatic Writing. This work was written for Kazumi Umeda and used sources from New Providence's 'Near Summit'. It's comprised of three movements that each contain manipulated sound segments.
Date:
1999/2000
Creator:
Covell, Grant Chu, 1967-
System:
The UNT Digital Library
Mix-up
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Recording of Jens Hedman's Mix-up. This work consists of 500 sounds in 500 seconds and is made up of fragments from the composer's favorite music. The raw material comes from music that has shaped the composer's musical language, including pop, jazz, rock, classical, and modern pieces. These fragments have been manipulated so that they cannot be traced to the originals.
Date:
1999
Creator:
Hedman, Jens, 1962-
System:
The UNT Digital Library