Resource Type
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Collection
Mnemothèque Internationale des Arts Electroacoustiques
187
Abilene Library Consortium
146
ACU Summit Lecture Series
146
College of Music Recordings
99
John Gilliland's Pop Chronicles
8
Steven Fromholz Papers
7
The Black Academy of Arts and Letters Records
5
National Museum of the Pacific War Oral History Collection
3
National Museum of the Pacific War Digital Archive
3
Journal of Composition Theory
2
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459 Matching Results
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JAC Audio Interview: bell hooks
JAC interview of bell hooks discussing the politics of literacy in relation to writing, philosophy, and rhetoric.
Date:
1994
Creator:
Olson, Gary A. & Hooks, Bell
System:
The UNT Digital Library
Audio of Binodini's Asangba Nongjabi (Part B)
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Use of this item is restricted to the UNT Community
Recording of Binodini's Asangba Nogjabi.
Date:
1994
Creator:
Binodini, 1922-2011
System:
The UNT Digital Library
JAC Audio Interview: J. Hillis Miller
JAC interview of J. Hillis Miller discussing critical theory and cultural studies in relation to writing, philosophy, and rhetoric.
Date:
1994
Creator:
Olson, Gary A. & Miller, J. Hillis (Joseph Hillis), 1928-
System:
The UNT Digital Library
Wedge. Music for two audio tracks
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Use of this item is restricted to the UNT Community
Recording of René Uijlenhoet's Wedge. Music for two audio tracks. The composer describes this piece as being about sounds that wrench other sounds loose as well as frantically racing sounds or stationary sound planes. The piece was inspired by the rhythms and loops in Pierre Schaeffer and Pierre Henry's early Musique Concrète montages. Wedge was created with synthetic sounds from a variety of sources, as well as a pair of distorted bass clarinets and a manipulated cymbal.
Date:
1994
Creator:
Uijlenhoet, René, 1961-
System:
The UNT Digital Library
Manipuri Learning Module: Audio of Binodini's Asangba Nongjabi (Part A)
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Use of this item is restricted to the UNT Community
Audio recording of a performance of the play.
Date:
1994
Creator:
Binodini, 1922-2011
System:
The UNT Digital Library
[11th annual "Black Music and the Civil Rights Concert" audio tape]
Audio cassette from The Black Academy of Arts and Letters recorded during the 11th annual Black Music and the Civil Rights Movement Concert on January 16th, 1994 at the Meyerson Symphony Center. The concert theme of the year is entitled "The Black Family: A Bridge Over Troubled Waters" featuring a 400-voice combined youth and adult choir with gospel singer Lola Falana.
Date:
January 16, 1994
Creator:
King, Curtis
System:
The UNT Digital Library
[11th annual "Black Music and the Civil Rights Concert" audio tape, 2]
Audio cassette from The Black Academy of Arts and Letters recorded during the 11th annual Black Music and the Civil Rights Movement Concert on January 16th, 1994 at the Meyerson Symphony Center. The concert theme of the year is entitled "The Black Family: A Bridge Over Troubled Waters" featuring a 400-voice combined youth and adult choir with gospel singer Lola Falana.
Date:
January 16, 1994
Creator:
unknown
System:
The UNT Digital Library
[11th annual "Black Music and the Civil Rights Concert" audio tape, 3]
Audio cassette from The Black Academy of Arts and Letters recorded during their 11th annual Black Music and the Civil Rights Movement Concert on January 16th, 1994 at the Meyerson Symphony Center. The concert theme of the year is entitled "The Black Family: A Bridge Over Troubled Waters" featuring a 400-voice combined youth and adult choir along with gospel singer Lola Falana.
Date:
January 16, 1994
Creator:
unknown
System:
The UNT Digital Library
Archée
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Use of this item is restricted to the UNT Community
Recording of Patrick Lenfant's Archée. The main material in this work is fire, an "electonic" fire made from exclusively analog wave generators. The second material is "time" and is an essential part of the work. This piece belongs to a collection of works the composer calls his "electronic sound paintings" which consist of pieces that suggest to the listener an image of the chosen model by stylizing it using electronic sources.
Date:
1994
Creator:
Lenfant, Patrick
System:
The UNT Digital Library
Feuillage de silence
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Use of this item is restricted to the UNT Community
Recording of Elsa Justel's Feuillage de silence. The composer dedicates this work to his father who helped inspire the concept behind the piece. The composer compares the job of a musician to that of a gardener when honing their craft, by experimenting and manipulating nature in a non-destructive way in search of something beautiful.
Date:
1994/1995
Creator:
Justel, Elsa
System:
The UNT Digital Library
Kyoto Bells
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Use of this item is restricted to the UNT Community
Recording of Wilfried Jentzsch's Kyoto Bells. This work was commissioned to mark the 1200th anniversary of the founding of the city of Kyoto and premiered there in 1994. The sound material is based on four bells of different sizes which the composer had brought with them on their first returning trip to Japan in 1993.
Date:
1994
Creator:
Jentzsch, Wilfried
System:
The UNT Digital Library
6th day
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Use of this item is restricted to the UNT Community
Recording of Agnieszka Waligorska's 6th day. This work is for electronics, voice, pre-recorded manipluated sound, and saxophone.
Date:
1994
Creator:
Waligórska, Agnieszka
System:
The UNT Digital Library
Blue Tulips
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Recording of Trevor Wishart's Blue Tulips. This work is built on a recording of an old woman's voice and is more like a documentary in style. The story recounted provides all the material for the piece, which becomes a short study in sonic transformation and variation.
Date:
1994
Creator:
Wishart, Trevor
System:
The UNT Digital Library
Good morning love, it's springtime in my heart !
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Use of this item is restricted to the UNT Community
Recording of Kim Hedas' Good morning love, it's springtime in my heart! Although this piece's may give off a certain idea to the sound environment you would expect, the piece is harsh, contains unsettling sound, and unpredictable sound direction. With a very specific sound quality this piece explores the harmonies and the characteristics of metallic objects, sounds, or instruments.
Date:
1994
Creator:
Hedås, Kim
System:
The UNT Digital Library
Clothed in the Soft Horizon
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkins' Clothed in the Soft Horizon. The work presents a communitive interaction between electronically built sounds and the original unprocessed sounds, which are modelled after water droplets and the motion of a wave that builds, crashes, and breaks. This use of processed and unprocessed sound is the overall bas of the work and also the Spectro morphological design of many of the individual sounds. Overall, the work is both a physical representation of the flow and motion of the water and a personal response to it.
Date:
1994
Creator:
Adkins, Mathew, 1972-
System:
The UNT Digital Library
Rumbos. Etudes 94.
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Recording of Michael Rosas Cobian's Rumbos. Etudes 94. Rumbos is translates to pathways in a ambiguous or mysterious manner. Three basic sound sources are used: a sample of a squash game, an attack of a cello col legno and a metal strike; and a single technical device: the Akai sampler. The feature of 8 point loop facility which is used extensively in this work.
Date:
1994
Creator:
Rosas Cobian, Michael, 1953-
System:
The UNT Digital Library
Genesis
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Use of this item is restricted to the UNT Community
Recording of Vladimir Komarov's Genesis. This work is for electronics and synthesized sounds.
Date:
1994
Creator:
Komarov, Vladimir, 1940-
System:
The UNT Digital Library
North sanpete
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Recording of Christopher Brady's North sanpete. This work utilizes a wide variety of sound sources which are unprocessed or have been electronically altered and organizes them together in a balanced manner. There are radio samples, field nature recordings, voice recording, acoustic instruments, everyday inanimate objects, and synthetic or electronically processed sounds.
Date:
1994
Creator:
Brady, Christopher
System:
The UNT Digital Library
Variable densities
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Use of this item is restricted to the UNT Community
Recording of Paul Geladi's Variable densities. Consists of 3 parts: start, middle, and end. Start and end are delivered in their finished form as digital stereo recordings, which are meant to be assembled by the performer. The duration of middle is undetermined. The only requirement is that there is a decreasing density as time progresses. The parts may be assembled in advance into a stereo mix or played live and mixed in any combination or order, as long as average density decreases. The same version of middle should never be used twice.
Date:
1994
Creator:
Geladi, Paul
System:
The UNT Digital Library
Sin los cuatro
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Recording of Rajmil Fischman's Sin los cuatro. This work is for tape and was composed using a Composers’ Desktop Project (CDP) computer workstation. Most of its material consists of two main sources: a recording of ice cubes falling into a glass of water and a blow-torch. These sound sources are manipulated and processed in order to create diverse textures as well as gestural material.
Date:
1994
Creator:
Fischman, Rajmil, 1956-
System:
The UNT Digital Library
Ad vitam aeternam
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Recording of Michel Tetreault's Ad vitam aeternam. This work is for electronics and pre-recorded sound. By using traditional electro-acoustic technique certain effects have allowed for pre-recorded sound fragments to transforms and change throughout the piece. While listening to these sound, fields recording of differing sonic environments are playing.
Date:
1994
Creator:
Tétreault, Michel, 1954-
System:
The UNT Digital Library
Squamish
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Recording of Christopher Brady's Squamish. This work was made by manipulating a wide variety of sound sources.
Date:
1994
Creator:
Brady, Christopher
System:
The UNT Digital Library
Shattered
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Recording of John Rimmer's Shattered. This work begins with a string bow breaking, this sound gradually expands and shatters through sounds of which even the smallest bears a striking resemblance to the original sound from which they are extracted. A new world of sound, spectacular, evolves with sonorities assimilable to sonorities derived from harmonics on the violin and in contrast with large shapes laden with splinters of the bow. The work ends with the reappearance of the original recording as if the violinist was trying to reappear on the stage despite his broken bow.
Date:
1994/1995
Creator:
Rimmer, John, 1939-
System:
The UNT Digital Library
Neumo Progremodum
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Use of this item is restricted to the UNT Community
Recording of Gliniak Bartlomiej's Neumo Progremodum. This work was composed in two stages: the beginning stage was creating synthetic sounds and the second stage would be electronically manipulating them. The technical processed includes digital sampling, digital sound synthesis, and electronic effect processors.
Date:
1994
Creator:
Gliniak, Bartłomiej, 1973-
System:
The UNT Digital Library