Sound recording of Partners for Livable Places (Partners for Livable Communities) lecture with keynote speaker, Robert H. McNulty, founder, and president. Side A: audio cuts off mid-sentence. Side B: continued from side A - Robert McNulty lecture.

Sound recording of Eunice Nelson speaking to Cross Timbers Genealogical Society, Monday, May 4, 1992. Side B: Speaker unknown. Writing on tape suggests it is Edw. Able, Jr., MPMA - 10/18/92; audio ends during the question and answer session.

Sound recording of Partners for Liveable Places Workshop: Archives (Partners for Livable Communities) lecture with keynote speaker, Robert H. McNulty, founder, and president. Lecture about what archives are and what their responsibilities to the community are; lecture does not start at the beginning. Side A: cuts off mid-lecture. Side B: lecture continued from side A. .

JAC interview of Richard Rorty discussing social constructionism in relation to writing, philosophy, and rhetoric.

Recording of Yves Daoust's Ouverture. This is a work for electronics.

Recording of Damian Roskill's The kubrick suite. This is a work for electronics that includes English spoken word and distorted voices.

Recording of Barry Truax's Beauty and the Beast. This work is for narrator who also plays oboe d'amore and English horn, computer images, and two computer soundtracks. The computer graphic images and text were created by Theo Goldberg. This is a modern retelling of the traditional story of a young girl's voyage of self-discovery through her encounter with the Beast in the enchanted castle. This version of the story is a modern interpretation as suggest by Bruno Bettelheim in his 1976 book The Uses of Enchantment. Beauty and the Beast was commissioned by oboist Lawrence Cherney for the Musical Mondays series of young people's concerts, with the assistance of the Laidlaw Foundation and the Music Section of the Canada Council.

Recording of Lewis Nielson's The hero/the martyr/thefool.

This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.

Audio cassette from The Black Academy of Arts and Letters recorded during the contract signing for JBAALs Dallas Convention Center location with Curtis King speaking. The tape includes one track of well recorded audio. The topic of Kings speech covers the black experience.

Audio cassette from The Black Academy of Arts and Letters recorded during the annual Black Music and the Civil Rights Movement Concert hosted by the Junior Black Academy of Arts and Letters. The concert was developed by Curtis King and featured artist Eartha Kitt and conductor Rodena Preston. The tape includes one tracks of well recorded audio of gospel singers and speakers.

Audio cassette from The Black Academy of Arts and Letters recorded during the annual Black Music and the Civil Rights Movement Concert hosted by the Junior Black Academy of Arts and Letters. The concert was developed by Curtis King and featured artist Eartha Kitt and conductor Rodena Preston. The tape includes two tracks of well recorded audio of gospel singers and speakers.

Guest recital performed at the UNT College of Music.

Interview with Helen Caitlan, where she discussed her life experiences and viewpoints.

Interview with Elizabeth Canada, discussing her life experiences and viewpoints.

Recording of Marcelle Deschenes' Nous. Electroacoustic composition utilizing various voices (including human and robotic variations of deeper- and higher-pitched voices) in both English and French alongside percussion, electronic noises, and ambient environmental sounds.

Composition recital performed at the UNT College of Music Concert Hall.

Recording of Roger Doyle's KBBL - The morning show. This is an imaginary radio station broadcasting from the 25th floor of a mile-high futuristic tower of Babel. The composer has collaborated with D.J.D, singers and actors and in his private studio has re-created a parallel universe tower city where people of many cultures live together. The composer played all instruments and engineered and produced the whole thing.

Jazz Lecture Series presentation by Don Grolnick on March 07, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Don Grolnick, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Lew Soloff on March 21, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Lew Soloff, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Slide Hampton on February 21, 1989 at 2:00PM at the UNT College of Music. Includes lecture and performance by Slide Hampton, trombone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Lew Soloff on March 21, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Lew Soloff, trumpet, interspersed with questions from the audience.

Choral concert performed at the UNT College of Music Concert Hall.