Recording of Rob Kruit's An Electronic Symphony Everyone and Nobody.

Recording of Martin Rudolf Schwarznlander's Das Unrecht in Meineim Bad.

Recording of Trevor Wishart's Les Accords d'Helsinki for tape.

Recording of Martin Rudolf SchwarzenLander-Fischer's "Das unrecht in meinem bad" ("Injustice in my Tub") for tape.

Recording of Stephen Perry's Pro Patria Mori. This piece has as its inspiration the first stanza of Wilfred Owen's poem, Apologia Pro Poemate Meo.

Recording of Maggi Payne's Rising quadrophonic piece with slides or dancers. Originally intended to be performed with abstract visuals which sometimes include slides, film, video, and /or dance.

Recording of Joaquín Orellana's "Imagones d'une histoire en redondo (imposible a la equis)" for tape.

Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.

Recording of Þorsteinn Hauksson's "Sonata." Hauksson describs this piece as an exploration into the sound world of electronic music. The piece is named Sonata because it's liberal meaning to make sound. The piece was created in May 1980.

Recording of Daniel Tosi's "Que sera Sarah ?" It is a piece for piano and magnetic tape

Recording of Zoltán Pongrácz's "Laus stultitiae" ("Praise of folly") for baritone and tape.

Recording of Frank Royon Le Mée's Matines Pour un Lendemain de Fête, grand electric piece for tape and synthesizer.

Recording of Henri Chopin's L'Agrippe des Droits. One male voice reads the poem which is then electronically processed. Written for Christian Clozier.

Recording of Costin Cazaban's Naturalia for piano and tape. Circular games on the harmonic sounds of the totally linear solo piano part. The direction of the music shows the process of disintegration on the environment. The idea for the work was aroused by the myth of the Sister of Albert Camus.

Recording of Kim Dyett's Refraction for tape. The piece is composed from words that are twisted and transformed moving from meaning to sound images.. The work was inspired from poems by E. E. Cummings.

Recording of Sten Hanson's 96. "According to Amnesty International, there are 96 countries in the world that have political prisoners. In most of these countries, there is clearly physical or mental torture that is punishable by law and unlawful killings." Sound material includes sounds of doors shutting, locks locking, bells, ringing, etc.

Recording of Daniel Arfib's L'approche de la lumière ("The Approach of the Light"). The piece functions as much as a sound experiment on the resonance of the vibrations as of sound as a concert piece. For the entire listening experience, pay particular attention to the quality of the silence before and after the performance.

Recording of Joseph Dorfman's Enchanted Masks. It is a concertante work recorded on tape.

Recording of Ton de Leeuw's Chronos. The piece is a journey through time, bringing together elements from the depths of the ages (some archaic, folkloric or quasi-folkloric formulas) and other material, that of our time: subjects and report that have always made people passionate.

Recording of Chiaki Takatsuki's Polymorphous Polychromy. In this work I refer to the sound of the airplane as an assemblage of point of sound. Each point has only one height and is of short duration. These granules, without number, become the color of sound. Each plane has different speeds and multiple directions. This piece was created at the EISM in Tokyo, Japan.

Recording of John Melby's In tenebris. This work is for piano and computer-synthesized tape. The title means "In darkness", and is taken from a poem by Thomas Hardy.

Recording of Teresa Rampazzi's Atmen noch. After many months of researching the relationships between harmonic or better harmonic spectra, this piece was the result of that research. This research was done jointly with Rampazzi's student Maria Luisa Bon. The form of the work is sets of stamps and association between them and a Grecian-inspired Cantus Firmus. The groups are figurations of galaxies out of time.

Recording of Simon Waters's Passages. Initially, Passages expresses a diliberately restricted sound area, expanding gradually, and then deepening and broadening suddenly after about six minutes. Sounds from the opening section recur spasmodically within the broader context and are eventually heard when the piece contracts again at the end.

Recording of Andrew Bentley's Zoo-logical for tape. The piece functions as a sort of trilogy (if it is called a dialogue between three people) between a poem, sounds of animals that are electronic in origin. The work is related to the themes of the Helsinki Agreements which mainly are contained in the words "participant nations" and "United Nations." The poem that is spoken is Finnish in origin.