That's it, we thought of everything. We are ready. We wait. Countdown. And then comes a storm. Disorganization. As if to tell us the imperfection. The storm passes. We live by proxy. And we are still ready. And we are still waiting. But there is no more countdown. A woman or a revolution ... to love and to suffer, sometimes we want to never forget. This piece was made with the director's voice, Shakespeare's texts, "media" quotes and many sound-recording sessions.

Words, words, words…….!! Respect for human rights, for freedom of the spoken and written word. Somebody wanted to say something, others too. Hundreds wanted to speak, to say what they are thinking. But the answer is a battalion of machineguns………… A National Anthem is beginning to sound, than another and it increases and increases. It ends in chaos; the nations can’t come to an agreement. It seems to crumble down. There is a Final Act - does it help? Does it work? Time will tell. The Festival of Electronic Music at Bourges has commissioned this composition. It has been realized in the studios of Radio Hilversum.

Recording of Nicole Lachartre's Le jardin du village des sables blancs. This is a work for electronics that was inspired by the garden, Hakousasondo, in Kyoto.

Recording of Wilfried Jentzsch's Paysages G. This work is a result of research on gongs and the composer describes it as a cultural bridge between East and West. This work includes two structures: the Javanese Pelog tuning range and the Javanese Slendro tuning range.

Recording of Terry Setter's 950 for Bob. He describes this style of composition as "focusless music," which is structured in such a way that the listener always hears an undifferentiated sound continuum, making the smallest changes noticeable. The title refers to the length of the piece (950 seconds) and to Robert Ericksson, to whom the piece is dedicated.

For String Quartet and Tape explores the Relationship between the nuances that exist in the acoustic and electronic sound world. Throughout the work, the integration of electronic sounds into the acoustic domain of the string quartet creates an illusion that is often hard to define. In the end, they become one integrated ensemble.

Recording of Ricardo Mandolini's "Juego de Marionetas" ("Puppet play"). The piece is a descriptive approach to the world of small percussion using recorded percussion sounds that have been electronically processed. The fundamental characteristic of the piece is the rigorous eceomy of means. It was composed in 1980 at the Studio of Musikhochschule in Cologne.

Recording of Sŭng-ho Hwang's The Legend.

Recording of Satoshi Sumitani's Nought.

Recording of Sukhi Kang's Mosaïco.

Recording of David Kenneth Mason's Freispiel.

A recording of Francisco Estevez's Contra-Contra.

Recording of Charles Clapaud's Mouvements et formes.

Recording of Leif Brush's Terraplane chorography series.

Recording of Rob Kruit's An Electronic Symphony Everyone and Nobody.

Recording of Martin Rudolf Schwarznlander's Das Unrecht in Meineim Bad.

Recording of Maggi Payne's Rising quadrophonic piece with slides or dancers. Originally intended to be performed with abstract visuals which sometimes include slides, film, video, and /or dance.

Recording of Þorsteinn Hauksson's "Sonata." Hauksson describs this piece as an exploration into the sound world of electronic music. The piece is named Sonata because it's liberal meaning to make sound. The piece was created in May 1980.

Recording of Frank Royon Le Mée's Matines Pour un Lendemain de Fête, grand electric piece for tape and synthesizer.

Recording of Sten Hanson's 96. "According to Amnesty International, there are 96 countries in the world that have political prisoners. In most of these countries, there is clearly physical or mental torture that is punishable by law and unlawful killings." Sound material includes sounds of doors shutting, locks locking, bells, ringing, etc.

Recording of Daniel Arfib's L'approche de la lumière ("The Approach of the Light"). The piece functions as much as a sound experiment on the resonance of the vibrations as of sound as a concert piece. For the entire listening experience, pay particular attention to the quality of the silence before and after the performance.

Recording of Joseph Dorfman's Enchanted Masks. It is a concertante work recorded on tape.

Recording of Ton de Leeuw's Chronos. The piece is a journey through time, bringing together elements from the depths of the ages (some archaic, folkloric or quasi-folkloric formulas) and other material, that of our time: subjects and report that have always made people passionate.

Recording of Chiaki Takatsuki's Polymorphous Polychromy. In this work I refer to the sound of the airplane as an assemblage of point of sound. Each point has only one height and is of short duration. These granules, without number, become the color of sound. Each plane has different speeds and multiple directions. This piece was created at the EISM in Tokyo, Japan.