Audio reel from the Steven Fromholz Papers Fromholz' Possibilities recorded on Maxell 35-90 Sound Recording Tape. Includes SIDE ONE: 1) Pillars of the Temple, 2) Sun and Moon and Stars, 3) Slowly, 4) Last Dance, 5) I've Never Made Love..., 6) Write Your Momma..., 7) Rest Area Waltz, 8) Hearts and Flowers and Swan Song, 9) The Angel, 10) Mexican Waltz, 11) Lovin' Friend, 12) Hold On, 13) Janey's Favorite Tune. SIDE TWO: 1) Don't You Look For Me When I'm Gone, 2) Stoned Again, 3) Everybody's Goin' on the Road, 4) Buzzard Blues, 5) Cowtown, 6) Make the Neon Lights Still Shine, 7) Mildred Sin, 8) Rambler and a Gambler, 9) Because He's Jesus, 10) Sweet Janey, 11) Road to Kentucky, 12) Birds and Wolverines, 13) Magic Princess with Chopped End.

Audio reel from the Steven Fromholz Papers, Steve Fromholz, Tape II, Swingin' Door recorded on a 7" Reel. Track list includes: "1. Crying in the Rain 2. Catity's Clown (Dan+Phil) 3. Walk Right Back (Sonny Curtis) 4. Lucille (Little Richard) 5. So Sad (Dan) 6. Muskrat 7. Temptation 8. Love Hurts (Boudleaux Bryant) 9. Be Bop a Lula 10. When Will I be Loved (Phil_ 11. Bird Dog (Boudleaux Bryant)

This is the first in a cycle of pieces made of the same base material: samples taken from recordings made in a kneader and with a flint block.

This is the recording of three urban sound environments originally intended for radio broadcasting, as part of programs devoted to large provincial cities. The first of these sound photographs (the bell tower of St Christophe de Tourcoins church) is deliberately missed (used tape, microphone tests, recording speed changes). The second (the basin of St Nazaire) is "successful", but it includes two characters in the foreground and in the background, which cause musical events from objects arranged on the platform (anchors, chains, cans, iron bars ). The third (the funicular of Fournières in Lyon) is rigged (hanging on some natural pits of the band) in a concern nevertheless of minimum use manipulations.

"Fantasy quintet" for piano and computer was composed in 1977-78 for pianist Dwight Peltzer, on a commission from the National Endowment for the Art. The work is cast in three movements, with cadenza-like material appearing in the middle of the first movement and near the end of the final movement. It was my intention from the beginning to compose a work that would allow the performer to play with some degree of freedom and in a vituoso style. Throughout most of the work computer is limited to four voices, each having its own speaker. The somewhat whimsical arrangement of the speakers about the piano is important to the central idea of a quintet with the piano as a concerto instrument. The "Fantasy quintet" is meant to resemble a chamber concerto in terms of its volume and its frontal stage characteristic. In at least one sense this rather traditional and perhaps heroic plan would seen to be out of step with a medium using loudspeakers, which people often view in a detached or impersonal way. Yet it was that condition which I wanted very much to investigate in the "Fantasy quintet". The work attempts to personalize the speakers, and their sounds …

Audio cassette from The Black Academy of Arts and Letters Records. The audio was recorded during the Beah Richards workshop at the "One In Mission" A Convocation on the Relationship of the Black Church and the Arts event. Beulah Elizabeth Richardson professionally as Beah Richards, was an American actress on stage, screen, and television. The audio quality is very low and it is hard to hear what Beah Richards is saying in the beginning, audio at some points will be loud with workshop attendees laughing.

Audio cassette from The Black Academy of Arts and Letters recorded during the Mount Olive Baptist Church young adult choir musical performance in July of 1978. The tape includes two tracks of the audio of the performance. The audio is fairly well recorded with fluttering throughout.

Audio cassette from The Black Academy of Arts and Letters recorded during on the second day of the Beah Richards workshop at the "One In Mission" A Convocation on the Relationship of the Black Church and the Arts event. Beulah Elizabeth Richardson professionally as Beah Richards, was an American actress on stage, screen, and television. The audio quality is very low and it is hard to hear what Beah Richards is saying in the beginning, audio at some points will be loud with workshop attendees laughing.

Audio cassette from The Black Academy of Arts and Letters recorded during the "One in Mission" arts convocation workshop held on October 13-14, 1978 at the Crestmoore United Methodist Church and hosting actress Beah Richards and Denton poet B. F. Maiz. The audio tape includes two track of audio.

Audio cassette from The Black Academy of Arts and Letters recorded during the "One in Mission" arts convocation workshop held on October 13-14, 1978 at the Crestmoore United Methodist Church and hosting actress Beah Richards and Denton poet B. F. Maiz. The audio tape includes one track of audio.

Audio cassette from The Black Academy of Arts and Letters Records. The audio was recorded during the Beah Richards workshop at the "One In Mission" A Convocation on the Relationship of the Black Church and the Arts event. Beulah Elizabeth Richardson professionally as Beah Richards, was an American actress on stage, screen, and television.

Audio cassette from The Black Academy of Arts and Letters recorded during on Sunday of the "One In Mission: The Relationships of the Black Church and the Arts" conference. The tape includes two sides of audio. Side A covers the beginning program and side B covers the general assembly.

Audio cassette from The Black Academy of Arts and Letters recorded over the weekend of October 13-14th 1978 at the "One In Mission: The Relationships of the Black Church and the Arts" conference. The tape includes two sides of audio. Side A: Dr. Mims & Roger Boykin on Friday 10/13/78 and Cut McKnight & King on 10/14/78 afternoon. Side B: Roger Boykin 10/13/78.

Audio cassette from The Black Academy of Arts and Letters recorded on October 14th 1978 at the "One In Mission: The Relationships of the Black Church and the Arts" conference. The tape covers the end of Beah Richards one women show "Black Woman Speaks".

Recording of Milos Petrovic's Study.

Recording of Jan W. Morthenson's Attacca.

Recording of Thomas Sjöland's A Jazzy One.

Recording of Claude Colon's Diastasis 3.

Recording of Daniel Chorzempa's Sonett.

Recording of Miloš Petrović's Study.

Recording of Reed Holmes's Wood on Wood on Water.

Recording of Antero Honkanen's Tapporaha.

Recording of Reed Holmes's Wood on Wood on Water.

Recording of Sandra Tjepkema's Aubade.