Recording of Bülent Arel's Six and seven

Recording of Oscar Bazán's Austera.

Recording of Roman Berger's Epitaph für Nikolaus Kopernikus

Recording of Eduardo Bértola's Gomecito contra la Siemens, o el diablo de San Agustin.

A senior recital presented at the NTSU School of Music Recital Hall.

Recording of Claude Colon's Diastasis. Diastasis means separation. Separation between an instrumental play and a set of sounds obtained with a generator. Dialogue. Osmosis. Separation.

Willis Conover's last interview with Duke Ellington, with Ellington also playing the piano.

Recording of John Cousins's Christmas musik.

Recording of Liviu Dandara's Fresca. Fresca synthesizes folk sound phenomena that accompany the daily events of Romanians. There are three intensity curves, proportionally equal. They correspond to the songs/signals of work, funeral music, and love songs. The dynamic culmination is reached in the same section, which interferes with the space and time of the folk festival. The final represents the filtering of a reverberation of the culmination of the work, accompanied by fragments of the motive-echo, which suggests permanence.

Recording of Joris De Laet's Sjiwioobaa.

Recording of Stephen Dembski's Sound Beach. (Another division) perhaps two conceptions of electronic music? One in which the tape produced is the performance of a score (regardless of that scores actual existence), the second: where the tape is a score in sound to be performed by the listener as he heard it. In the first, micromanipulation of sound leads ideally to an electrically phrased, dramatic performance of musical ideas, which the listener hears in one specific manifestation, one of the innumerable possibilities of their performance. In the second, the same came in the maker's craft produces a shining crystalline structure, a geometrically exact pattern of sounds which will be performed, perceived into human elasticity, by the listener, and so, in the ear-mind of that person, specified into an exact, singular performance. Always interplay in either domain, of course: few pieces on tape rest entirely in either domain. Sound Beach is probably weighted towards the first; its particles were born in improvisation and later melded and performed to charge their interaction. And the present performance tape is a first one, a rough one: plenty of dirt and ragged ensemble. The work is dedicated to the composer's mother, Mina Dembski.

Recording of Dubravko Detoni's Phonomorphia 1. Synthetic music based on the elements of the human voice and percussion. Two fundamental layers moving from positions of opposite heights, meet in the middle and separate starting in different directions. This electronic study was carried out at the Experimental Studio of Polish Radio in Warsaw.

Recording of Charles Dodge's Speech Song. The first movement, A man sitting in the cafeteria; second movement, The days are ahead; third movement, When I am with you; Fourth movement, He destroyed her image. Speech Songs was created at the Bell Laboratories in 1972 by composer Charles Dodge using a speech synthesis system of Joseph Olive. The four short Poems are by the distinguished American poet, Mark Strand. The songs, especially as articulated by the computer-synthesized voice, are ironic, surrealistic and humorous. One may trace the improvements in the quality of the computer-synthesized voice in the course of the four songs.

Recording of César Franchisena's "Tres momentos magicos" ("Three Magical Moments"). This is the second of the three movements, which were conceived as contrasting autonomous pieces. It is a non-directional piece that revolves around a limited number of motifs.

Recording of Lucien Goethals's Meliorbis.

Recording of Lucien Goethals's Studie 7b. Six groups of 24 frequencies, chosen in the temperate system, undergo 12 transformations of amplitude and duration. The succession of the 72 variants of the basic groups is determined by the random element of the programmer, by means of which this study was carried out. During the realization, the multiple possibilities of this programmer contributed significantly to enrich the sound result. The composer decided to make the distinction between the compositional plan, called "Study VIIa", and the new version, resulting from the production.

Recording of Lucien Goethals's Studie VIIb. Six groups of 24 frequencies, chosen in the tempered system, undergo 12 transformations of amplitude and duration. The succession of the 72 variants of the basic groups is determined by the random element of the programmer, by means of which this study was carried out. During the production, the multiple possibilities of this programmer significantly contributed to enriching the sound result, which the composer decided to distinguish between the compositional level, now called Studie VIIb, and the new version, resulting from the achievement.

Recording of Karel Goeyvaerts's "Nachklänge aus dem Theatre." Realized at the IPEM Studio in Ghent.

Recording of Karel Goeyvaerts's Op Acht Paarden Wedden.

Recording of Karel Goeyvaerts's Op Acht Paarden Wedden. The title can be translated as "Betting Eight Horses."

Recording of Karel Goeyvaerts's Parier sur huit chevaux n°1.

Recording of Sten Hanson's Ouhm.

Traditional musical performances and chanting recorded in Taipei.

Traditional musical performances and chanting recorded in Taipei. Continued from Side A.