Recording of José Lopez Montes' Sin Tesis. This is an electroacoustic work for tape only and was created from the challenge of organizing sound material that the composer has accumulated during the course of his learning with Csound and create a new piece. The materials that were combined were the residue of many hours of experimentation with Csound; it is therefore a work "without thesis".

Recording of Peng Guan's Seeking. This is a work for electronics.

Recording of Luigi Morleo's Fanes for Aenea. This work is a composition for solo tape, however it is possible to be used in a performance with any instrument. The composer describes this work as a composition that distinguishes two runs that meet and realize they cohabitate but don't create an acoustic fusion.

Recording of Ana Gabriela Yaya Aguilar's Mi Sol Menor. This work was inspired and dedicated to the composer's sister, Soledad, who plays harp. This piece is a sound portrait about the relationship between her and her instrument throughout her life. The work as a whole aims to recreate the relationship between a musician and his instrument.

Recording of Oleg Makarov's Not to you. This is a work for electronics.

Recording of Artem Vassiliev's In the leap second. This piece is the composer's attempt to creatively reinterpret the phenomenon of a "leap second". There are certain acoustic parameters and structural proportions in this piece which are determined by numerical relations between the two different systems of time measurement: Ephemeris Time and Coordinated Universal Time.

Recording of Stephan Dunkelman's Kajsa : 3 femmes et un promeneur. This is a work for stereo fixed medium that was created as the soundtrack for a video by Jérôme Thomas.

Recording of Juan Parra Cancino's Tellura. This is an electronic composition that is the result of an exploration in natural disasters that could be associated to the disturbance of electromagnetic fields. The primary sound material is a collection of recordings of sonar stations in the Pacific Ocean which were then transformed. For the structure and distribution of the material, seismogram charts of different cities of North and South America were used.

Recording of Martin Stig Andersen's Sleepdriver. This work was inspired by night drivers and commissioned by the Ton Bruynèl Foundation in Netherlands. It premiered at the International Gaudeamus Music Week 2004 in Amsterdam.

Recording of Edgar Guzmán's Sturm und Drang. This is a work for electronics.

Recording of Olle Aberg's INIT. This work represents the idea of initiation and starting a new phase of life. The composer states that the change is not perceptible until several days/months/years have gone by, but then by looking back we see it as "initiation". The composer has segmented this work into four parts: 1. preparations are made, 2. looking back to old things, 3. new things will appear, and 4. summary and rest.

Recording of Kazuko Narita's Fluidité. This is an electroacoustic and acousmatic work intended to be played by several loudspeakers. The composer has included a schematic for how the eight speakers should be placed in relation to the listener. The piece is constructed of two contrasting parts: the first being an overall crescendo movement which leads to a burst of sound, and the second is characterized by a slow movement.

Recording of Shinichi Morita's Akebi. This is a work for electronics that explores different tones and colors of sound.

Recording of Conny Skoog's Catch. This work was commissioned by Musik Gävleborg 2003. This piece is based on acoustic and concrete sounds with few computer processes. Many of the sounds are mechanically layered, like a sound-sculpture that is exploring the acoustic room.

Recording of Roland Cahen's Nocturne électronique N°5. This piece is part of a collection of small movements that were created generally after 10pm over the last two years. It is a restful and dreamy piece of music, which proposes moments of soft drowsiness and others of intense awareness. The composer describes this work as organic music in the sense that short developments seem to grow from cellular musical organisms.

Recording of Franco Degrassi's Luminal. This is a work for electronics.

Recording of Francesco Giomi's Con Brio. This work was commissioned by INA/GRM. It explores the world of inner musical references, involving only in a very limited way the world of extrinsic links. The composition is based on several and different themes linked to the world of instrumental music.

Recording of Otto Laske's Beyond (Electronic Symphony No. 1). This composition is based on a large-scale symphonic design that includes three movements. It was composed as a "virtual choreography" that suggests concrete, physical choreography as its optimal medium of presentation. Compositionally, the piece is based on the use of algorithmic score synthesis as well as a feedback loop between a score generator and a sound synthesis language.

Recording of Viktor Eriksson's Kinder streetart. The composer talks about stepping away from themselves to find the true, inner core of music. This piece is all about taking one step further.

Recording of Elio Martusciello's Presenti successivi. This piece is part of a cycle of works that characterize the composer's productions from "aesthetics of the machine" (1999) to now. This composition is focused on the analysis of the electronic devices and the explorations of the man-machine relationship.

Recording of Pavel Kopecky's Ludi e Canti. This work includes 3 untitled movements for electroacoustics.

Recording of Raphaël Panis' Matrice. The composer created this through the theme of "Mother", as the generator of life. The composer notes that we evolve through the Maternal Matrix and then continue to evolve outside in the Matrix of Nature.

Recording of Victor Hernandez's Breathis gool. This is a work for electronics.

Recording of Yannick Koller's Erosion fraîche. This composition was created to represent the generative and cyclical process of energies in constant renewal. The sound materials in this work are built around the idea of repetition, agitation, tension, accumulation, and transformation.