Polish Dances on tape by a priest Baki, eighteenth-in. Lithuanian Jesuit claim to share in the song quoted the preacher's views, although reluctant to accept the phenomenon, which, as they were forced to take on and the author of sermons-lines, and some contractors (Grazyna Barszczewska, Joanna Neuburg, Ania Zielinska, Krzysztof Kołbasiuk and Kazimierz WICHNIARZ) , and songwriter. The song also wishes to note the features that make the nearly 200 years, the Baka deserves exhumation: a clear pulse (blood punched in the mazurka and polonaise rhythm), a fresh breath of Jesuit methods of stick and carrot, lung after sarmacku their distended, his legs smartly pląsające in the "dance macabre" , head full of epithets manierystyczno-baroque, stomach and liver in the seasoned pleasures of this world, his hands a bit tired wygrażaniem and grzmoceniem pulpit with his fist in the window sill, but the ribald humor and heart of gold. Furthermore, the lack of addictions (except wierszoklec / hs / twem). Somewhat provincial manners (especially those rymotwórcze), the belief is highly structured (with the help of a simple odkrywczo genre), so eclectic as to be original. And above all - quite the contrary it - the joy of life, and I …

Recording of Harold Castañeda Vásquez's Primitiva. This recording was made for electronics.

Recording of Gary Berger's Elastische Studie. This work was inspired by the analysis of elastic and springy materials. Their dynamic and organic movements as well as their resonances constitute an important part of the composition.

Recording of Francis Dhomont's Objets retrouvés. This is the first piece in a song cycle and was written as an homage to Pierre Schaeffer. The composer describes this work as both a lament and funeral march which alludes to Bach.

Recording of Didier Guigue's Profile to A. This is a work for tape and piano ad lib that premiered in Brazil in 1997. This piece is the first part of a three-movement electro-acoustic work entitled, "Vox Victimae". The inspiration behind the work as a whole is the determinist pessimism which runs through all the work of the Brazilian poet, Augusto dos Anjos. The main sound source used in this piece are the Korg WaveStation (r)'s piano samples.

Recording of Barry Moon's Interact 1. This composition is a combination of flute sounds and electroacoustic sounds.

Recording of Chris Cree Brown's Sound cylinders. This work was written for flautist, Tony Ferner. It includes flute and tape, in which the tape recording consists of mainly altered or modified flute sounds.

Recording of Alicyn Warren's Something else again. This work is comprised of 5 separate recordings that contain various performances of piano and electroacoustic music.

Recording of David Alarcon's Oublier Pierre. This is a work for electronics.

Recording of Christian Zanesi's Toto-Valse. This is a work for electronics and contains samples of French spoken word.

Recording of Elsa Justel's Du libe tu. This is a work for electronics and acts as an homage to the life of Pierre Schaeffer.

Recording of Bor Turel's Amarcord - Dreams (les rêves). This piece is the second movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.

Recording of Roberto Doati's Il domestico di Edgar. This work is a ruled improvisation for alto saxophone and tape. This piece was requested by Claudio Ambrosini as he wanted a work written for instrument and electronics to be performed by his Ex Novo Ensemble. The composer decided to work with a well known Italian jazz saxophone player, Pietro Tonolo. The electronic part is based on Varèse's Octandre and the saxophonist has to play following a score containing improvisation outlines, often recalling be-bop style.

Recording of Luigi Ceccarelli's Aracne. This work is based off of a text by Guido Barbieri and was written as a radio play. This piece was produced and created in Rome at the CRM - Centro Ricerche Musicali and at Edison Studio. It was staged for the first time at the Roman Aquarium in June 1996.

Recording of Stephan Dunkelman's Aquaera 1. This work has been separated into 8 tracks that come together in unison to create the piece as a whole, exploring sonic elements from the real world. The work was commissioned by empreintes DIGITALes. The composer gives special thanks to Phil Billen, Annette Vande Gorne, and Marie-Jeanne Wyckmans.

Recording of Jukka Ruohomaki's Luscinia. This piece is made entirely of nightingale sounds and uses editing techniques that the composer feels represents the 1970's. Some of these techniques include tape echo and reversed sounds, all applied to various recordings of nightingale sounds.

Recording of Milton Estevez's Cantos Vivos y Cantos Rodados. This is a work for chamber ensemble and electroacoustics. It was commissioned by the Institut für Neue Musik der Staatlichen Hochschule für Musik, Freiburg. This work premiered by the Hochschule Ensemble.

Recording of Petros Theodorou's Tribune to Leon. For theremin, pre-recorded music, and dancer. Comprised of 7 tracks; The awakening, Symbiosis, The ceremony, The possibilities, Cod, The disappearance; Dreaming; Cods, Dying from a laser gun; and The essence of ether. The pre-recorded music is almost a stand alone piece. The dancer is free to improvise during the performance and produce sounds from the Theremin. These sounds are not fully pre-determined. However they should be in the sense of the whole piece. During the 2 Interludes there is no prerecorded sound and the dancer just improvises with the Theremin.

Recording of Terje Winther's BE. This work is based on spoken text from Shakespeare and Edgar Allan Poe as well as orchestral sounds written by the composer for a piece made in 1985-86. The composer describes this work as "a piece of transition, of static, and the latent power that lies in the communication between the two".

Recording of Xiaofu Zhang's "Nuo Ri Lang". Draws inspiration from the composer's visit to Tibet. The composition involves electroacoustic looping techniques and bronze, leather, wood, and stone percussion instruments. Commisioned by the INA-GRM (France) at the international music festival 96 PRESENCES in Paris. There is also a mix edition that combines live performance and electroacoustic music sound and a version that include videos.

Recording of Frédéric Kahn's Ainsi s'acheva le rêve, ainsi je raconte. Work made for electronics.

Recording of Yee On Lo's Dialettico. Sound materials in this work come from computer software, trumpet samples, and bird calls outside the composer's bedroom window. While developing this piece, the composer followed this thematic outline: peace and tranquility, contention, reign of evil, struggle for liberty, and triumph, followed by parting of friends.

Recording of Yee On Lo's Dream I, shattered !.

Recording of Wes Richard Wraggett's Wheel. This work utilizes pre-recorded sound, electronics, and effects to create a lot of sonic energy into this evolving soundscape.