Recording of Oeuvre Collective's Il paese della félicita.

Recording of Giampaolo Testoni's Glossario II for tape.

Recording of Takehisa Kosugi's Catchwave 71.

Recording of Luigi Ceccarelli's Il Contingente Cambia Colore, installation for 4 tape loops with concrète sounds.

Recording of Arrigo Lora-Totino's Trio Prosodico. This work is modeled after a 'da camera' musical. There is no instrumental music. There is the natural melody of the diction, in three contemporary voices. All three voices are the composer.

Recording of Arrigo Lora-Totino's Trio Prosodico II. Poetry is spoken by Lora-Totino. The music of this piece is found in the "natural melody" of the diction and language.

Recording of Frank Royon le Mée's Complices, pour in lendemain fête. Extracts from the three big hours of the office for a day-after party. For voice, processing device, magnetic tape, analog synthesizers. The vocal sequences have been elaborated and are sung by the composer. For Complices, techniques used: singing with harmonic (2 voices), Tibetan singing. Complices: made following a study visit during the spring

Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."

Recording of Albert Mayr's Relazioni-transformazioni. “Relationships-Transformations” is part of a series of works that are based on the TIME-ASPECTS text and thus start from the same basic hypothesis: highlighting the relationships that come into being between various sound events - or even visual, theatrical – in function of relationships between their organizations in time and subjective transformations - of such events that occur during the operation. This hypothesis is carried on with the use of a very small material, both for recorded and instrumental parts, without any virtuosity, even to avoid masking, with affirmative artisans, the state of erosion of making music today.

Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.