Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A junior recital presented at the UNT College of Music Recital Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.

A senior recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A senior recital presented at the UNT College of Music Concert Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Recording of Roald Baudoux's La violence (mix2). This short piece was composed for the Phonurgia Nova 2001 competition the rules of which stated that at least one extract of a radio library provided by the organizers had to be included in the composition. The record that grabbed the composer's attention was one that included words by French writer, Jean-Paul Sartre: "La violence est la seule chose qui reste, quel que soit le système". The composer used this question of violence to inspire the rest of the piece.

Recording of François Bayle's Pierre. This is a work for electronics that was written as an homage to Pierre Schaeffer.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Recording of David Behar's and Xavier Gipulo's Apte. This is a work for electronics that includes samples of electric guitar and French spoken word.

Recording of Julien Belet's L'arracheuse de poussière. This is a work for electronics that the composer describes as a "voluntarily unfinished piece of poetic character" with children's voices whispering.

Recording of Maxime Benoist's Creusement de l'être où surgissement de l'incontient de la forme et la chaire. This is a work for electronics that includes samples of French spoken word and nature sounds.

Recording of Carl Bergstrøm-Nielsen's "11 september." The text is from a document called "What is MIR?" which was sent out illegally in Chile in 1974 and from the appeal of MIR two years after the taking over by the junta, on September 11, 1975. A left-wing party, MIR stayed in Chile in order to contribute as efficiently as possible to the building of the opposition. Other sound material also includes sounds from a typewriter and a demonstration at Bastad, Sweden in September 1975 at a tennis match between Sweden and Chile with more than 4,000 participants. The text is taken in small excerpts from the document in Spanish, English, Swedish, Danish, French, Dutch, and Icelandic. The piece consists of three sections overlapping each other gradually, which shows the relationship between the spoken words and the immediate danger connected with that text. The first section "as a spontaneous statement," deals with the document at its direct background: the silence is broken, in spite of the danger connected with the writing, manifolding papers that criticize the politics and methods of the junta and discuss the strategy of the opposition. The second section deals with the document as a medium of discussion. At …

Recording of Bruno Bernard's Emotions de guerre. This work is a sound representation of what the composer imagines could have happened in an underground military shelter during WWII. The various sound materials explore different aspects of the situation, both above ground and under it.

Recording of Marie-Hélène Bernard's Un singe blanc si rusé. The common thread of this sound fresco is drawn from the adventures of Hanuman, the hero white monkey of the Ramayana. The text extracts which appear fleetingly are taken from the French translation of the Reamker carried out by Franois Bizot. Most of the sounds of the band were collected during a stay in Cambodia.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Milos Betko's Personal relations. This piece is segmented into 9 parts by the composer: 1. just before, 2. micado of mammoths, 3. speech of birds, 4. celestial threats, 5. song 1, 6. up and down, 7. song 2: "How many times it sings...", 8. emotions, 9. trio. It's comprised of background noise, violin, voices of the composer's friends, etc. The piece seems to be a collection of sounds that the composer relates to his personal life and day to day.

Recording of Gonzalo Biffarella's Tango. This work was commissioned by the WDR 3 of Cologne, Germany. This radiophonic piece was inspired by the origin of Tango and uses fragments from old songs as well as a lecture by Jorge Luis Borges about the topic. The text has been translated into German and French for segments of the work.