This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's rights movement, this study examines these "sideline" concerns of the movement such as home and gender-determined spheres, motherhood, work, marriage, independence, and self-sufficiency and relates them to the transforming character of female identity at the time. The study focuses primarily on analyzing the expression of female historical desire through utopian genre and on explicating the contradictory nature of utopian production.

These personal essays present a twenty-something's evolving attitudes toward her occupations. Each essay explores a different job-from birthday party clown, to seitan-maker, to psychiatric den mother-while circling around sub-themes of addiction, disability, sex, love, nature, and nourishment (both food and otherwise). Through landscape, extended metaphor and symbol, and recurring characters, the collection addresses how a person's work often defines how she sees the world. Each of the narrator's jobs thrusts her into networks of people and places that both helps and impedes the process of self-discovery. As a whole, the essay collection functions as a memoir, tracking an often-universal journey, one that many undertake in order to discover a meaningful life, and sometimes, eventually, a career.