This book is the first in a series of four volumes and contains collected correspondence to and from Sam Houston. According to information on the inside front cover, it includes letters "between Sam Houston and his wife, and their letters to other family members, family physicians, and close personal friends." The letters include footnotes that give clarification and context. The volume also has a bibliography, appendix, and index (which starts on page 377).

Volume of essays about African-American folklore, including reminiscences of African-American folk culture in Texas, studies of specific genres of folklore, information about Texas-African food-ways, studies of specific performers, information about songs and other folklore. The index begins on page 353.

This book will change the way you think about D.H. Lawrence. Critics have tried to define him as a Georgian poet, an imagist, a vitalist, a follower of the French symbolists, a romantic or a transcendentalist, but none of the usual labels fit. The same theme runs through all his work, beginning with his very first novel, The White Peacock, and ending with the last line of his final book, Apocalypse. Always it is nature. He said this over and over again, and no one - especially those who feared the "old ways" of harmonious and balanced living on the earth - understood him.