Recording of Christian Zanési's Arkheion, les voix de Pierre Schaeffer. The composer has these remarks on the creation of this piece: In 1996, on the initiative of the Experimental Music Group of Bourges (GMEB), around a hundred composers paid tribute to Pierre Schaeffer. It was on this occasion that I composed a short, outdated waltz, the theme of which is childhood (it is said of Pierre Schaeffer that, when he was a few years old, he would have written a 'treatise on the hoop'). Later, I continued: the railway, the sound object, the single man, relativity in all things to evoke this multiple man who played with all registers and all voices. So many faces which, superimposed, draw a single form. As for Arkheion, the words of Stockhausen (1995) I composed this work from archives (from the Greek, arkheion). Karlheinz Stockhausen was a kind of distant and inaccessible angel, the ideal situation. I had only used one spoken document then. For Pierre Schaeffer, who is closer to me (I took his classes at the conservatory and produced several radio programs with him) I took, here and there, fragments discovered at random in the considerable mass of archives concerning him. With …

Part A of the second cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the time of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "Skylark," "All or Nothing At All," "Pistol Packin' Mama," and "Don't Get Around Much Anymore."

Bound compilation of sheet music from a variety of composers, prominently featuring songs about subjects related to the U.S. Civil War, from the Union perspective. Other works include dances for piano with a particular emphasis on galops and waltzes. A majority of titles in this volume were published in Boston, primarily by Oliver Ditson & Co. While the works range in date from 1846 through the 1870s, the most frequently appearing dates are between 1864 and 1866.

Bound compilation of parts to accompany the volume M218.C67. This collection's contents do not overlap entirely with those of main volume. The library catalog record follows the handwritten numbering in the main volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items. The set of parts also has several short manuscript pieces added at the end; some parts are for both violin or flute, or for flute but playable on violin. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

Bound compilation of sheet music for violin and piano, assembled by the Columbus Public Library (now the Columbus Metropolitan Library). This volume consists of scores and piano parts, although its contents do not overlap entirely with those of the accompanying set of violin parts. The library catalog record follows the handwritten numbering in the volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items, such as a set of three between numbered selections 23 and 24. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

Bound compilation of sheet music collected by Fannie K. Schieffelin. The volume contains a variety of composers, though Diederich Krug is most prominent as a composer and arranger, along with three works each by Louis Moreau Gottschalk and Felix Mendelssohn-Bartholdy. Many kinds of works are present, though two adjacent compositions are funeral marches. Numerous publishers are present, and are more or less evenly divided between the East Coast of the United States and Europe (particularly Leipzig and present-day Mainz).

Bound compilation of sheet music from the collection of Thurman Morrison, compiled by Mary Alsop King Waddington, an author who was born in New York, but lived in France beginning in 1871, and was married to French statesman William Henry Waddington. This volume consists largely of excerpts from operatic works, particularly by Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, and Giuseppe Verdi. Most works were published in Paris, with a few published in Mayence (present-day Mainz), Vienna, and Boston.

Bound compilation of sheet music collected by Sarah Carpenter. The collection includes many works arranged for piano from larger works such as operas, as well as galops, marches, and fantasies. Eugène Ketterer, Brinley Richards, and William Vincent Wallace have multiple works in this volume. About half of the titles were published in New York City, with others in Philadelphia and Boston, as well as several European cities.

Bound compilation of sheet music with the surname Schieffelin attached. Nearly all works in this volume are derivative works by Henri Herz, with two by Jacques Herz. The titles are largely fantasies or variations on works by other composers (including four by Gaetano Donizetti), with a particular emphasis on operas. A majority of works were published in Mayence (present-day Mainz), and some in Anvers (better known as Antwerp), Paris, Bonn, and New York. B. Schott or Fils de B. Schott published or co-published most titles, and works in this volume range in date from 1825 through 1855. The stamp of music seller C. Breusing on works throughout the volume provides insights on how the works were acquired.

Presentation given as part of the session "Cataloging, Preservation, and Discovery of Radio Content in Music Libraries and Archives" at the 2018 Music Library Association conference in Portland, Oregon.

Fall/Spring performances program book from the 1992-1993 school year at the University of North Texas College of Music.

Fall/Spring performances program book from the 1993-1994 school year at the University of North Texas College of Music.

Performances program book from the 1995-1996 school year at the University of North Texas College of Music.

Ensemble performances program book from the 1998-1999 school year at the University of North Texas College of Music.

Fall/Spring performances program book from the 1999-2000 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2004-2005 school year at the University of North Texas College of Music.

Student performances program book from the 2004-2005 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2005-2006 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2006-2007 school year at the University of North Texas College of Music.

Student performances program book from the 2006-2007 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2007-2008 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2007-2008 school year at the University of North Texas College of Music.

Fall/spring performances program book from the 2009-2010 school year at the University of North Texas College of Music.

Fall/spring performances program book from the 2010-2011 school year at the University of North Texas College of Music.