Transcript of an interview with John R. Bumgarner, physician, U.S. Army WWII veteran, and prisoner-of-war of the Japanese following the fall of the Philippines in World War II. He discusses the fall of Bataan and capture; Bilibid Prison, Manila, 1942; Cabanatuan, 1942-44; hell ship to Japan, 1944; Hakodate, Hokkaido, 1944-45; and his liberation.

Interview with John Bumgarner, a physician and an Army veteran, concerning his experiences as a prisoner-of-war of the Japanese following the fall of the Philippines during World War II. Bumgarner discusses the fall of Bataan and his capture, Bilibid Prison in Manila (1942), Cabanatuan (1942-1944), the hell ship to Japan (1944), Hakodate, Hokkaido (1944-1945), and his liberation.

Interview with John Reas, a Navy WWII veteran and POW from New Albany, Indiana, who survived the sinking of the USS Houston (CA-30). Reas discusses his assignment to the Houston and prewar operations in the Pacific, the start of the war and convoy duty, being bombed by 54 Japanese planes, the Battle of Sunda Strait, the sinking, capture by the Japanese, experiences in internment at Bicycle Camp in Batavia, transfer to Thanbyuzayat, work on the Burma Railway, the USS Houston Survivors List, liberation, and life after the war. In appendix is the USS Houston Survivors list, letters of his regarding the list, brief accounts written by Reas of different experiences in the war, a letter by Lanson H. Harris confirming how the list was given to OSS officers, and a photo of Reas' wallet that he carried through the war.

This study is an examination of Lino Brocka's development as a filmmaker of the New Cinema of the Philippines. It provides a close textual analysis of two recent Brocka films, Macho Dancer (1988) and Fight for Us (1989) using a sociocultural approach to the study of the representation of aspects of social reality and their relationship to contemporary Philippine society. The study is divided into six chapters: Chapter I contains the introduction to the study, Chapter II traces the development of Philippine cinema in relation to Philippine socio-political history, Chapter III describes the New Cinema film movement in the Philippines, Chapter IV provides a biographical sketch of Lino Brocka in which the development of his critical attitude, notions of social reality, and significant works are discussed, Chapter V contains the film analyses, and Chapter VI contains the conclusions to the study.

Transcript of an interview with John Ruddick, a Navy veteran, concerning his experiences while aboard the destroyer USS Melvin during World War II in the Pacific Theater. Ruddick discusses the Marianas invasion, the Carolines invasion, the Battle of Leyte Gulf, the Battle of Surigao Strait, Iwo Jima, Okinawa, Kurile operations, and the occupation of Japan.