Letter addressed to Lee Harvey Oswald. The letter, which was written by Louis Weinstock of The Worker, regards Oswald's production of blowup reproductions.

Newspaper clipping taken from the Dallas Morning News. The clipped article states that District Attorney Jim Garrison of New Orleans, Louisiana believes that Lee Harvey Oswald tipped off the FBI several months before his assassination attempt.

Issue of The Dan Smoot Report published in December of 1963. The newsletter is devoted to a discussion of the Kennedy assassination, particularly Lee Harvey Oswald's motivations and childhood.

Issue of The Dan Smoot Report which was published in December of 1963. The newsletter is devoted to a discussion of the Kennedy assassination, particularly Lee Harvey Oswald's motivations and childhood.

Two issues of The Dan Smoot Report which were published in December of 1963. These newsletters are devoted to a discussion of the Kennedy assassination, particularly Lee Harvey Oswald's motivations and childhood.

How does it feel to be creative? Such a question, when approached from a phenomenological perspective, reveals new understandings about the embodied experience of creativity, and how it feels as it is being lived. This investigation begins with a provocative contrast of two environments where creativity is thought to manifest itself: school art classrooms, where creativity is often legislated from an authority figure, and New Orleans Second Line parades, where creativity is organically and kinetically expressed. A thorough review of the literature on creativity focuses on education, arts education, creative economies, psychology, and critical theorists, collectively revealing a cognitive bias and striking lack of consideration for community, freedom, and the lived experience of being creative. Further discussions in the literature also neglect sites of creativity, and the impact that place (such as a school classroom) can have upon creativity. The phenomenological perspectives of Merleau-Ponty, Heidegger, Bachelard, and Trigg support a methodological lens to grasp embodied knowledge, perceptions of placedness on creativity, and the interdependent frictions between freedom, authenticity, movement and belonging. The research method includes investigations in New Orleans in archives, examination of visual and material culture, participation in cultural practice, and formal and informal interviews. Further, the phenomena of …