Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode chronicles the formation of the Moonmaids vocal ensemble as the Swingtet at what was then North Texas State Teachers College, and their rise to national fame in the late 1940s with big band leader Vaughn Monroe and his orchestra. The podcast includes selections featuring the singers on WFAA radio in Dallas, at the former Camp Howze in Gainesville, TX, and live from Denton with Vaughn Monroe in 1949.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode focuses on Bob McGrath's little-known career as a popular singer in Japan before he joined Sesame Street.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode provides biographical information about composer Merritt Johnson with selected recordings of his music, and was created in memory of Susan Vaughan.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode provides biographical information and selected recordings related to four major figures in jazz who attended North Texas State Teachers College in the early 1940s: Herb Ellis, Jimmy Giuffre, Gene Roland, and Harry Babasin. The recordings include selections from on-campus concerts featuring Giuffre and Ellis in the 1950s and 1970s, respectively, and from both artists again in the Jazz Lecture Series in 1983.

Podcast from the University of North Texas Music Library providing a biography of UNT College of Music faculty member Bob Rogers with selected recordings of his music. The recording was made in honor of the 75th anniversary of the UNT Music Library.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode provides biographical information about composer and longtime UNT College of Music faculty member Larry Austin, with selected recordings of his music. This recording was made to celebrate the donation of Austin's collection to the UNT Music Library.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode provides background about the early days of the jazz studies program at UNT. It includes recordings of oral histories by Gene Hall and Walter Hodgson, along with performances from 'Fessor Graham's stage show and 1950s jazz ensembles from UNT, including the Laboratory Dance Band, the forerunner of the One O'Clock Lab Band.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode provides biographical information about composer and longtime UNT College of Music faculty member William P. Latham with selected recordings of his music.

Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode describes five major collections of materials related to Duke Ellington, including multiple sound recordings which are unreleased according to available discographical information: Ellington at the Paramount Theater, April 30, 1947; Ellington on WWDC radio, April 21, 1946; Ellington interviewed by Willis Conover, March 27, 1948; Ellington interviewed by Willis Conover, September 5, 1973; Swedish telecast, February 7, 1963; Goteborg, Sweden, November 6, 1958; Milan, Italy, January 15, 1967.

Podcast interviewing with six members of the MARTIAL Eagles Living Learning Community about the influence of music in their lives and their experiences at UNT and in the MARTIAL Eagles program.

Bound compilation of parts to accompany the volume M218.C67. This collection's contents do not overlap entirely with those of main volume. The library catalog record follows the handwritten numbering in the main volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items. The set of parts also has several short manuscript pieces added at the end; some parts are for both violin or flute, or for flute but playable on violin. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

Bound compilation of sheet music for violin and piano, assembled by the Columbus Public Library (now the Columbus Metropolitan Library). This volume consists of scores and piano parts, although its contents do not overlap entirely with those of the accompanying set of violin parts. The library catalog record follows the handwritten numbering in the volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items, such as a set of three between numbered selections 23 and 24. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

Bound compilation of sheet music collected by Sarah Carpenter. The collection includes many works arranged for piano from larger works such as operas, as well as galops, marches, and fantasies. Eugène Ketterer, Brinley Richards, and William Vincent Wallace have multiple works in this volume. About half of the titles were published in New York City, with others in Philadelphia and Boston, as well as several European cities.

Booklet containing the program for the opening gala of the Murchison Performing Arts Center and for events occurring during the first two months, with notes and performer lists. It also contains brief background information on the newly-constructed buildings and acknowledgments for staff and funders, along with various advertisements.

Bound compilation of sheet music with the surname Schieffelin attached. Nearly all works in this volume are derivative works by Henri Herz, with two by Jacques Herz. The titles are largely fantasies or variations on works by other composers (including four by Gaetano Donizetti), with a particular emphasis on operas. A majority of works were published in Mayence (present-day Mainz), and some in Anvers (better known as Antwerp), Paris, Bonn, and New York. B. Schott or Fils de B. Schott published or co-published most titles, and works in this volume range in date from 1825 through 1855. The stamp of music seller C. Breusing on works throughout the volume provides insights on how the works were acquired.

Bound compilation of sheet music from the collection of Thurman Morrison, compiled by Mary Alsop King Waddington, an author who was born in New York, but lived in France beginning in 1871, and was married to French statesman William Henry Waddington. This volume consists largely of excerpts from operatic works, particularly by Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, and Giuseppe Verdi. Most works were published in Paris, with a few published in Mayence (present-day Mainz), Vienna, and Boston.

Bound compilation of sheet music collected by Fannie K. Schieffelin. The volume contains a variety of composers, though Diederich Krug is most prominent as a composer and arranger, along with three works each by Louis Moreau Gottschalk and Felix Mendelssohn-Bartholdy. Many kinds of works are present, though two adjacent compositions are funeral marches. Numerous publishers are present, and are more or less evenly divided between the East Coast of the United States and Europe (particularly Leipzig and present-day Mainz).

Bound compilation of sheet music from a variety of composers, prominently featuring songs about subjects related to the U.S. Civil War, from the Union perspective. Other works include dances for piano with a particular emphasis on galops and waltzes. A majority of titles in this volume were published in Boston, primarily by Oliver Ditson & Co. While the works range in date from 1846 through the 1870s, the most frequently appearing dates are between 1864 and 1866.