Educators considering implementing a computer simulation must decide on the optimum placement of the simulation in the unit of instruction to maximize student learning. This study examined student achievement using two different placements for the computer simulation, The Civil War, in a unit of instruction of 8th grade American History students in a suburban middle school.

English political thought from 1528 to 1558 was dominated by the question of obedience to civil authority. English Lutherans stressed the duty of obedience to the prince as the norm; however, if he commands that which is immoral one should passively disobey. The defenders of Henrician royal supremacy, while attempting to strengthen the power of the crown, used similar arguments to stress unquestioned obedience to the king. During Edward VI's reign this teaching of obedience was popularized from the pulpit. However, with the accession of Mary a new view regarding obedience gained prominence. Several important Marian exiles contended that the principle that God is to be obeyed rather than man entails the duty of Christians to resist idolatrous and evil rulers for the sake of the true Protestant religion.

In this study of several novels each by Barbara Pym, Fay Weldon, and Margaret Atwood, I focus on two areas: the ways in which female protagonists break out of their victimization by individuals, by institutions, and by cultural tradition, and the ways in which each author uses a structural pattern in her novels to propel her characters to solve their dilemmas to the best of their abilities and according to each woman's personality and strengths.

The Mexican Revolution probably affected Texas more than any other state. As the Revolution intensified, Texans responded with increased efforts to shape the Mexican policies of the Woodrow Wilson administration. Some became directly involved in the Revolution and the U.S. reaction to it, but most Texans sought to influence American policy toward Mexico through pressure on their political leaders in Austin and Washington. Based primarily on research in the private and public papers of leading state and national political figures, archival sources such as the Congressional Record and the Department of State's decimal file, major newspapers of the era, and respected works, this study details the successes and failures that Texans experienced in their endeavors to influence Wilson's Mexican policies.

This study examines the possible effect of the president's vote totals in states on Presidents Carter's and Reagan's support among senators. Using senators' Congressional Quarterly (CQ) presidential support scores as the dependent variable, this paper hypothesizes that Carter and Reagan's support is significantly and positively related to their electoral success in that Senator's state for the years 1977 through 1988. Several control variables are included to help explain support. There is qualified corroboration for the hypothesis that senator's presidential support scores are significantly and positively related to the president's electoral success for specific administrations and for specific-party senators, although not for the original hypothesis that aggregated the period 1977 to 1988.

Using a sociolinguistic and post-colonial approach, I analyze Irish dramas that speak about language and its connection to national identity. In order to provide a systematic and wide-ranging study, I have selected plays written at approximately fifty-year intervals and performed before Irish audiences contemporary to their writing. The writers selected represent various aspects of Irish society--religiously, economically, and geographically--and arguably may be considered the outstanding theatrical Irish voices of their respective generations. Examining works by Alicia LeFanu, Dion Boucicault, W.B. Yeats, and Brian Friel, I argue that the way each of these playwrights deals with language and identity demonstrates successful resistance to the destruction of Irish identity by the dominant language power. The work of J. A. Laponce and Ronald Wardhaugh informs my language dominance theory. Briefly, when one language pushes aside another language, the cultural identity begins to shift. The literature of a nation provides evidence of the shifting perception. Drama, because of its performance qualities, provides the most complex and complete literary evidence. The effect of the performed text upon the audience validates a cultural reception beyond what would be possible with isolated readers. Following a theoretical introduction, I analyze the plays in chronological order. Alicia LeFanu's The …

Martin Luther supported the development of the early German educational system on the basis of both religious and social ideals. His impact endured in the emphasis on obedience and duty to the state evident in the north German educational system throughout the early modern period and the nineteenth century. Luther taught that the state was a gift from God and that service to the state was a personal vocation. This thesis explores the extent to which a select group of nineteenth century German philosophers and historians reflect Luther's teachings. Chapters II and III provide historiography on this topic, survey Luther's view of the state and education, and demonstrate the adherence of nineteenth century German intellectuals to these goals. Chapters IV through VII examine the works respectively of Johann Gottfried Herder, Georg Wilhelm Friedrich Hegel, Leopold von Ranke, and Wilhelm Dilthey, with focus on the interest each had in the reformer's work for its religious, and social content. The common themes found in these authors' works were: the analysis of the membership of the individual in the group, the stress on the uniqueness of individual persons and cultures, the belief that familial authority, as established in the Fourth Commandment, provided the …

The thesis begins with an introduction, followed by six short stories. The stories that follow span three or four regions of the American landscape and three or four decades of the twentieth century. What drives each story is the isolation of both narrator and main character (when these are not the same) from the world of the story. In each story, there is either a sense of wanting to belong or an urge to escape, or both. The paradox--also the writer's paradox--is that if one belongs, one has no need to escape; if one escapes, one can never belong.

Thomas Jefferson's political ideology centered on the importance of individual liberty and choice for the common person. Activities throughout his career were grounded on this concept. It is interesting, therefore, that events during the final years of his presidency appear to have prompted him to abandon this philosophy in favor of a more pragmatic, less democratic, approach. The embargo acts which Congress passed at Jefferson's request in between December 1807 and January 1809 outlawed all foreign commercial activities and provided harsh penalties for violations. The president's failure to communicate publicly the reasons he believed these drastic measures were required stand in stark contrast to his political philosophy and left a cloud over his presidency when he left office.

Nineteenth-century women were a mainstay in the New England literary tradition, both as readers and authors. Indeed, women were a large part of a growing reading public, a public that distanced itself from Puritanism and developed an appetite for novels and magazine short stories. It was a culture that survived in spite of patriarchal domination of the female in social and literary status. This dissertation is a study of selected works from Nathaniel Hawthorne, Sarah Orne Jewett, and Mary E. Wilkins Freeman that show their fiction as a protest against a patriarchal society. The premise of this study is based on analyzing these works from a protest (not necessarily a feminist) view, which leads to these conclusions: rejection of the male suitor and of marriage was a protest against patriarchal institutions that purposely restricted females from realizing their potential. Furthermore, it is often the case that industrialism and abuses of male authority in selected works by Jewett and Freeman are symbols of male-driven forces that oppose the autonomy of the female. Thus my argument is that protest fiction of the nineteenth century quietly promulgates an agenda of independence for the female. It is an agenda that encourages the woman to …

These poems deconstruct Mary Shelley's monster from a spiritually Chthonian, critically post-structuralist creative stance. But the process here is not simple disruption of the original discourse; this poetry cycle transforms the monster's traditional body, using what pieces are left from reception/vivisection to reconstruct, through gradual accretion, new authority for each new form, each new appendage.

Weekly Jewish newspaper from Fort Worth, Texas that includes local, state, and national news along with extensive advertising.

Bi-weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.

Significant passages in Alice Walker's writings give evidence of archetypal patterns from Carl Jung and feminine archetypal patterns from Annis Pratt. Since a knowledge of archetypal patterns can influence the total understanding of aspects of Walker's writings, a study of these patterns in the undergraduate classroom benefits the student and opens up another system of analyzing writings, particularly writings by African-American women.

Bi-weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.

With the publication of his Pulitzer Prize winning novel, House Made of Dawn. N. Scott Momaday ended a three-decade hiatus in the production of works written by Native American writers, and contributed to the renaissance of a rich literature. The critical acclaim that the novel received helped to establish Native American literature as a legitimate addition to American literature at large and inspired other Native Americans to write. Contemporary Native American literature from 1969 to 1974 focuses on the themes of the alienated mixed-blood protagonist and his struggle to survive, and the progressive return to a forgotten or rejected Indian identity. For example, works such as Leslie Silko's Ceremony and James Welch's Winter in the Blood illustrate this dual focal point. As a result, scholarly attention on these works has focused on the theme of struggle to the extent that Native American literature can be perceived as necessarily presenting victimized characters. Yet, Native American literature is essentially a literature of survival and continuance, and not a literature of defeat. New writers such as Louise Erdrich, Hanay Geiogamah, and Simon Ortiz write to celebrate their Indian heritage and the survival of their people, even though they still use the themes of …

Bi-weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.

Bi-weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.

In this study, I show that three major areas of Mark Twain's personality—conscience, ego, and nonconformist instincts—are represented, in part, respectively by three of his literary creations: Huckleberry Finn, Tom Sawyer, and No. 44. The origins of Twain's personality which possibly gave rise to his troubled conscience, need for attention, and rebellious spirit are examined. Also, Huck as Twain's social and personal conscience is explored, and similarities between Twain's and Tom's complex egos are demonstrated. No. 44 is featured as symbolic of Twain's iconoclastic, misanthropic, and solipsistic instincts, and the influence of Twain's later personal misfortunes on his creation of No. 44 is explored. In conclusion, I demonstrate the importance of Twain's creative escape and mediating ego in the coping of his personality with reality.

Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.

Journal containing essays, commentaries, and exhibition information regarding Texas artwork and other contemporary art issues.

Studies of the English Renaissance reveal a patriarchal structure that informed its politics and its literature; and the drama especially demonstrates a patriarchal response to what society perceived to be the problem of women's efforts to grow beyond the traditional medieval view of "good" women as chaste, silent, and obedient. Thirteen comedies, whose creation spans roughly the same time frame as the pamphlet wars of the so-called "woman controversy," from the mid-sixteenth to the mid-seventeenth centuries, feature women who have no public power, but who find opportunities for varying degrees of power in the private or domestic setting.

Secret Schemes is a collection of four short stories and three chapters of a novel; all the stories are humorous and deal with young women and their struggles in romantic relationships.

Bi-weekly newspaper from Corpus Christi, Texas published by the Diocese of Corpus Christi that includes news of interest to Diocese members along with advertising.