The purpose of this study is to investigate how local and foreign newspapers used the war journalism and peace journalism frames when covering the Sri Lankan civil war, and to uncover subframes specific to the conflict. The first part of the thesis provides an in- depth literature review that addresses the history of the conflict and media freedom in Sri Lanka. The newspaper articles for the textual analysis were selected from mainstream Sri Lankan and U.S newspapers: the Daily News (a state sponsored newspaper) and Daily Mirror from Sri Lanka, and the New York Times and Washington Post from the U.S. A total of 185 articles were analyzed and categorized into war journalism and peace journalism. Next, subframes specific to the Sri Lankan conflict were identified. The overall coverage is dominated by the peace journalism frame, and the strongest war journalism frame is visible in local newspaper articles. Furthermore, two subframes specific to the Sri Lanka conflict were identified: war justification subframe and humanitarian crisis subframe. In conclusion, the study reveals that in the selected newspapers, the peace journalism frame dominated the coverage of the Sri Lankan civil war. All in all, while adding to the growing scholarship of media …

Punk rock music has long been labeled sexist as copious media-generated accounts and reports of the genre concentrate on male artists, hyper-masculine performances, and lyrics considered to be aggressive, sexist, and misogynist. However, scholars have rarely examined punk rock music longitudinally, focusing heavily on 1980s and 1990s manifestations of the genre. Furthermore, few systematic content analyses of feminist themes in punk rock song lyrics have been conducted. The present research is a longitudinal content analysis of lyrics of 600 punk rock songs released for four decades between 1970 and 2009 to examine the prevalence of and longitudinal shifts in antiestablishment themes, the prevalence of and longitudinal shifts in sexist themes relative to feminist themes, the prevalence of and longitudinal shifts in specific feminist branches, and what factors are related to feminism. Using top-rated albums retrieved from Sputnik Music’s “Best Punk Albums” charts, systematic random sampling was applied to select 50 songs for each combination of three gender types and four decades. Sexism and feminism were then operationalized to construct a coding sheet to examine relevant dimensions. While the present study found no significant patterns of longitudinal increase or decrease in feminist or sexist themes, it revealed that feminist themes were …

A longitudinal content analysis of top-chart hip-hop songs’ lyrics produced between 1980 and 2013 was conducted to investigate the degree and progression of the paradoxical juxtaposition, or postmodern hybridity, of oppositional modernist identities in terms of race/ethnicity, gender, sexual orientation, sexuality, and economic lifestyle, in addition to the longitudinal diversification of artist’s race and gender demographics. Demographically, the percentage of non-African-American artists increased as the percentage of African-American artists decreased. Additionally, the percentage of songs featuring either all male or all female artists decreased, while the percentage of collaboration between male and female artists increased over time. Although hybrid oppositional identities related to race/ethnicity and gender did not increase over time, those of sexual orientation, sexuality, and economic lifestyle increased over time. In addition, materialist identities were related to the hybridity of sexual orientation and sexuality, but not to that of gender and race/ethnicity. Overall, the research found increasing postmodern hybridity within the sexualization of hip-hop songs along with intensified materialism.