This study examines the efforts of the Union and Confederate diplomatic agents to influence the events along the Rio Grande during the Civil War. The paper compares the successful accomplishments of Confederate agent Jose Quintero to the hindered maneuverings of the Union representatives, Leonard Pierce and M. M. Kimuey. Utilizing microfilmed sources from State Department records and Confederate despatches, the paper relates the steps Quintero took to secure the Confederate-Mexico border trade, obtain favorable responses from the various ruling parties in northern Mexico, and hamper the Union agents' attempts to quell the border trade.

From 1924 to 1929 the Roman Catholic Church and the Mexican State engaged in the crucial stage of a long-time struggle to determine whether the former would be independent of or subordinate to the latter. This thesis analyzes Church-State relations during this five year period and stresses the activities of President Plutarco Elías Calles, the Roman Catholic hierarchy, and more fanatic Mexican Catholics.

This study is concerned with the struggle between the Roman Catholic Church and the Mexican government following the Revolution of 1910 to 1920. The purpose is to investigate and evaluate both the role of the Church in the politics, economy, and society of Mexico in the post-Revolutionary era and the efforts of the liberal governments of Alvaro Obregón, Plutarco Calles, and others to diminish that role.

This thesis examines the imagery of Jose Guadalupe Posada in the context of the Mexican Revolution with particular reference to the corrido as a major manifestation of Mexican culture. Particular emphasis is given to three corridos: "La Cucaracha," "La Valentina," and "La Adelita." An investigation of Posada's background, style, and technique places him in the tradition of Mexican art. Using examples of works by Posada which illustrate Mexico's history, culture, and politics, this thesis puts Posada into the climate of the Porfiriato and Revolutionary Mexico. After a brief introduction to the corrido, a stylistic analysis of each image, research into the background of the song and subject matter, and comments on the music draw together the concepts of image, music, and text.

The purpose of this study is to examine the role of Santos Degollado in the history of Mexico during the 1850's and to determine his contributions to the cause of constitutional reform in that period.

This paper provides a thematic approach to three major United States government document series relating to topics of early United States diplomatic relations with Mexico; treaty negotiations, the Santa 'Fe trade, the Texas question, and claims. The document series examined are .the United States presidential papers, United States Congressional documents , and the National Archives Record Group 59, diplomatic dispatches from United State Ministers to Mexico. Historians must make an evaluation of all: documentary evidence available for an accurate assessment of historical events. Inadequate analysis of these major United States document series has limited this necessary assessment in the area of United States Mexican diplomatic relations, 1821-1846.

This thesis compares the educational systems of the United States and of Mexico from their beginnings, and especially notes the progress that Mexico has made since 1920.

"The purpose of this study was to show the position of Texas in the relations between the United States and Mexico from 1876 to 1910. With this thought in mind, the general problem has been to link the two countries through Texas. The Texas border relations between the United States and Mexico during this period were interesting because they showed the continued success of the efforts of the past years in building up better principles of settlement. " --leaf 129

This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.

This thesis discusses the seizure of all foreign owned oil property by the Mexican government in 1938 and the historical events leading up to the seizure.

The aim of this study was to present a condensed and authentic report of what Mexico has done toward a practical education of the nation. It is also the aim of this study to show the development, the status, and the functioning of the Federal District. The study point out the relation and the needs of this type of education to the social and economic welfare and progress of the Mexican people.