This study focuses on modern-day attempts to preserve the site where Union volunteers from Colorado defeated a Confederate army from Texas at the 1862 Battle of Glorieta Pass to curtail Confederate expansion westward. When construction workers in 1987 accidently uncovered remains of the war dead, a second battle of Glorieta Pass ensued. Texas and New Mexico officials quarreled over jurisdiction of the war casualties. Eventually Congress authorized the National Park Service to expand the Pecos National Park through purchase and donation of land to include the battlesite. Sources include local records, newspapers, federal and state documents, and interviews with preservation participants.

Stoney Burns (Brent LaSalle Stein) edited and published Dallas Notes, a Dallas, Texas, underground newspaper, from November 1967 through September 1970. This thesis considers whether Burns was the unifying figure in the Dallas counterculture.

Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and socially, significant. The importance of the people as a functioning character in the opera has precedence in art and literature in Russia in the second half of the nineteenth-century and is related to the Populist movement. Most importantly, the change in endings between the two versions alters the entire meaning of the composition. This study suggests that this is a political statement on the part of the composer.

El Santuario de Chimayo is a small community shrine that combines both native Tewa Indian and Christian traditions. This study focuses on the interaction between traditions through analysis of the shrine's two major artworks: a crucifix devoted to El Senor de Esquipulas (Christ of Esquipulas) and a statue of the Santo Nino (Holy Child). The shrine and its two primary artworks are expressions of the dynamic interaction between native and European cultures in New Mexico at the beginning of the nineteenth century. They frame the discussion of native and Christian cultural exchange about the relationships between religious images, how they function, and how they are interpreted.

This research explores the ideology of the modern Ku Klux Klan movement in American society. The foci of study is on specific Ku Klux Klan organizations that are active today. These groups include: The Knights of the Ku Klux Klan; The New Knights of the Ku Klux Klan; The New Order Knights of the Ku Klux Klan, and The Knights of the White Kamellia. These groups are examined using frame analysis. Frame analysis allowed for the identification of the individual organization's beliefs, goals and desires. Data were gathered via systematic observations and document analysis. Findings identified several overarching ideological themes which classify the modern Ku Klux Klan movement.

This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.

This study focuses on the development of water resources in the Trinity River basin for navigation, flood control, water supply, recreation, and allied purposes. Special emphasis is given to the development of the upper Trinity River basin through the influence of community leaders in Dallas and Fort Worth. A desire harbored for generations by upper basin residents for creating a navigable waterway on the Trinity River coalesced in the twentieth century into a well organized movement for all facets of water resources development. Sources include correspondence, speeches, and promotional materials of civic leaders, politicians, and other citizens, as well as works by the United States Army Corps of Engineers.