Photocopy of Elizabeth Simpson Cooper's memoir about her childhood in Virginia and later her time in Kansas after moving westward with her family. In the text of her memoir, she describes her school days in Virginia, church, Cooper family history, "Bleeding Kansas" (the period of conflict over deciding if Kansas would be a free or a slave state), and the Civil War in Kansas as well as her personal encounters with Native Americans in Kansas.

This book "is a compendium of America's Indian Wars and the mountain men, soldiers, cowboys and pioneers who took part in them" (dust-jacket). It includes information about all the major American Indian battles, the lives of notable men who fought in the battles, and the combat techniques employed. The index begins on page 247.

Collection of popular folklore from Mexico and Texas, including ballads, personal anecdotes, folktales of the Alabama-Coushatta Indians and other miscellaneous legends. The index begins on page 141.

Compilation of translated texts describing the explorations of Coronado and his companions as they traveled in Central American and parts of present-day United States, with some supplementary historical notes for context.

The New Yorker recently referred to Pat Metheny as “possibly the most influential jazz guitarist of the past five decades.” A native of Lee’s Summit, Missouri, just southeast of Kansas City, Metheny started playing in pizza parlors at age fourteen. By the time he graduated from high school he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Now 66, he attributes his early success to the local musical environment he was brought up in and the players and teachers who nurtured his talent and welcomed him into the jazz community. Metheny’s twenty Grammys in ten categories speak to his versatility and popularity. Despite five decades of interviews, none have conveyed in detail his stories about his teenage years. Beneath Missouri Skies also reveals important details about jazz in Kansas City during the sixties and early seventies, often overlooked in histories of Kansas City jazz. Yet this time of cultural change was characterized by an outstanding level of musicianship.