This book is the student text for a training course designed "to provide Reserve officers with a better understanding of the cold war; of the organization, resources, and methods used by the enemy to accomplish his aims; and of the strengths and weaknesses of the Communist World and Free World" (Introduction, p. vi). It consists of five lessons: The Communist Threat; The Soviet Nonmilitary Front; The Soviet Military Front: Doctrine and Organization; The Communist World: Strengths and Weaknesses; and The Free World: Strengths and Weaknesses. Each lesson includes background information, review questions, and a list of suggested readings for further study.

This booklet is the Course 2, Volume 1, Part C issue of an extension training course developed for Air Force personnel. This book discusses the history and spread of the concept of democracy, especially as it pertains to 'American democracy" in comparison to communist ideologies. The book contains a blank exam on the material in the back..

This booklet is the Course 2 Volume 1B unit of an extension training course developed for Air Force personnel. This book discusses background information on the people, culture, geography, and industry of the Soviet Union.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.