Paper argues that John Frost’s pictorial images and narratives of Mexicans were used as historical justifications for the intervention into Mexico during the Mexican-American War.

This paper discusses research on the recruitment of women via the medium of posters during World War Two (1941-1945).

Paper explores refugee representations in the 1950s of non-western/World War II in American media, specifically “smaller circulation” media - local newspapers, academic studies, and governmental documents.

Paper argues that Albert C. Ramsey’s The Other Side: or Notes for the History of the War Between Mexico and the U.S., a translation of a Mexican account of the war, Apuntes para la Historia de la Guerra entre M´ exico y los Estrados-Unidos depicts the Mexican perspective on the Mexican-American war to counter misrepresentations of Mexico by his American peers.

Paper examines the state of standards and legislation for handling restitution claims for artworks looting from victims during the Holocaust.

Paper examines the meaning of Christian church bells as a symbol of power in medieval Spain.

Paper argues the images and text in Albert S. Evans’s Our Sister Republic: A Gala Trip Through Tropical Mexico in 1869-70 misrepresented Mexico to justify American imperialism.

Paper closely examines images and text in Mexico of To-day by Solomon Bulkley Griffin and discusses how the book demonstrates the United States' attitude towards Mexico during the late nineteenth century.

Paper explores the imagery and text coded with implications of the United States’ social dominance over Mexico in Hubert Howe Bancroft XVI's accounts of Texas history.

Paper examines the text and images in Bryant Tilden’s Notes on the Upper Rio Grande and analyzes how Mexicans are misrepresented in order to justify Manifest Destiny.

This paper discusses research on the performance art of Alexander Brener.

This paper discusses research on American quilts and women's political engagement.

This paper discusses research on the use of photography in colonial India.

Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.

This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment.

Paper examines the history of women printmakers from an interdisciplinary perspective, identifying printmaking as an area of the humanities, while arguing for the benefits of this perspective for future research on the topic.

This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.

Paper discusses the 1937 National Socialist exhibition “Entartete Kunst,” (Degenerate Art) and the ways it influenced the German public’s perceptions of the art displayed, as well as the cultural memory of modern art in general.

Text component of a doctoral dissertation, which references the full dissertation content in a multi-media web-based format. It includes a background statement, acknowledgements section, printed navigation guide and site map for the website, and a full list of references.

Paper explores how the Texas Centennial Exposition in 1936 was used to build the mythology of a unified Texas identity and history.