This paper is the result of a study made in Guanajuato, Mexico, in the summer of 1945. It is an attempt to set forth the development of the methods used in making pottery and tiles in this region -- to trace the methods, forms, and motifs from the pre-Conquest period through the Colonial and contemporary periods, to find what changes have come about in the art of making pottery and tiles, and to discover the causes of these changes.

This study analyzes the procedures and operations of the Quartermaster, Ordnance, Commissary, and Medical Departments during Scott's campaign to determine the efficiency of the prevailing logistical system. Unpublished and published government documents, official records, manuscript collections, memoirs, diaries, and newspapers provide the data. The first chapter describes the logistical departments interworkings; the remaining chapters detail the operations of the bureaus during the expedition's assembly and campaign against Mexico City. The evidence revealed organizational deficiencies which caused severe shortages, particularly in transportation, for Scott's army. The shortages severely hampered the expedition. Because of .the numerous victories over 'Mexican forces, however,. American leaders ignored the organizational deficiencies, These shortcomings reappeared to .impede operations during the Civil War.

The purpose of this study is to determine the importance of characterization in the Quinteros in developing their characters into figures possessing human qualities which give them charm and reality. In nine of the twenty plays studied, the characters are used in emphasizing other elements such as love and atmosphere, or to prove a thesis. However, the importance of characterization is shown by the fact that eleven of the plays are concerned with the character development.

This thesis analyzed material on Mexican railroad development before 1876 to determine what principles underlay public action in this area. Only significant or recurring concessions concerning connecting Mexico City and Veracruz, transcontinental communication, and tying the United States and Mexico by rail were studied, since they provided the best means of tracing public action over an extended period of time.

This film examines the phenomenon of a family divided by the U.S.-Mexico border. Saul, the head of the family, migrated north in search of a better life for his wife and children while they stayed behind in Mexico. Not having the documents to cross the border has resulted in being apart from his family for more than ten years. This is a story about separation, pain, and the ultimate sacrifice a family makes as a means of survival.

In both Mexico and the U.S., abortion rights protests have been taking place in recent years, but while Mexico is moving forward with the legalization of abortion, the U.S. is going in the opposite direction with the overturning of Roe v. Wade. Through framing, journalists select salient information, shaping audiences' understandings of social movements. The protest paradigm suggests that due to journalistic norms and routines, journalists tend to focus on disruptive acts, which can stigmatize the protest. Additionally, scholars have stated that men and women photojournalists have different approaches to covering certain topics. This cross-national research combined a content analysis of photographs in U.S. and Mexican media with in-depth interviews with photojournalists to determine if photojournalists in each country are reproducing the protest paradigm and if there are gendered differences in how they photograph abortion rights protests. The results revealed that women and men photograph differently, with women capturing more intimate photos; however, photojournalists' gendered experiences are also influenced by how protesters perceive them. Furthermore, the study suggests that photojournalists from both countries are questioning objectivity and are attempting to move away from the protest paradigm. This research provides valuable insights into visual framing theory, protest news coverage, and gendered …

The problem of this study is (1) to expand the 980 division (designated by the term History: South America, Latin America, Spanish America) of the Dewey Decimal Classification for the history of Latin America as a whole and for national histories of several typical countries, and (2) to translate the expanded tables into Spanish.

Juan Barroso's artwork depicts Mexican labor and the immigrant experience at the border. With the current political administration enforcing policies that dehumanize and force immigrants into the shadows, recognizing an immigrant’s humanity is vital. As the son of immigrant parents, he pays homage to his people and the dignity of their labor. He mixes 2- dimensional imagery, influenced by personal narratives, with 3-dimensional functional forms. Using a small watercolor brush, he paints his images with thousands of dots in a timeconsuming and labor-intensive process that becomes an act of devotion.

The intention of this study is not to present the technique as a new one in the realm of sculpture, but rather to investigate the various ways in which cement is being employed in the sculptural form and to point out its prominent use as well as the reasons for its popularity in Mexico.

This thesis presents a history of the United States' war with Mexico with a focus on the maturing of the United States artillery on the battlefields of Mexico.

This study examines the efforts of the Union and Confederate diplomatic agents to influence the events along the Rio Grande during the Civil War. The paper compares the successful accomplishments of Confederate agent Jose Quintero to the hindered maneuverings of the Union representatives, Leonard Pierce and M. M. Kimuey. Utilizing microfilmed sources from State Department records and Confederate despatches, the paper relates the steps Quintero took to secure the Confederate-Mexico border trade, obtain favorable responses from the various ruling parties in northern Mexico, and hamper the Union agents' attempts to quell the border trade.

The Universalis Ecclesiae of 1508 authorized Spanish colonization of the Americas in return for the conversion of native populations to Christianity. From its inception therefore, the Mexican nation lived an alliance between Church and State. This alliance promoted the transfer of Castilian Catholicism to American shores. Catholic practices, specifically the ex-voto tradition, visualize this intermingling of religion and politics. The ex-voto is a devotional painting that expresses gratitude to a religious figure for his/her intervention in a moment of peril. It is commissioned by the devotee as a means of direct communication to the divine. This project analyzes 40 Mexican ex-votos for their reflection of political issues in Mexico. I assert that the Mexican ex-votos engage discussions of social politics. To support this argument, visualizations of socio-political discourses such as the Virgin of Guadalupe as a national religious symbol, police action and economic disparity were examined.

This thesis considers the novels of Carlos Fuentes from a thematic point of view, as well as looking at the place of the writer in Mexican narrative tradition. It also presents a brief history of the Mexican novel.

This paper discusses the author's work creating five collagraph prints based on imagery used during the Mexican Day of the Dead celebration and the process of making these prints. Eduardo J. Garcia discusses how heritage impacted these works and explores the meaning behind the folk art imagery.

This work is a developing portrait of women workers who are involved in labor rights advocacy within the context of the maquiladora (assemblage factory) industry in Mexico. I have traveled to do research in Mexico by making photographs and through collecting recorded testimonies from the women workers I come to meet through an organization called the Comité Fronterizo de Obreras. The resulting artwork I make includes photographs, handmade books, video, sculpture and works on paper. Ultimately, my translation of the empowerment and stories of these women workers into works of art are at the center of my practice.

Mexico's cultural norms have been the subject of repeated inquiries because democratic and authoritarian patterns appear concomitantly. However, few have focused on the potential demographic and contextual sources of these divergent results. This study attempts to clarify the sources of Mexico's political culture, and then determine the extent to which these factors affect political participation. Statistical analysis of a LAPOP dataset from 2006 makes limited progress to this end. The sources of Mexican political culture remain somewhat a mystery, although some intriguing results were found. Most notably, demographic traits appear to have little influence on political culture variables and political participation rates in Mexico. In fact, political culture norms and political participation appears consistent across Mexico's infamous social and economic lines.

This thesis consists of a group of poems around a central concept: language as a physical dwelling place—a place much like what Raphael discovered in the grottoes of Rome and named "grotesque," or "grotto-esque." Using the word, "grotesque," as an example, the preface illustrates how poetry can play with the lost histories of words while still searching for new referents and associations.

Two curricular needs exist for the elementary art classroom: multi-cultural lessons which are customized to address North Texas ethnicities, and art history materials for early grades, whether taught by art teachers or regular classroom teachers. This thesis addresses both of these concerns by developing lesson plans to meet the needs, and executing an evaluative study with North Texas art and regular classroom teachers of kindergarten and first grade. The teachers represent four districts, including rural, suburban, and urban demographic populations. Findings address time limitations for public school teachers, cultural exchange differences between demographic groups, and differences between presentation of the units by regular classroom teachers versus art teachers.

The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora and fauna research on three sets of casta paintings produced between 1750 and 1800: Miguel Cabrera's 1763 series, José Joaquín Magón's 1770 casta paintings, and Andrés de Islas' 1774 sequence. Although the paintings fall into the same genre and within a period of a little over a decade, they nevertheless offer different visions of New Spain's natural bounty and include objects designed to satisfy Europe's interest in the exotic.

The purpose of this study is to examine the role of Santos Degollado in the history of Mexico during the 1850's and to determine his contributions to the cause of constitutional reform in that period.

Mexican immigration to the United States increased tremendously from 1900-1925 as factors such as the Mexican Revolution and the recruitment of Mexican laborers by American industry drew Mexicans north. A significant number of Mexicans settled in Dallas and in the face of Anglo discrimination and segregation in the workplace, public institutions, and housing, these immigrants forged a community in the city rooted in their Mexican identity and traditions. This research, based heavily on data from the 1900, 1910, and 1920 census enumerations for Dallas and on articles from Dallas Morning News, highlights the agency of the Mexican population - men and women - in Dallas in the first three decades of the twentieth century.

How do the content and writing style of people who drink alcohol beverages stand out from non-drinkers? How much information can we learn about a person's alcohol consumption behavior by reading text that they have authored? This thesis attempts to extend the methods deployed in authorship attribution and authorship profiling research into the domain of automatically identifying the human action of drinking alcohol beverages. I examine how a psycholinguistics dictionary (the Linguistics Inquiry and Word Count lexicon, developed by James Pennebaker), together with Kenneth Burke's concept of words as symbols of human action, and James Wertsch's concept of mediated action provide a framework for analyzing meaningful data patterns from the content of blogs written by consumers of alcohol beverages. The contributions of this thesis to the research field are twofold. First, I show that it is possible to automatically identify blog posts that have content related to the consumption of alcohol beverages. And second, I provide a framework and tools to model human behavior through text analysis of blog data.

The purpose of this investigation is to characterize the dramatic characters of Federico García Lorca as realists or idealists. Lorca wrote a total of fifteen plays, and the majority of them are considered in this study. Additional source materials include the works of such critics as J. Alberich, María Teresa Babín, Alfredo de la Guardia, and Francisco Umbral.

This paper discusses James K. Polk and his stance on the annexation of Texas as well as the different war plans and policies he originated during the Mexican War.