Like the trumpet concertos of Haydra and Hummel, the present concerto for trumpet and orchestra is set in the classical plan of three movements: fast, slow, and fast. The total duration is approximately twenty minutes. The instrumentation of the orchestra, reveals an ensemble of moderate proportions.

This study is an investigation of the relationships between music and the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats. Particularly it focuses on the nature of their musical subject matter and musical imagery in order to determine the extent to which they were influenced by aesthetic and philosophical musical theory, generally termed speculative music.

The stress protein response (SPR) is a conserved and ubiquitous mechanism that enables cells to tolerate a wide variety of environmental insults. This response involves the preferential synthesis of an array of proteins with different molecular weights. These proteins perform a variety of functions, such as protein folding, multimeric protein assembly, steroid receptor binding, and heme catabolism. To evaluate the potential use of the SPR as a biomonitoring tool, a stepwise plan was utilized that proceeded through various physical and chemical laboratory exposures and culminated with a field validation study. The goals of the laboratory exposures were threefold: (1) determine the time required for induction of the SPR; (2) determine the dose-responsiveness of the SPR; and (3) compare the increased syntheses and accumulations of stress proteins to classical toxicological endpoints (i.e. percent mortality, LC50, LC1, etc).

This research is part of an overall program to develop and use a suite of acute and sublethal toxicity biomarkers, and testing protocols for use in assaying potential effects of complex mixtures of xenobiotics such as found in soils containing agricultural biocides and petrochemical wastes dredged sediments, and hazardous waste sites (HWS). The purpose of this study was to evaluate four biomarkers of sublethal pathology that could be used in an integrative model of multiple toxicity endpoints with the earthworm Lumbricus terrestris.

This work includes two different areas of research. Both areas are related to the combustion of the binder-enhanced densified refuse derived fuel (bdRDF) with high sulfur coal and examining trace elements. The first area of this work involved studying the trace metals in the combustion gas of bdRDF/coal blend and the effect of the binder, CA(OH)2, on reducing the trace elements emissions. The second area of work involved studying the trace elements in the fly ash and the effect of the dRDF and the binder of trace metals.

The purpose of the present study was to determine: (1) that dental office personnel would be exposed to more toxic chemicals in the workplace than the non-dental office controls; (2) that exposure should lead to a reduction in the efficiency of the immune system in the individuals in the dental office; and (3) the immunological deficit should manifest itself in psychological and/or physiological pathology as measured on the Profile of Mood States (POMS) and Bender Gestalt.

The earthworms, Lubricus terrestris and Eisenia foetida, were used as non mammalian surrogate models to assess the immunotoxicpotential of xenobiotic to mammals. Assays were developed and optimized for detecting spreading activity and phagocytosis of rabbit red blood cell (RRBC), bacteria, and yeasts by macrophage-like coelomocytes of L. terrestris.

Twin Oaks: A Comic Opera in One Act is a chamber opera approximately 60 minutes in length. Its accompanying ensemble is scored for flute (doubling piccolo), oboe (doubling English horn), B-flat clarinet, bass clarinet, bassoon, trumpet (in C and B-flat), F horn, percussion, piano, 2 violins, viola, violoncello and double bass. It is a Number Opera with 10 numbers. There is a single case in which there is music played under the dialogue. The text is based off the W.S. Gilbert Play: Eyes and No Eyes: or The Art of Seeing.