Compilation of a script, parts (including conductor's score; 1 vocal part with melody and lyrics; and 13 instrumental parts), stage directions, dance routines, scenic and costume designs (including instructions on how to make them from waste and salvage materials), a sample program template, and general notes on how to produce a musical revue, intended for a women's army audience. The story depicts the goddess Athena growing bored with her life on Olympus and descending to Earth to find fulfillment as a WAC named Mary Brown.

Technical report issued by the Bureau of Mines over the different uses of gypsum. The sources and uses of gypsum are presented and discussed. This report includes tables, photographs, and illustrations.

This bulletin promotes the use of tractors on farms in the Corn Belt of the United States in order to increase agricultural productivity. It discusses the possible uses of tractors and the displacement of horses on farms.

Interview with Marvin "Smokey" Montgomery, musician, concerning his experiences as a member of the "Light Crust Doughboys" western swing band, 1935-42. Early musical career as a banjo player in a traveling tent show; employment with the 'Wanderers"; comments about Lee "Pappy" O'Daniel; work with Gene Autry and Republic Pictures; acquiring the nicknames "Junior" and later "Smokey"; "Doughboy recording sessions; comments about Bob Willis; comments about individual members of the "Doughboys" band; World War II and its effects on the "Doughboys"; employment making naval shells for Crown Machine and Tool in Fort Worth; relations between Bob Wills and 'Pappy' O'Daniel; moonlighting on the honky tonk circuit with the "Southern Selectors"; the "Doughboys" record sales; jamming with African-American musicians; performing with the "Duncan Coffee Grinders" during World War II; his return to the "Doughboys" after World War II; performances with the "Texo Hired Hands"; performing with the "Levee Singers" in the Levee Club in Dallas during th the 1960s; comments about rockabilly performer Ronnie Dawson; comments about the record business; his career as a music arranger; operation of the Sumet-Bernet Recording Studios in Fort Worth; employment as music director for the "Big D Jamboree," 1941-60; his song writing career; experiences with "Lefty" …