Partner
Oklahoma Historical Society
3,976
UNT Libraries
3,084
Abilene Library Consortium
982
The Dolph Briscoe Center for American History
326
Sterling Municipal Library
304
UNT Libraries Government Documents Department
175
Breckenridge Public Library
139
UNT Music Library
138
Bastrop Public Library
125
Abilene Public Library
123
173 More
Collection
Texas Digital Newspaper Program
7,336
Oklahoma Digital Newspaper Program
4,039
Tocker Foundation Grant
1,389
Abilene Library Consortium
1,240
The Dallas Herald
892
The Oklahoma City Times
669
Early Texas Newspapers
412
Sapulpa Area Newspaper Collection
365
Sapulpa Herald
326
San Antonio Express
324
541 More
Degree Department
Degree Discipline
Degree Level
Country
States
Decade
Month
11,963 Matching Results
Results open in a new window/tab. Unexpected Results? Search the Catalog Instead.
Le triomphe de l'amour
Libretto of the ballet "Le triomphe de l'amour" written by Philippe Quinault in collaboration with Isaac de Benserade. It is divided in two parts. The first, contais the prologue and the ballet entrances (i.e., entrées); the second part contains flattering comments and instructions directed to the noble people participating in the ballet. Each of the entrées that comprise "Le Triomphe de l'Amour" reveal aspects of love triumphant. The theater represents a magnificently ornate place where a crowd receives Amour (i.e., the god Love), the son of Venus. The latter presides over the crowd and sings of the virtues of the king who has restored peace to his kingdom. Venus entreats everyone to pay homage to her victorious son. The first performance took place at Saint-Germain-en-Laye on January 21, 1681. The twenty entrées of this 'ballet de cour' (i.e., court ballet) were choreographed by Pierre Beauchamp with music by Jean-Baptiste Lully. Carlo Vigarani designed the stage décor and Jean Berain provided designs for costumes and decorations of this royal festivity. This copy includes a frontispiece engraving that depicts a stage setting by Daniel Marot.
Date:
1681
Creator:
Quinault, Philippe, 1635-1688
Object Type:
Book
System:
The UNT Digital Library
Atys : tragédie lyrique en trois actes
The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Date:
1780
Creator:
Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Ensemble: 2000-10-29 - 2000 State Employee Charitable Campaign
Access:
Use of this item is restricted to the UNT Community
Concert presented at the UNT College of Music.
Date:
October 29, 2000
Creator:
Les Petits Violons
Object Type:
Sound
System:
The UNT Digital Library
Little League Team, late 1960s
Photograph of Little League Team and coach. Photograph of Van Horn,TX Little League Team of the late 1960s. Includes: Terry Reyold (manager), Front row-Matt Reynolds, Gary Gilbert,Joe Bill Rowe, Martin Ibanez. Second row-Lully Lipsey, Johnny Rodarty, Albert Ortega, Efron Ortega, Manuel Carillo, Harvey Ortega
Date:
1965~/1969~
Creator:
unknown
Object Type:
Photograph
System:
The Portal to Texas History
Phaeton
Libretto of the opera "Phaeton," by Philippe Quinolt. The plot is based on an episode in Ovid's Metamorphoses. In the plot, Phaethon, son of Climène and Soleil [the Sun], is filled with excessive ambition and pride. He abandons his beloved, Théone, and requests to the King of Egypt the hand of his daughter Libie. Climène, who after consulting the sea god Proteus knows of the demise that her son's avarice will bring upon himself, tries in vain to discourage his ambition for the throne of Egypt and urges him to renew his love for Theona. However, Phaeton goaded by the taunts of his rival, Epaphus, rides recklessly across the sky in his father's chariot. The spectacular ending includes Jupiter's thunderbolts aimed at stopping Phaethon's wild ride, and Phaethon crashing onto earth where he dies. An ensemble and chorus provide a sorrowful denouement. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King. It also includes an engraved frontispiece titled, "Le …
Date:
1683
Creator:
Quinault, Philippe, 1635-1688
Object Type:
Book
System:
The UNT Digital Library
Atys : tragédie lyrique en trois actes
The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Date:
1781
Creator:
Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Omphale, tragedie en musique
Omphale (1701) is one of Destouches’s contributions to the Lullian genre of the five-act tragédie en musique. Half a century after the premiere, Friedrich Melchior Grimm targeted the opera in his pamphlet “Lettre sur Omphale” (1752), which continued the earlier debate between advocates of Lully and Rameau. This written attack also precipitated the famous guerre des bouffons, which was sparked by a performance of Pergolesi’s La serva padrona (1733) in 1752.
Date:
1701
Creator:
Destouches, M. (André Cardinal), 1672-1749
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Thetis et Pelée; tragédie en musique
Pascal Collasse was one of the few opera composers able to secure successful performances in the years following Lully’s death. Collasse then went on to supply the music for the entire opera, Thétis et Pélée, which was premiered at the Paris Opéra on 11 January 1689. Thétis remained popular throughout Collasse’s lifetime, in spite of its rather weak plot. Owing to its success is primarily the music, including a significant storm scene in Act II. This departure from the Lullian tradition is perhaps Collasse’s most significant contribution to the tradition of French opera.
Date:
1716
Creator:
Collasse, Pascal, 1649-1709 & Fontenelle, M. de (Bernard Le Bovier), 1657-1757
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Graduate Artist Certificate Recital: 2011-11-10 - Reynaldo Patiño, baroque violin
Access:
Use of this item is restricted to the UNT Community
Recital presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Date:
November 10, 2011
Creator:
Patinoño, Reyaldo
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2017-04-26 – Classical Guitar Ensemble Chamber Music Concert
Access:
Use of this item is restricted to the UNT Community
Classical Guitar Ensemble concert performed at the UNT College of Music Voertman Hall.
Date:
April 26, 2017
Creator:
University of North Texas. Guitar Ensemble.
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 1999-04-19 - Men's Chorus
Access:
Use of this item is restricted to the UNT Community
A choir concert performed at the UNT College of Music Winspear Hall.
Date:
April 19, 1999
Creator:
University of North Texas. Men's Chorus.
Object Type:
Sound
System:
The UNT Digital Library
Proserpine
Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assumes that Aréthuse abandoned him to look after Proserpine. Taking advantage of the situation, Ascalaphe, Pluto's envoy, encourages Alphée's belief in Aréthuse's supposed infidelity; then, persuades both Alphée and Aréthuse into letting Pluto watch over Proserpine. Alphée and Aréthuse agree and as the lovers' attention wanders, Pluto seizes Proserpine and abducts her. Cerés learns of her daughter's abduction and in despair decides to withhold her gifts that give earth prosperity. When Alphée and Aréthuse finally reach Proserpine, they find that she has already eaten of the grain and tasted the fruit of the underworld, which condemned her to Pluto's control. Proserpine begs Pluto for mercy, but the love-stricken god refuses to free her. Pluto summons his judges …
Date:
1680
Creator:
Quinault, Philippe, 1635-1688
Object Type:
Book
System:
The UNT Digital Library
Proserpine, tragedie en musique
This is a copy of the libretto of "Proserpine," a tragedy in five acts by Phillipe Quinault. The tragedy was set to music by Jean Baptiste Lully, superintendent chamber composer of the court of Louis XIV, and performed in the King's presence at Saint Germain-en-Laye on February, [3] 1680. The month and year of the opera premiere are indicated on the t.p., but the day of performance was left out with a blank space. The library's copy shows errors in pagination. The number of p. 25 was scribbled with ink and rendered illegible. A second p.66 should read p. 67, and the last page of the libretto, numbered 70, should be p. 68. The libretto contains an engraving of one of the stage settings by J. Le Pautre, after a design by J. Berain. The item contains a prologue and list of characters.
Date:
1688
Creator:
Quinault, Philippe, 1635-1688
Object Type:
Text
System:
The UNT Digital Library
MEI at UNT: Towards a Semantic Presentation of Music Scores
This report documents the "MEI at UNT: Towards a Semantic Presentation of Music Scores" project funded through the Dean's Innovation Grant. The final report describes the project activities, budget, outcomes and other results/information, best practices, and future program continuity.
Date:
January 31, 2022
Creator:
Feustle, Maristella; Cleveland, Susannah, 1972-; La Spata, Adam; Morris, Laikin; Wodny, Anna; Esperante, Daniel et al.
Object Type:
Report
System:
The UNT Digital Library
Doctoral Recital: 1999-04-19 – Daniel Farris, conductor
Recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
April 19, 1999
Creator:
Farris, Daniel
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2014-10-27 – UNT Early Music Ensembles
Early music concert performed at the UNT College of Music Voertman Hall.
Date:
October 27, 2014
Creator:
Leenhouts, Paul, 1957-
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2014-10-27 – UNT Early Music Ensembles
Early music concert performed at the UNT College of Music Voertman Hall.
Date:
October 27, 2014
Creator:
Leenhouts, Paul, 1957-
Object Type:
Video
System:
The UNT Digital Library
Ensemble: 2011-11-21 – Early Music Ensembles
Concert presented at the UNT College of Music Voertman Hall.
Date:
November 21, 2011
Creator:
Leenhouts, Paul, 1957- & Sparks, Richard
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2007-06-19 – Baroque Orchestra and Collegium Singers
Ensemble performed at the UNT Murchison Performing Arts Center Winspear Performance Hall
Date:
June 19, 2007
Creator:
University of North Texas. Baroque Orchestra.
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2012-10-05 – Le Parnasse François
UNT Baroque Orchestra, Collegium Singers, Baroque Trumpet Ensemble Concert at the UNT College of Music Winspear Hall.
Date:
October 5, 2012
Creator:
University of North Texas. Baroque Orchestra.
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2005-11-28 – Early Music Chamber Ensembles
Recital performed at UNT College of Music Recital Hall.
Date:
November 28, 2005
Creator:
unknown
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2011-11-21 – Early Music Ensembles
Early Music Ensembles concert performed at the UNT College of Music Voertman Hall.
Date:
November 21, 2011
Creator:
Leenhouts, Paul, 1957- & Sparks, Richard, 1950-
Object Type:
Video
System:
The UNT Digital Library
Ensemble: 2018-10-29 – Early Music Ensembles
Access:
Use of this item is restricted to the UNT Community
Early Music Recital concert performed at the UNT College of Music Winspear Hall.
Date:
October 29, 2018
Creator:
University of North Texas. Baroque Orchestra.
Object Type:
Sound
System:
The UNT Digital Library
Ensemble: 2012-10-05 – Le Parnasse François
Baroque concert performed at the UNT College of Music Winspear Hall.
Date:
October 5, 2012
Creator:
University of North Texas. Baroque Orchestra.
Object Type:
Video
System:
The UNT Digital Library