This historical study examines the career of George I. Sanchez, New Mexican educator, who led many political and educational battles in New Mexico and Texas to improve educational opportunities for Spanish-speaking children. Archival materials from the State Records' Center of New Mexico, the papers of Senator Bronson M. Cutting, the Rockefeller Foundation Archives, the papers of President Lyndon Baines Johnson, Sanchez's private papers, unpublished materials at the University of Texas in Austin, oral history, and published materials were used in this study. The author used oral history and archival materials to gather much of the information for this work. The author extends special thanks and appreciation to Mrs. George I. Sanchez for making Sanchez's private papers available for study. The author also wishes to thank Dr. Hector Garcia, Senator Ralph Yarborough, Judge Carlos Cadena, Tom Sutherland, Arthur Campa, J. W. Edgar, Ed Idar, Jr., John Silber, and Connie Sprague, Sanchez's daughter, for their help.

The purpose of this study was to describe and to assess the development, current status, and contributions of Student Foundation programs in institutions of higher education in the United States.

The problem with which this investigation is concerned is that of the warrior-hero ideal as it evolves in Shakespeare's English and Roman plays, and its ultimate failure as a standard for exemplary conduct. What this study demonstrates is that the ideal of kingship that is developed in the English histories, especially in the Second Tetralogy, and which reaches its zenith in Henry V, is quite literally overturned in three Roman plays--Julius Caesar, Antony and Cleopatra, and Coriolanus. The method of determining this difference is a detailed analysis of these groups of plays. This analysis utilizes the body of Shakespearean criticism in order to note the almost total silence on what this study shows to be Shakespeare's growing disillusionment with the hero-king ideal and his final portrait of this ideal as a failure. It is the main conclusion of this study that in certain plays, and most particularly in the Roman plays, Shakespeare demonstrates a consciousness of something more valuable than political expediency and political legality. Indeed, the tragedy of these political heroes lies precisely in their allegiance to the standard of conduct of the soldier-king. Brutus, Antony, and Coriolanus, among others, suffer defeat in their striving to capture a higher …