This study traces the history of the 28th Texas Cavalry by using a traditional narrative style augmented by a quantitative approach. Compiled service records, United States census records, state tax rolls, muster rolls, and casualty lists were used to construct a database containing a record for each soldier of the 28th. Statistical analysis revealed the overwhelming southern origins of the regiment, the greater proportion of older and married men compared to other regiments, and a close resemblance to the people of their home region in terms of occupations, slaveholding and wealthholding.

In contrast to the relatively rapid changes occurring in the modern American army, the period between the end of the War of 1812 and the beginning of the Mexican War offers a definite period for a study of military life when reform came slowly.

The purpose of this dissertation is to analyze the six special military units which were authorized and created by the War Department under the direction of Secretary of War Edwin M. Stanton. In relating the military history of such special units the study determines what contributions and significance they made to the Union war effort.

Maps -- Chapter I. The regiments and the posts -- Chapter II. Recruitment -- Chapter III. Routine at the Western posts -- Chapter IV. Rations, clothing, promotions, pay, and care of the disabled -- Chapter V. Discipline and related problems -- Chapter VI. Entertainment, moral guidance, and burial of the frontier -- Chapter VII. Conclusion -- Bibliography.

The purpose of this study is to trace the development of the concert band from its earliest stages to the present time and to compile a list of original compositions for band that are worthy of serious concert performance, including compositions from 1750 until the present.

The National Guard in America began in the Revolutionary War. The Texas units resulted from the earlier concept and emerged in 1835 to resist Mexican oppression. Following achievement of statehood, Texas militiamen served in the Mexican War, the Civil War, and the Spanish-American War. As the twentieth century began, Texans had a long history of service in reserve military organizations in spite of a prevailing attitude of contempt for citizen soldiers held by influential regular army officials.

This study is a history of the musical activities in the Territory of Oklahoma from 1889 to 1907. Material for this dissertation was gathered from newspapers, books, periodicals, letters, sheet music, concert programs, college catalogues, church records, and photographs. Oklahoma City and Guthrie, the most important cities of the territory, provide the locals for the greater part of the study. These two communities reflect the cultural tastes and activities of the entire territory.

Utilizing the debates of the German Reichstag, the proceedings of the SPD, the memoirs of the leading military and Marxist figures and the principal newspapers of the Second Reich and Weimar Republic, this dissertation attempts to show how the army chiefs and the socialist leaders of Germany altered their policies not only to promote their interests but also to protect the state.

The Germans who immigrated to Texas in the 1830s, 40s, and 50s brought with them many and varied cultural institutions which they had known and enjoyed in Europe. As soon as the initial hardships of the frontier could be overcome, they eagerly established singing societies in the Lidertafel tradition. These organizations were to have a profound impact on music in Texas from about 1850 to the time of World War I.

The process of the organization of the orchestra began with the rise of opera; considered on a broad scale this process divides itself into two periods, the first terminated by the deaths of Bach and Handel (1600-1759) and the second beginning with the complete change of orchestral sound evident in the symphonies of Haydn and Mozart during the second half of the eighteenth century. It is the first of these two periods that witnessed the composers of art music exploiting the natural trumpet, an instrument long associated with court, camp, and field, to the extent that they developed a vast repertoire of trumpet music characterized by its virtuosic technical requirements.

Document accompanying a transcription for solo euphonium and large brass ensemble of three arias, "Ecco ridente in cielo," "Largo al factotum," and "A un dottor della mia sorte," from Gioacchino Rossini's opera The Barber of Seville. Includes overviews of the arias' texts and contexts, orchestrational techniques in the transcriptions, the history and definition of the term "euphonium," and the history of the large brass ensemble in the United States.

The popular image of the West in the nineteenth and early twentieth centuries incorporates radically opposing images: the West is viewed as a Garden of Eden at times, but it is also frequently seen as violent, a land inimical to man. The region both attracted and repelled. Among those attracted were artists who carried back some of the first images of the land. Thomas Moran (1837-1926) became associated quite early with the West because a pair of his paintings of western canyons was purchased by the United States Government.

In the fourteenth century Jacques de Longuyon popularized the theme of the nine worthies in his poem Les Voeux du Paon. Gofrey of Bouillon, Duke of Lower Lorraine and Protector of the Holy Sepulchre, was the last of the Christian Worthies in the poem. In his life and legends he exemplified the medieval world's heroic ideal. His achievement, the recovery of the Holy City for Christianity, was the pinnacle-the crowning glory-for the western world. By examining the historical fact of Godfrey's life and comparing it to legends and artistic renderings of that life, one can learn more about the time during which he lived and the people of which he was a part.

This study investigates, analyzes, and attempts to evaluate Robert Lucas Pearsall's (1795-1856) published articles and music as well as all available writings and music in manuscript form.