Front: Text describes action on various war fronts: Midway, China, India, Libya, RAF, Australia, Madagascar, East Indies, Russia; The second front: Allies, production. Large world map is keyed to text and illustrates time zones around the world. Inset maps show Russian Front; Midway Islands; Battle of Libya. Includes 15 photographs. Back: Color illustration of a German Gruppe. Text and drawings detailing the organization, uniforms, insignia and weapons of the basic German army unit.

Interview with Alton C. Halbrook, a Marine WWII veteran and POW who was captured by the Japanese at Corregidor. Halbrook discusses joining the Marine Corps and prewar duty in Shanghai, transfer to the Philippines, the Japanese invasion, retreat to Corregidor, the American surrender and capture by Japanese forces, internment at Camp O'Donnell and Cabanatuan, transfer to Clark Field and labor there, transit to Japan, internment and labor at a Japanese steel mill, a powerplant, and a factory, and the end of the war. In appendix is an autobiographical account by Halbrook.

Interview with C. L. Permenter, a Marine WWII veteran and POW from Dallas, Texas. Permenter discusses his pre-war service with the North China Marines at Tientsin (Tianjin) and Peking (Beijing), the situation in Japanese-occupied China, his capture, and his experiences in internment at Woosung, Kiangwang, and Fengtai.

The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai's nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China's musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.

Interview with Colonel Columbus Savage, an Army Air Corps veteran (16th Bomb Squadron) and a survivor of the Bataan Death March, concerning his experiences as a prisoner-of-war of the Japanese during World War II. Savage discusses Bataan Airfield (1941-1942), the fall of Bataan and his capture, the Bataan Death March, Camp O'Donnell (1942), Cabanatuan (1942), Davao Penal Colony (1942-1944), Bilibid Prison in Manila (1944), the hell ship to Japan (1945), Mojo and Fukuoka, Kyushu (1945), Mukden, Manchuria (1945), and his liberation by Russian troops. Appendix includes a photocopy of an article from the May 24, 1991 edition of the Carswell Sentinel, titled, "Warrior received belated honors" by MSgt. Dick Hodgson [p. 1]

Interview with Colonel Columbus Savage, an Army Air Corps veteran (16th Bomb Squadron) and a survivor of the Bataan Death March, concerning his experiences as a prisoner-of-war of the Japanese during World War II. Savage discusses Bataan Airfield (1941-1942), the fall of Bataan and his capture, the Bataan Death March, Camp O'Donnell (1942), Cabanatuan (1942), Davao Penal Colony (1942-1944), Bilibid Prison in Manila (1944), the hell ship to Japan (1945), Mojo and Fukuoka, Kyushu (1945), Mukden, Manchuria (1945), and his liberation by Russian troops. Appendix includes a photocopy of an article from the May 24, 1991 edition of the Carswell Sentinel, titled, "Warrior received belated honors" by MSgt. Dick Hodgson.

A topical, alphabetically arranged index to volumes 51-60 including experiment station records, publications reviewed, and foreign publications. In has a list of all editorial notes from the referenced volumes.