The entrance of the German Invasion of Poland and depiction thereof into modern historiographical conversations offers historians superior articulation of the creation of historical memory, mythos, and identity ‒ especially in wider terms of European Imperialism. By utilizing the current trends in gendering of empire, the use of auto-biography and life writing to understand felt realities and obfuscated truths, and the attempts by empire to queer and utilize labeled deviations to control and gain power over their colonized subjects, one is presented a better understanding of how the German Invasion of Poland fits into the story of empire and indigeneity. That story continues past the Third Reich however, as German propaganda in its various forms was accepted as truth after the Second World War, providing justification for and rationalizing post war political power structures of Western nations. As the threat of a cold war with the USSR loomed, many in the American military felt it necessary to accept and support German myths about their military prowess (and non-culpability for the Holocaust) and the inferiority of Slavic military forces. By analyzing not the myths themselves, but how they were created and propagated, historians can add to this historical conversation a case …

This dissertation examines the history and importance of Oklahoma City's Black Ethnic Enclave. It focuses on how this community developed over generations and the role of its leaders in shaping its identity, despite facing segregation. The settlement in this region began in 1889 when unassigned lands in central Indian Territory were opened for homesteaders by the US government. As a result, Oklahoma City became one of the major towns and eventually the state's capital. Most historical accounts primarily focus on the viewpoint of the white founders of the city, ignoring the experiences of minority residents and the urban aspects of the city. This study takes an interdisciplinary approach, combining historical analysis, urban studies, and sociocultural perspectives. It aims to understand the complex relationship between racial dynamics, urban development, and identity formation. By thoroughly examining primary and secondary sources like archival records, oral histories, and scholarly literature, the research uncovers the struggles, achievements, and cultural contributions of the community builders who overcame systemic barriers to create a thriving enclave within Oklahoma City. By highlighting their stories, this research enriches our understanding of the city's history and the diverse urban experiences it encompasses.

The American's battle of St. Mihiel in September 1918 has long been a marginalized battle in an almost forgotten war. In the historiography of American World War I involvement, the battle is relegated to a side-show that was little more than a distraction from the Meuse-Argonne. This stance needs to be re-evaluated as St. Mihiel proved an essential training ground for the US Army. The army rapidly expanded and participated in a major offensive, completed the complicated planning process, undertook a significant deception and intelligence-gathering campaign, and led coalition forces to reduce a salient that existed for years, in only a few short months. While not a perfect operation, the Americans overcame several obstacles to form the US First Army and achieve victory. St. Mihiel is a turning point in military training and doctrine as students studied the tactics after the war into the modern day. The memory of the battle was affixed in the minds of those who fought it and those on the home front who eagerly read the news stories coming from the Western Front. Modern audiences should also recognize the significance of the Battle of St. Mihiel.

The role of Odierno's III Corps as MNC-I has failed to receive sufficient attention from studies of the 2007-2008 surge of U.S. forces in Iraq. However, was Odierno's employment of military force in time, space, and purpose based on the logic of conventional military operations that laid the groundwork for the successes gained in 2007 and 2008. III Corps's achievements as an operational headquarters were rooted in the successful application of operational art. Operational art is a way to conceptualize how to fight wars using campaigns of multiple, simultaneous, and successive operations across a theater of operations to achieve a unifying goal. While neither downplaying nor minimizing the importance of Army COIN principles, a study of MNC-I's December 2006-February 2008 campaign in Iraq through the neglected prism of operational art suggests that the campaign's success was due to the successful application of already established operational principles rather than from a revolution in the profession of arms.

Carl A. Helmecke, like many German Americans marginalized by the anti-Germanism of the First World War and interwar period, believed that democracy had failed him. A professor with a doctoral degree in social philosophy, he regularly wrote newsletter columns declaring that the emphasis on individualism in the United States had allowed antidemocratic forces to corrupt the government, oppress citizens, and politicize schools and institutions for propaganda purposes. Moreover, widespread hunger and unemployment during the Great Depression added to the long list of failures attributable to democracy. What the United States needed, Helmecke thought, was political change, and he believed that the Nazi regime in his homeland, albeit flawed, had much to offer. In 1937, he went on a teaching sabbatical to Nazi Germany to study the Third Reich's education and social programs. When he returned to the United States, he began promoting Nazi ideals about education and labor camps. Although Hitler's 1939 invasion of Poland, followed by the United States entry into World War II, brought his fascist illusions for political change in the United States to an abrupt end, his belief in the correctness of an autocratic system of governance for Germany rather than that of the western democracies …

Despite their many successes, Roman leaders continually struggled with indiscipline in their own ranks as they battled Rome's opponents. Desertion and defection were steps that soldiers often undertook to avoid their obligated service. Previous scholarship has largely overlooked this aspect of Roman warfare. This dissertation analyzes why Roman soldiers began turning to desertion and defection throughout the Republican period. Such cases were generally rare in early Rome, but the expanding responsibilities and hardships of warfare in the Middle Republic caused them to rise, as did the sizeable growth of the Roman community. The civil wars of the Late Republic saw especially high cases of such acts, as generals incentivized defections in their opponents ranks. Roman desertion was not unique, but a common occurrence in ancient warfare. This dissertation also addresses how Romans capitalized on desertion and defection in warfare. The Second Punic War offers an example of how Rome achieved victory by encouraging defection in its enemy's alliances. Romans also relied heavily on defectors as a source of intelligence and as a tool in siege warfare. The moral forces of commitment, discipline, dissatisfaction, and desertion were often as important as the tactics and technologies of the participants in Rome's wars.

Based on the poetry of Jehanne Dubrow, professor of English at the University of North Texas, Stateside: An opera in one act uses the mythology of Penelope and Odysseus to tell a story of a modern day military wife. David T. Little's opera Soldier Songs, Sarah Kirkland Snider's song-cycle Penelope, and Stateside are dramatic musical works influenced by the genre, instrumentation, and formal structures of popular music that broadly deal with the emotional and internal elements of military life. These three works prioritize narrative structure of the text in relation to character, and employ elements of popular music harmony, melody, and structure. The critical essay analyzes selections from Soldier Songs and Penelope and explains the compositional process of Stateside. The creative document consists of the full score of Stateside: an opera in one act.

The Luftwaffe Field Divisions have remained on the periphery of World War II historiography for over seventy years, overshadowed by the myth of German military excellence during the conflict. The Heer is still known for lightning-quick attacks, brutal firepower, ably trained soldiers, and formidable success on the battlefield; an army of almost faceless, remorseless pain that grimly and efficiently faced down the Allies until the very end. Only recently, flaws have begun opening in this pristine picture as historians have examined how quickly the quality of the German army deteriorated from 1942-onward. Despite the vast landscape of scholarship on the war and the recent historical analysis of the weaknesses the Germans suffered, serious study on the creation and management of the Luftwaffe Field Divisions has been sparse. What has been written about them since 1945 has done little to offer a full picture of the units, their creation, or their significance to the German war effort. The purpose of this study was to fulfill this need by answering the necessary questions about the divisions, provide a complete history of the units, and place the LwFDs properly within the historiography of the Second World War.

The expansionist agenda of the Polk administration culminated in the War with Mexico. The capture of Mexico City in September 1847 left the United States Army with the unprecedented task of occupying an enemy capital for an extended period. After the initial theaters of operation proved unable to secure a peace, Maj. Gen. Winfield Scott commenced a campaign to take central Mexico including the capital city. In March 1847, an army of 11,000 soldiers under Scott landed at Vera Cruz. In six months, Scott's army marched over 250 miles and won five major battles. In mid-September, Scott took Mexico City. Throughout the campaign, Scott attempted to implement a pacification plan in an effort to prompt Mexico to open peace negotiations. Concern for his army weighed heavily on him as he faced unprecedented challenges in occupying Mexico City after its capture. The United States simply had almost no experience in the ramifications of fighting a foreign war, other than a few brief small-scale incursions onto foreign soil at Tripoli in 1805 and in British Canada. The difficulties that arose for Scott from the situation in Mexico were frustrating. Scott pacification plan used conciliation, coercion, and force on Mexico's army and people …

The Macedonian Campaign of World War I (October 1915-November 1918) traditionally remains one of the understudied theatres of the historiography of the conflict. Despite its vital importance in the outcome of the war, it is still considered as a mere sideshow compared to the Western Front and the Gallipoli Campaign. This dissertation presents a much-needed re-evaluation of the Macedonian Campaign's diplomatic and political origins within the war's early context. In doing so, this study first concentrates on a longue durée perspective and assesses the main historical events in the Balkans and Central Europe from the end of the French Revolution to World War I. In a perspective running throughout the entire nineteenth century, this dissertation integrates the importance of nascent nationalism in the Balkans and examine the Austro-Hungarian Empire's steady decline and subsequent diplomatic realignment toward the Balkans. Similarly, this work depicts the intense power struggle in Southeastern Europe between some of this story's main protagonists, namely the Austro-Hungarian, Russian and Ottoman Empires. This dissertation also evaluates the rise of new regional powers such as Bulgaria and Serbia and examines their connection to the European balance of power and general diplomatic equilibrium. In the first half of this dissertation, I …

The history of the United States' occupation and administration of the Philippines is a premiere example of the evolution of the American military's civil administrative approach as it evolved from simple Army security in 1898, through an evolving ‘whole-of-government' method, to what was practically the full military administration of the country by March 1945. The second liberation and subsequent administration of the Philippines by the United States Army was unique, not simply because of the physical characteristics of the operations, but more so because of the theater commander, General Douglas MacArthur. MacArthur used a rather self-reliant approach that rejected much of the direction from various authorities in Washington and adopted independently authored local solutions, but he took advantage of external resources when necessary. Ultimately the United States Army Forces in the Far East (USAFFE) under his command had to accept external direction to gain external resources. The Army's civil administrative planning and execution in the Philippines in 1944-1945 was the direct result of the social, political, economic, and military relationships between Americans and Filipinos from 1898 to 1944, much of which involved MacArthur, and the institutional changes that developed from these interactions. The result was civil administration that met the …

In 1793, the British government embarked on a war against Revolutionary France that few expected would last twenty-five years and engulf all of Europe. Radical French policies provided an opportunity for William Pitt, the British prime minister, to endeavor to cobble a European alliance, including a number of Mediterranean states. These efforts never progressed beyond theory and negotiations because of conflicted policy and tension between the British diplomatic corps and Royal Navy over the strategic goals in the region. With diplomats focused on coalition building and military commanders focused on national objectives, British efforts never congealed into a unified effort to defeat Revolutionary France.

While there have been several rich studies that have provided insight into the teachings of Xenophon that emerge from a careful reading of the Cyropaedia, the problem of reconciling the apparent good rule of Cyrus with the ruin of his empire persists. I argue that this problem can be reconciled by focusing on the problem that Xenophon initially informs us he is interested in, political stability.

The United States entered World War I without a policy governing the burial of its overseas dead. Armed only with institutional knowledge from the Spanish-American War twenty years prior, the Army struggled to create a policy amidst social turmoil in the United States and political tension between France and the United States.

Eagles Overhead provides a critical history of US Air Force Forward Air Controllers and examines their role, status, and performance in the Air Force's history. It begins by examining the US's initial adoption of air power, and American participation in aerial combat during World War I and traces the FACs' contributions to every US Air Force air campaign from the Marne in 1918 to Mosul in 2017. However, since 2001 FACs' contributions have been sporadic. Eagles Overhead asks why, despite the critical importance of FACs, have they not been heavily used on US battlefields since 2001? It examines the Air Force FAC's theoretical, doctrinal, institutional, and historical frameworks in the first nine chapters to assess if the nature of air warfare has changed so significantly that the concept and utility of the FAC has been left behind. Or, has the FAC been neglected since 2001 because the Air Force dislikes the capability as it clouds the service's doctrinal preferences? From these examinations, Eagles Overhead draws conclusions about the potential future of Air Force FACs.

From 1847 to 1891, Guy Morrison Bryan was a prominent Texas politician who influenced many of the policies and events that shaped the state. Raised in his Uncle Stephen F. Austin's shadow, he was a Texas nationalist who felt responsible for promoting the interests of his state, its earliest settlers, and his family. During his nineteen years in the Texas Legislature and two years in the United States House of Representatives, he safeguarded land grants, supported internal improvements and education, and challenged northern hostility towards slavery. Convinced that abolitionists would stop at nothing to destroy the institution and Texas, he led his state's walkout of the National Democratic Convention in 1860 and became a leading proponet of secession. During the Civil War, he served as a staff officer, and his ability to mediate conflicts between local and national leaders propped up the isolated Confederate Trans-Mississippi Department. Finally as Speaker of the House, he helped oust Governor Edmund J. Davis in 1874 and "redeem" the state from Republican rule before convincing President Rutherford B. Hayes to adopt a conciliatory policy towards Texas and the South. Despite the tremendous influence Bryan wielded, scholars have largely ignored his contributions. This dissertation establishes his …

This is an analysis of the U.S. Army's personnel decisions in the Second World War. Specifically, it considers the U.S. Army Chief of Staff George C. Marshall's appointment of generals to combat command, and his reasons for relieving some generals while leaving others in place after underperformance. Many historians and contemporaries of Marshall, including General Omar N. Bradley, have commented on Marshall's ability to select brilliant, capable general officers for combat command in the war. However, in addition to solid performers like J. Lawton Collins, Lucian Truscott, and George S. Patton, Marshall, together with Dwight D. Eisenhower and Lesley J. McNair, often selected sub-par commanders who significantly underperformed on the battlefield. These generals' tactical and operational decisions frequently led to unnecessary casualties, and ultimately prolonged the war. The work considers six case studies: Lloyd Fredendall at Kasserine Pass, Mark Clark during the Italian campaign, John Lucas at Anzio, Omar Bradley at the Falaise Gap, Courtney Hodges at the Hürtgen Forest, and Simon Bolivar Buckner, Jr. at Okinawa. Personal connections and patronage played strong roles in these generals' command appointments, and often trumped practical considerations like command experience. While their superiors ultimately relieved corps commanders Fredendall and Lucas, field army and …

The early stage of piano students' training is one of the most important, because it is then that they establish their habits for life. Those who teach beginners need clear principles for developing a solid technical foundation and for preventing bad technical habits. One of the most difficult principles to inculcate in young students is that of tone production and quality. The primary purpose of this study is to provide a pedagogical guide to help piano teachers teach tone production to elementary-level students. To accomplish this purpose, the strategies of the twentieth-century pedagogues Josef Lhévinne, Josef Hofmann, and Heinrich Neuhaus are examined, and applied to the elementary-level piano literature. This study offers practical training suggestions to teachers of elementary piano students as well as musical examples from high-quality piano literature to accompany these suggestions.

This dissertation is an examination of the interactions of enslaved body servants with their Texas Confederate masters from the American Civil War through the early twentieth century. The seven chapters of this study follows the story of these individuals from the fires of the Civil War, through the turbulence of Reconstruction in Texas, the codification of "Lost Cause" memory in the American South, and the exploitation of that memory by both former body servants and their ex-Confederate counterparts. This study demonstrates that the primary experience of blacks in the Confederate service was not as soldiers, but as enslaved laborers and body servants. Body servants, or camp slaves, were physically and in some cases emotionally close to their enslavers in this war-time environment and played an important part in Confederate logistics and camp life. As freed peoples after the war, former body servants found ways to use the bonds forged during the war and the flawed ideas of Lost Cause memory as a means to navigate the brutal realities of life in post-Civil War Texas. By manipulating white conceptions of former body servants as "black Confederates," some African Americans effectively "passed as gray," an act that earned money, social recognition, and …

The Romans were known for taking technology and advancements from other peoples they encountered and making them their own. This pattern holds true in military affairs; indeed, little of the Roman military was indigenously developed. This dissertation looks at the origins of the Roman's mainline weapons systems from the beginning of Roman Republic expansion in the fourth century BC to the abandonment of Western-style armaments in favor of Eastern style ones beginning in the late-third century AD. This dissertation determines that the Romans during that time relied predominately on the Celtic peoples of Europe for the majority of their military equipment. One arrives at this conclusion by examining at the origins of the major weapons groups: armor, shields, spears, swords, and missile weapons. This determination is based on the use of ancient written sources, artistic sources, and archaeological sources. It also uses the large body of modern scholarship on the individual weapons. The goal is to produce a unified work that addresses the origins of all weapons in order to see if there is an overarching impact on the Roman military from outside cultures. When one studies whence the weapons that ended up in Romans hands originated, a decided Celtic …

In 1873, a financial crisis plunged the United States into a deep economic depression that exacerbated a number of post-war economic issues. By the late 1870s, political dissent centered primarily on financial issues merged into the Greenback movement, which represented a loose coalition of reformers calling for economic relief based on the expanded use of greenbacks (paper currency issued by the United States Treasury during the Civil War). The Greenback Party emerged as a direct response to federal financial policies, but in Texas, it also provided a broad political platform for those opposed to the policies of "Redeemer/Bourbon" Democrats. The Greenback Party of Texas brought together a wide range of dissenters, including disgruntled Democrats, ousted Republicans, and many different economic and social reformers. From 1876, when the first Greenback clubs appeared in Texas, to the Greenback Party's virtual disappearance after the election of 1884, the Texas Greenbackers reached across boundaries of section, race, class, and sometimes gender; brought together farmers, workers, and professionals; Southerners and Northerners, white and black; former Confederates and former Unionists; native-born Americans and immigrants; and received sizable support from multiple counties in the northern, eastern, and central part of the state. In spite of its short …

The wind bands in Japan are considered by many scholars and wind band conductors to be among some of the finest ensembles in today's wind ensemble medium. The literature and repertoire of Japanese ensembles have evolved from orchestral transcriptions, patriotic music, and military marches to original compositions by European, American, and Japanese composers. British conductor Timothy Reynish states that Japanese wind band music has looked traditionally towards the United States and occasionally United Kingdom for inspiration and repertoire. This phenomenon can be attributed to the many collegiate American and the few English wind band conductors who traveled to Japan as guest conductors, and in some cases, became residents of Japan. The focus of this study is to closely examine this significant impact of American collegiate wind band conductors, their influence on Japanese programming and how that programming has affected the collegiate repertoire. This study includes surveys of repertoire, concert programs, discographies of recordings, and interviews with prominent American conductors currently conducting in Japan. This research documents the impact that American wind band conductors have had on the programming of Japanese wind bands and how their influence have altered the collegiate repertoire. Evidence of this impact is documented by Toshio Akiyama, …

The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai's nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China's musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.

Given the diversity found in today's Japanese culture and the size of the country's population, it is easy to see why the understanding of Japanese wind band repertoire must be multi-faceted. Alongside Western elements, many Japanese composers have intentionally sought to maintain their cultural identity through the addition of Japanese musical elements or concepts. These added elements provide a historical and cultural context from which to frame a composition or, in some cases, a composer's compositional output. The employment of these elements serve as a means to categorize the Japanese wind band repertoire. In his studies on cultural identities found in Japanese music, Gordon Matthews suggests there are three genres found within Japanese culture. He explains these as "senses of 'Japaneseness' among Japanese musicians." They include Fence, Flavor, and Phantasm. Bringing a new perspective to the idea of Japanese influence, I trace the implementation of these facets of Japanese music through the wind band music of Japanese composers. I demonstrate that Japanese wind band genres are the result of a combination of Japanese musical elements and Western influence and argue that the varying levels of this combination, balanced with historical and cultural context, create three distinct genres within the Japanese …