According to Renaissance woman and Pepper Lady Jean Andrews, although food is eaten as a response to hunger, it is much more than filling one's stomach. It also provides emotional fulfillment. This is borne out by the joy many of us feel as a family when we get in the kitchen and cook together and then share in our labors at the dinner table. Food is comfort, yet it is also political and contested because we often are what we eat--meaning what is available and familiar and allowed. Texas is fortunate in having a bountiful supply of ethnic groups influencing its foodways, and Texas food is the perfect metaphor for the blending of diverse cultures and native resources. Food is a symbol of our success and our communion, and whenever possible, Texans tend to do food in a big way. This latest publication from the Texas Folklore Society contains stories and more than 120 recipes, from long ago and just yesterday, organized by the 10 vegetation regions of the state. Herein you'll find Senator Kay Bailey Hutchinson's Family Cake, memories of beef jerky and sassafras tea from John Erickson of Hank the Cowdog fame, Sam Houston's barbecue sauce, and stories …

This extraordinary first collection of short stories covers the landscape of dysfunctional childhood, urban angst, and human disconnection with a wit and insight that keep you riveted to the page. The characters here have rich and imaginative interior lives, but grave difficulty relating to the outside world. The beginning story, "Ducklings," introduces the over-weight and over-enthusiastic Marjorie, the last twelve-year-old you would want babysitting your toddler. In "Wanted" we meet Eleanor, a single girl living in Chicago who may or may not be dating a serial killer. "Another Cancer Story" is an unsentimental account of two sisters whose beloved mother just won't seem to die, and "The Last Dead Boyfriend" gives us a recovering addict who keeps encountering her recently deceased boyfriend, an unpleasant man she wished she'd broken up with before he died. Always funny, often dark, and wholly satisfying, these stories explore the longing for connection among characters who are frequently stricken with anxiety. Each story is rendered in a way that is surreal, vivid, and entirely convincing. "Wonderful Girl is a smart, funny collection, by turns poignant, mysterious, terrifying, sexy, often just plain nuts (in a good way!). The characters in these stories are deliciously confused but …

Each year thousands of children are diagnosed with autism, a devastating neurological disorder that profoundly affects a person’s language and social development. Saving Ben is the story of one family coping with autism, told from the viewpoint of a father struggling to understand his son’s strange behavior and rescue him from a downward spiral. “Take him home, love him, and save your money for his institutionalization when he turns twenty-one.” That was the best advice his doctor could offer in 1990 when three-year-old Ben was diagnosed with autism. Saving Ben tells the story of Ben’s regression as an infant into the world of autism and his journey toward recovery as a young adult. His father, Dan Burns, puts the reader in the passenger’s seat as he struggles with medical service providers, the school system, extended family, and his own limitations in his efforts to pull Ben out of his darkening world. Ben, now 21 years old, is a work in progress. The full force and fury of the autism storm have passed. Using new biomedical treatments, repair work is underway. Saving Ben is a story of Ben’s journey toward recovery, and a family’s story of loss, grief, and healing. “Keep …

Collection of folklore stories and personal anecdotes that relate to travel in Texas, grouped into broad topics that include historic and modern modes of transportation. Index starts on page 281.

Funny, heartbreaking, and real--these twelve stories showcase a dynamic range of voices belonging to characters who can't stop confessing. They are obsessive storytellers, disturbed professors, depressed auctioneers, gambling clergy. A fourteen-year-old boy gets baptized and speaks in tongues to win the love of a girl who ushers him into adulthood; a troubled insomniac searches the woods behind his mother's house for the "awful pretty" singing that begins each midnight; a school-system employee plans a year-end party at the site of a child's drowning; a burned-out health-care administrator retires from New England to coastal Georgia and stumbles upon a life-changing moment inside Walmart. These big-hearted people--tethered to the places that shape them--survive their daily sorrows and absurdities with well-timed laughter; they slouch toward forgiveness, and they point their ears toward the Holy Ghost's last words. "In its precise prose and spooky intelligence and sharp-eyed examination of the condemned kind we are, Last Words of the Holy Ghost is an original. Listen: if you can find a collection of stories more cohesive, more ambitious in reach, more generous in its passion, and fancier in its footwork, I will buy it for you and deliver it in person. In the meantime, put some …

This delightful collection captures the flavor and diversity of the cuisine of the Lone Star State. The Texas Cookbook presents recipes ranging from down-home cooking to high-class affairs, from regional favorites to ethnic specialties. Mary Faulk Koock traveled throughout Texas gathering recipes from ranch kitchens and city hostesses. Scattered among these are the author’s anecdotes from her vast and varied encounters with the famous and influential. In Austin John Henry Faulk, the author’s brother, savors Quail Pie with J. Frank Dobie, Walter Prescott, Roy Bedichek, and Mody Boatright. Fort Worth’s Van Cliburn enjoys the hostess’ biscuits and offers his own recipe for a whole-wheat variety. Here is Lady Bird Johnson’s Peach Ice Cream (the LBJ Ranch) and some expected classics such as Lee’s Chili (Amarillo), Venison Roast (the King Ranch), and Black-eyed Peas with Okra (Austin). But you will also find the unusual in Roasted Wild Turkey (the Hill Country), Fried Apricot Pies (Fredericksburg), and Watermelon Rind Preserves (Luling). Regional contributions shine in Sauerbraten (Kerrville), Salsa Brava (Brownsville) and Crawfish Etouffee (Beaumont). At the home of friends in Dallas Koock reveals the recipe for Chicken Cannelloni served after an opera. We share in her delight with Persimmon Salad in San …

From Jane Roberts Wood comes a quietly riveting novel revealing the banal faces of evil in a small East Texas town. In 1946 a young couple is brutally murdered in Cold Springs. And, now, thirty-four years later, the rumor is that Jackson Morris, who had been the only person of interest in the murders, has come home. Or has he? When the four women of the Tuesday bridge club hear this rumor, their responses range from a reckless excitement to a shaky uneasiness. There’s Isabel, compelling and passionate, who foolishly and inexplicably longs to see Jackson, her first love, again while the seemingly innocent Mary Martha prays that the sheriff will put Jackson’s head in a noose. Although the eternally optimistic Sarah looks to the law to determine Jackson’s fate, the fourth woman, an Irish immigrant and a misfit in Cold Springs, is guided by the spirit world, including a cat, in deciding his guilt or innocence. When a second murder occurs after Jackson’s return, Cold Springs reacts with fear and paranoia while the women struggle to protect their friend’s reputation and desperately try to find a murderer.

Stan Kenton (1911–1979) formed his first full orchestra in 1940 and soon drew record-breaking crowds to hear and dance to his exciting sound. He continued to tour and record unrelentingly for the next four decades. Stan Kenton: This Is an Orchestra! sums up the mesmerizing bandleader at the height of his powers, arms waving energetically, his face a study of concentration as he cajoled, coaxed, strained, and obtained the last ounce of energy from every musician under his control. Michael Sparke’s narrative captures that enthusiasm in words: a lucid account of the evolution of the Kenton Sound, and the first book to offer a critical evaluation of the role that Stan played in its creation. “Michael Sparke’s book, the first general history of the Kenton Orchestra, is the best evaluation yet of Kenton’s 40-year musical development.”—The Wall Street Journal

The stories in The Expense of a View explore the psyches of characters under extreme duress. In the title story, a woman who has moved across the country in an attempt to leave her past behind dumps an empty suitcase into the Columbia River over and over again. In another story, a woman who wakes up mornings only to discover she's been shooting heroin in a night trance, meets her doppelganger on a rainy Oregon beach. Most of the characters are displaced and disturbed; they suffer from dissociative disorders, denial, and delusions. The settings—Florida, eastern Washington, Seattle, and the Oregon coast—mirror their lunacies. While refusing to look at what’s right in front of themselves might destroy them, it’s equally likely to be just what they need.The contents include: Honey -- Night train -- Void of course -- The expense of a view -- Three of swords -- Thinking about Carson -- Compliance -- My old man -- My doppelganger's arms -- Festival -- How to make an island -- Blue plastic shades -- The grandmother's vision -- The island of cats.

Book providing.a biographical account of Frank M. Brandstetter, documenting his life and work as a hotelier, corporate executive, and U. S. Army intelligence officer. The text is based on Brandstetter's own recollections and corroborated with source documents and other published accounts. Index starts on page 367.

Powerful and haunting, the ten stories of this debut collection imagine a world where dreams and reality merge, often with dangerous consequences. Michael Hyde explores the relationships between illusion and reality, delusion and clarity, as his characters come to realize that the revelations they wholeheartedly pursue are often not the ones that await them and will move them. A teenage girl obsessed with the death of a classmate hopes to become the killer's next victim, a wayward graveyard attendant punishes the dead for his punishments in life, and a ghostly vision in a garden shed offers a catalyst for one woman's change. "Michael Hyde’s stories are strangely satisfying and satisfyingly strange. They combine the gothic sensibility of Flannery O’Connor and the restrained prose of Raymond Carver. These are tales of love-in-extremis. They should be taken as a tonic before bedtime, to stir up our dreams and awaken our compassion."—Sharon Oard Warner, judge, author of Learning to Dance and Deep in the Heart

Classic Keys is a beautifully photographed and illustrated book focusing on the signature rock keyboard sounds of the 1950s to the early 1980s. It celebrates the Hammond B-3 organ, Rhodes and Wurlitzer electric pianos, the Vox Continental and Farfisa combo organs, the Hohner Clavinet, the Mellotron, the Minimoog and other famous and collectable instruments. From the earliest days of rock music, the role of keyboards has grown dramatically. Advancements in electronics created a crescendo of musical invention. In the thirty short years between 1950 and 1980, the rock keyboard went from being whatever down-on-its-luck piano awaited a band in a bar or concert hall to a portable digital orchestra. It made keyboards a centerpiece of the sound of many top rock bands, and a handful of them became icons of both sound and design. Their sounds live on: Digitally, in the memory chips of modern keyboards, and in their original form thanks to a growing group of musicians and collectors of many ages and nationalities. Classic Keys explores the sound, lore, and technology of these iconic instruments, including their place in the historical development of keyboard instruments, music, and the international keyboard instrument industry. Twelve significant instruments are presented as …

In the nine stories of Let’s Do, various calamities strike ordinary Midwesterners, who cope with a mixture of good intentions and ineptitude. Balancing humor with painful clarity, author Rebecca Meacham pulls readers into the lives of characters who struggle with—and more often against—change. “Rebecca Meacham has one of the freshest voices I've encountered in a long time. Blatantly wise, she creates stories that are deliciously subversive, brave and outrageous, reminiscent of a young Alice Hoffman. As the lives of her characters get derailed, they move with the damaged grace of walking through broken glass on tiptoe. This is a writer whose words speak with emotional resonance about the resilience of the human heart—a beautiful, authentic talent who knows that when you turn life upside down, you get good measures of both trouble and laughter, a lesson the very best writers recognize early.”—Jonis Agee, judge

The Texas Folklore Society has been publishing a regular volume of folklore research (our PTFS series) for the past several decades. Most of these books are what we call miscellanies, compilations of the works of multiple folklorists, and they feature articles on many types of lore. We've also published over twenty "Extra Books," which are single-author manuscripts that examine a more focused topic. Short Call: Snippets from the Smallest Places in Texas, 1935-2000 by Joyce Gibson Roach, is TFS Extra Book #24. Joyce Gibson Roach has collected “snippets” of stories, recipes, and traditions of life in Turtle, Texas, which represents many small towns—and the people who inhabit them. Many of the younger generations leave such towns, finding both place and society crumbling. Those who've stayed are finding new and interesting ways to put themselves and their places back together. Both the short and long pieces herein are about the folks who've elected to stay generation after generation, knowing that for them wherever they’ve stayed is still the Home Place. The characters' viewpoints are personal, sometimes agreeing with facts found in history books and sometimes not.

Collection of Texas folklore and historical anecdotes split into three main sections: "Legendary" Texans; Texas Folk Song and Dance; and Life in Texas -- As We Remember It. Index starts on page 311.

In Roseborough, Jane Roberts Wood returns with a keenly observed tale of bighearted people in small-town Texas. Three weeks after Mary Lou’s Gypsy husband dies, her fourteen-year-old daughter, Echo, runs away. Numbed by grief and grounded only by her job at the Dairy Queen, she impulsively signs up for Anne Hamilton’s single-parenting class at the nearby community college. Anne, complex and passionate, has avoided the risks that come with commitment. Knowing nothing of the stages of grief or the process of recovery, Mary Lou begins a sometimes comic, yet poignant, journey to find Echo. Compelled by Mary Lou’s story and her strange daughter, Anne begins her own journey that can ultimately set her free.

Heart-Diamond describes the author’s experiences growing up on a working cattle ranch in Southeastern New Mexico. In a series of sketches that begins with an incident in her childhood and concludes with her return to the ranch after a lengthy absence, the book features various members of her family in settings and situations typical of daily life not only on the Heart-Diamond but on any small, family-operated ranch: rounding up cattle, fixing windmills, helping a heifer to calve. At the same time that the sketches celebrate western culture and the love that holds the family together, their touch is light and humorous. As a book written from a woman’s point of view, Heart-Diamond offers some unique commentary on the "cowboy" way of life.

Death provides us with some of our very best folklore. Some fear it, some embrace it, and most have pretty firm ideas about what happens when we die. Although some people may not want to talk about dying, it’s the only thing that happens to all of us–and there’s no way to get around it. This Publication of the Texas Folklore Society examines the lore of death and whatever happens afterward. The first chapter examines places where people are buried, either permanently or temporarily. Chapter Two features articles about how people die and the rituals associated with funerals and burials. The third chapter explores some of the stranger stories about what happens after we’re gone, and the last chapter offers some philosophical musings about death in general, as well as our connection to those who have gone before.

When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.” Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction. The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only …

From book jacket: "Submissiveness is not my role, but certain platitudes on certain occasions are among the innocent deceits of the sex." A strong character with a fervent belief in woman's changing place, Lucy Holcombe Pickens (1832-1899) was not content to live the life of a typical nineteenth-century Southern belle. Wife of Francis Wilkinson Pickens, the secessionist governor of South Carolina on the eve of the Civil War, Lucy was determined to make her mark in the world. She married "the right man," feeling that "a woman with wealth or prestige garnered from her husband's position could attain great power." She urged Pickens to accept a diplomatic mission to the court of Tsar Alexander II of Russia, and in St. Petersburg Lucy captivated the Tsar and his retinue with her beauty and charm. Upon returning to the states, she became First Lady of South Carolina just in time to encourage a Confederate unit named in her honor (The Holcombe Legion) off to war. She was the only woman to have her image engraved on Confederacy paper currency, the uncrowned "Queen of the Confederacy."

A history of the institution of the University of North Texas, featuring photographs of people and events on campus and charting its development from the Texas Normal College to its role in the sciences, mathematics, humanities, social sciences and teacher education, amongst others.

Voudou (an older spelling of voodoo)—a pantheistic belief system developed in West Africa and transported to the Americas during the diaspora of the slave trade—is the generic term for a number of similar African religions which mutated in the Americas, including santeria, candomble, macumbe, obeah, Shango Baptist, etc. Since its violent introduction in the Caribbean islands, it has been the least understood and most feared religion of the New World—suppressed, out-lawed or ridiculed from Haiti to Hattiesburg. Yet with the exception of Zora Neale Hurston's accounts more than a half-century ago and a smattering of lurid, often racist paperbacks, studies of this potent West African theology have focused almost exclusively on Haiti, Cuba and the Caribbean basin. American Voudou turns our gaze back to American shores, principally towards the South, the most important and enduring stronghold of the voudou faith in America and site of its historic yet rarely recounted war with Christianity. This chronicle of Davis' determined search for the true legacy of voudou in America reveals a spirit-world from New Orleans to Miami which will shatter long-held stereotypes about the religion and its role in our culture. The real-life dramas of the practitioners, true believers and skeptics of …

William & Rosalie is the gripping and heartfelt account of two young Jewish people from Poland who survive six different German slave and prison camps throughout the Holocaust. In 1941, newlyweds William and Rosalie Schiff are forcibly separated and sent on their individual odysseys through a surreal maze of hate. Terror in the Krakow ghetto, sadistic SS death games, cruel human medical experiments, eyewitness accounts of brutal murders of men, women, children, and even infants, and the menace of rape in occupied Poland make William & Rosalie an unusually explicit view of the chaos that World War II unleashed on the Jewish people. The lovers’ story begins in Krakow’s ancient neighborhood of Kazimierz, after the Germans occupy western Poland. A year later they marry in the ghetto; by 1942 deportations have wasted both families. After Rosalie is saved by Oskar Schindler, the husband and wife end up at the Plaszow work camp under Amon Goeth, the bestial commandant played by Ralph Fiennes in Schindler’s List. While Rosalie is on “heaven patrol” removing bodies from the camp, William is working in the factories. But when Rosalie is shipped by train to a different factory camp, William sneaks into a boxcar to …

In the 1840s an organization of German noblemen, the Mainzner Adelsverein, attempted to settle thousands of German emigrants on the Texas frontier. Nassau Plantation, located near modern-day Round Top, Texas, in northern Fayette County, was a significant part of this story. James C. Kearney has studied a wealth of original source material (much of it in German) to illuminate the history of the plantation and the larger goals and motivation of the Adelsverein. This new study highlights the problematic relationship of German emigrants to slavery. Few today realize that the society’s original colonization plan included ownership and operation of slave plantations. Ironically, the German settlements the society later established became hotbeds of anti-slavery and anti-secessionist sentiment. Several notable personalities graced the plantation, including Carl Prince of Solms-Braunfels, Johann Otto Freiherr von Meusebach, botanist F. Lindheimer, and the renowned naturalist Dr. Ferdinand Roemer. Dramatic events also occurred at the plantation, including a deadly shootout, a successful escape by two slaves (documented in an unprecedented way), and litigation over ownership that wound its way to both the Texas Supreme Court and the U.S. Supreme Court.