Harold Rogers interviews Willis Conover for the BBC. Subjects include the five-hour Louis Armstrong interview, and Ella Fitzgerald.

Recital presented at the UNT School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture presented at the UNT College of Music M232 in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture recital presented at the UNT College of Music M230 (Choir Room) in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

The ninth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the year 1943, with discussion of wartime movies.

Lecture recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

This is a copy of the fourth volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1890, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "S" (continuation of the article about the Medieval rota, "Sume is icumen in" that appears on vol. 3) to "Z" (starting with the singer, Zur Mühlen, Raimund von).

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Part A of the second cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the time of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "Skylark," "All or Nothing At All," "Pistol Packin' Mama," and "Don't Get Around Much Anymore."

Recording of John Gilliland interviewing Johnnie Ray in Beverly Hills, California for the Pop Chronicles radio program series.

Bound compilation of sheet music collected by Sarah Carpenter. The collection includes many works arranged for piano from larger works such as operas, as well as galops, marches, and fantasies. Eugène Ketterer, Brinley Richards, and William Vincent Wallace have multiple works in this volume. About half of the titles were published in New York City, with others in Philadelphia and Boston, as well as several European cities.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: Pete Seeger, Arlo Guthrie, Joan Baez, the Kingston Trio, Judy Collins and others.

Recording of John Gilliland interviewing Pete Seeger in Hollywood for the Pop Chronicles radio program series.

Booklet containing the program for the opening gala of the Murchison Performing Arts Center and for events occurring during the first two months, with notes and performer lists. It also contains brief background information on the newly-constructed buildings and acknowledgments for staff and funders, along with various advertisements.

The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also demonstrate his acquaintance with contemporaneous composers of the early Renaissance Burgundian composers like Antoine Busnoys, as well as with the music of Franco-Flemish composers such as Johannes Ockeghem. Below is a table of content listing the titles of each treatise and a brief description of the concepts they treat. Treatises and Description: "Expositio manus" - this treatise is divided in 10 chapters consisting of: definitions, places, clefs, voicing, properties, deductions, mutations, conjunctions, conclusion; "Liber de natura et proprietate tonorum" - this treatise is divided in 51 chapters containing: definitions and name of tones, concerning the species diatessaron and diapente, formation of first throughout the eighth tone, authentic and plagal modes, ascending and descending perfect/imperfect tones; "Tractatius de notis et pausi" - this treatise is divided in two books. …

Ensemble performances program book from the 2006-2007 school year at the University of North Texas College of Music.

This is a copy of the third volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1883, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "P" (Planché, James Robinson) to "S" (the title of the Medieval rota, "Sume is icumen in"). The names of contributing authors appear in a list on pp.[v]-vii, signed "29 Bedford Street, Covent Garden, July, 1883." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.

Bound compilation of sheet music with the surname Schieffelin attached. Nearly all works in this volume are derivative works by Henri Herz, with two by Jacques Herz. The titles are largely fantasies or variations on works by other composers (including four by Gaetano Donizetti), with a particular emphasis on operas. A majority of works were published in Mayence (present-day Mainz), and some in Anvers (better known as Antwerp), Paris, Bonn, and New York. B. Schott or Fils de B. Schott published or co-published most titles, and works in this volume range in date from 1825 through 1855. The stamp of music seller C. Breusing on works throughout the volume provides insights on how the works were acquired.

Fall/spring performances program book from the 2010-2011 school year at the University of North Texas College of Music.

Jazz Lecture Series presentation by Dan Morgenstern on February 17, 1987 at 2:00PM at the UNT College of Music. Includes lecture by Dan Morgenstern.

Ensemble performances program book from the 2012-2013 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2004-2005 school year at the University of North Texas College of Music.

This is a copy of the first volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1879, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "A" (i.e., the sixth note in the scale of C major) to "I" (impromptu). The names of contributing authors appear in a list on pp.[vii]-viii), signed "Bedford Street, Covent Garden, April 1, 1879." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.