In 1763, the British government attempted to control land hungry colonists by prohibiting settlement west of the Appalachian Mountains. The ambitious attempt failed. Two years later! Great Britain, submitting to the pressure of land speculators, homestead seekers, and fur trappers, initiated the treaty making process with the American Indians. Although the Indians had no concept of private property, they exchanged their mountains and valleys for whiskey, beads, and muskets. Following independence, the American government continued the British policy of treaty making and pushing the red men out of the path of white civilization. After the Louisiana Purchase, many Americans considered the region lying beyond the Mississippi River a convenient area in which to settle the Indians. A policy of concentration evolved through John C. Calhoun's idea of a permanent Indian country where settlers had no desire to go. The white man's drive for the western lands doomed this policy to failure. During the 1850's the federal government extinguished Indian title to much of the Great Plains and opened the prairies for white settlement. By the 1860's, only two large areas remained in which to concentrate the red men--Indian Territory and the public lands north of Nebraska. Treaty negotiations for moving …

Weekly Jewish newspaper from Houston, Texas that includes local, state, and national news along with advertising.

Weekly Jewish newspaper from Fort Worth, Texas that includes local, state, and national news along with extensive advertising.

Weekly Jewish newspaper from Houston, Texas that includes local, state, and national news along with advertising.

The purpose of this thesis is to consider three opposing statements regarding aesthetics in our popular culture. The first statement is that the youth of this age are demolishing the old standards of aesthetic taste and are creating a nonaesthetic; the second statement is that the youth are enlarging the vision and scope of the accepted standard of aesthetic and changing its direction; the thrid statement is that the creations of the youth in our popular culture of today are neither new nor nonaesthetic, but merely a continuation of aesthetics as they are accepted. One statement will be chosen as the most valid of the three.

Although some of Zunzunegui's works are not so moralistic in intent as others, it will be seen that each one of them criticizes a particular bad trait in the protagonist which leads to unhappiness or defeat, either for the character himself or for someone close to him.