Photograph of a poster from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas.

Photograph of a flier from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas.

Photograph of two evening dresses from the "Flights of Fancy," exhibition. The exhibition, included a Jane Ventura evening dress of white crepe with jet bead trim at the bodice and horizontal rows of black coq feathers, worn to the Crystal Charity Ball in 1978; and another Ventura dress white tucked nylon trimmed with pearls, rhinestones, and white marabou feathers at neckline and sleeves; skirt of white goose feathers trimmed with marabou feathers at the hem, worn to the Dallas Theater Center Gala in 1971.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. The exhibition features a Roberto Cavalli evening dress of a blush pink body suit covered in Swarovski crystals with a sweeping train of pink ostrich feathers tipped in black; Angie Barrett wore this evening dress to the 2004 Crystal Charity Ball in Dallas.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are two white mannequins, one sporting a pink dress with two tiers of pink feathers on the skirt and a white evening dress with a feathered bodice, both in the dark gallery space.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are four evening designs including a Ferdinando Sarm 1963 evening dress of orange and yellow print chiffon in multiple layers with a bodice of bronze coque feathers; a pants ensemble; an Oscar de la Renta 1995 evening pantsuit of coral silk satin blouse and matching pants with jacket of coral ostrich feathers; and a late 1960s evening dress of multi-colored organza in a floral motif, trimmed with yellow ostrich feathers retailed by Lillie Rubin; all shown in a dark gallery space on low platforms.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are two mannequins, on the left a 1970s Givenchy evening dress of white chiffon with a cape trimmed in white ostrich feathers; and a design from the 1970s by Jane Ventura with dark-colored feathers, shown in a dark gallery setting.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are four white mannequins featuring four evening dresses with feathers, including pieces by Pauline Trigere and Hubert de Givenchy, shown in a dark gallery space.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display a white mannequin showcasing a Roberto Cavalli evening dress with a long feather train and several mannequins in the background in a dark gallery space.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display, a Jane Ventura evening ensemble of brown French organza and fake fur fabric with striped chinchilla feathers consisting of a sleeveless dress and matching feather cape, which the designer wore to the Pre-Opening Ball for the opening of the DFW Airport in 1973; and a Jane Ventura man’s formal dinner jacket of brown pheasant feathers with a brown satin lapel; fully lined in brown silk. Jane tailored this jacket for her husband, Sam Ventura, to match one of her own ensembles, which they wore to the Opera Ball in 1968.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display, a Roberto Cavalli design in the center of the gallery and low platforms supporting white mannequins featuring evening designs creating a U around the center platform.

Fascinator of white felt in beret style with light gray comic strip print of female character. Black grosgrain headband with black elastic band for securing hat to head.

Evening dress of blue silk chiffon, in classical style. Asymmetrical, with one shoulder from which fabric gathers and radiates outward to the bodice. Full length, with 6" wide satin sash ties at waist. Designer's label at center back: Michael / Faircloth Client label attached to designer's label: Anne / Fay

Fascinator style hat with white felt crown. Trimmed in white net with white chenille dots and plume of white ostrich feathers. Black grosgrain headband with black elastic strap for securing hat to head.

Court pumps of metallic gold leather with extensive decorative topstitching. Ankle strap; set-under 1.5” heels. With black fabric shoe bag. Label: "Dries Van Noten / Made in Italy" C. black, cloth shoe bag

Sandals of dark brown leather. Flat heels; squared toe. Back strap with square gold-tone buckle. Ankle and vamp straps trimmed in overlapping gold-tone rings.

Ballgown of gold silk duchess satin. Bodice and skirt are of gold silk. Sweetheart neck with center point and 4" straps. Center panel of bodice is ivory silk with heavy hand beading of gold, crystal, and silver sequins mixed with embroidery in white in ornate floral pattern. Center panel points into a "V" with gold gathered panels on the side and back. Skirt is knife pleated and has a slight train. CB closure with a lower back. Dress is lined in white and bronze satin in the bodice with sewn in cups for support and skirt is lined in white muslin. There is a white petersham-type belt inside. 28" waist. No label inside.

Wedding dress of bias-cut, double-faced washed ivory silk satin with raw edges. Inverted pleats at midriff. Sleeveless with self-covered buttons across reverse seam on shoulders. Below-knee length (cut at reception). Center back zipper closure hidden by reverse seam and self-covered buttons matching shoulders. Unlined. Designer label: Sartel B) Cropped riding style jacket of black cotton taffeta. Long sleeves; notched lapel. Trimmed with diagonal placket and self-covered buttons at sides. Inside breast pocket is made from detailed section of suspenders left to bride by her grandfather, Stanley Marcus. Lined in black cotton: padded shoulders. Designer label: Sartel Size and content/care tag at left side seam. C) Garment bag for dress in brown fabric on zipper side and black synthetic fabric on opposite side with "Massimo Bizzocchi" stamp.

Daily student newspaper from the University of North Texas in Denton, Texas that includes local, state and campus news along with advertising.

The North Texan magazine includes articles and notes about UNT students, faculty, and alumni activities.

Daily student newspaper from the University of North Texas in Denton, Texas that includes local, state and campus news along with advertising.

Daily student newspaper from the University of North Texas in Denton, Texas that includes local, state and campus news along with advertising.

The North Texan magazine includes articles and notes about UNT students, faculty, and alumni activities.

Schedule of classes at the University of North Texas for the Summer semester providing a list of classes that will be offered by department, with times and locations. It also includes class indexes and other information about registration procedures, exams, tuition, and related topics.