Degree Department

The Beginnings of Music in the Boston Public Schools: Decisions of the Boston School Committee in 1837 and 1845 in Light of Religious and Moral Concerns of the Time (open access)

The Beginnings of Music in the Boston Public Schools: Decisions of the Boston School Committee in 1837 and 1845 in Light of Religious and Moral Concerns of the Time

The research problems of this dissertation were: 1) A description of the perceived value of music in light of political undercurrents in Boston prior to and during the years under investigation, and 2) the profile of the constituency of the Boston School Committee and Committee on Music in 1837 and 1845. Questions addressed the effect of religious and moral concerns of the day on the decision by the School Committee in 1837 to try music in the curriculum, and the possible effect of religious politics on Lowell Mason's dismissal from the schools in 1845. In the minds of mid-nineteenth century Bostonians, religious and moral values were intrinsic to the very nature of music. Key members on the School Committee portrayed music as being spiritual yet nonsectarian in its influence. Therefore, the findings suggest that music was believed to provide common ground between opposing and diverse religious sects. Reasons given for Mason's dismissal by John Sargent, a member of the Committee on Music, showed parallels to H. W. Day's accusations in the press a year earlier that Mason had managed his position in a sectarian manner. Sargent's background supports the theory that religious politics were at work in Mason's dismissal. Although …
Date: August 1989
Creator: Miller, David Michael, 1951-
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929 (open access)

Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929

Serge Koussevitzky, conductor of the Boston Symphony Orchestra from 1924-1949, had, throughout his career, a reputation as a champion of modern music. The anticipation of his arrival in Boston in 1924 sparked a great deal of public debate about his reported modernism which the critics reflected and contributed to. This thesis analyzes the critical reaction, preserved in scrapbooks of newspaper clippings at Symphony Hall, Boston, to Koussevitzky's programming of contemporary music during his first five years with the BSO.
Date: August 1982
Creator: Morgan, Richard S. (Richard Sanborn)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Guest Editorial: Near-Death Experiences: A Speculative Neural Model (open access)

Guest Editorial: Near-Death Experiences: A Speculative Neural Model

Article detailing a personal mystical experience that led the author to the belief that a little known structure in the center of the spinal cord, Reissner's fiber, is identical with the anatomical entity described by kundalini yoga. The author's struggles to understand the meaning of that experience have led him to believe that an understanding of the deeper realities underlying quantum phenomena can be integrated with an understanding of the mysterious realities of near-death and other mystical experiences, and that Reissner's fiber can serve as an empirical basis for a scientific investigation of these phenomena.
Date: Spring 1994
Creator: Wile, Lawrence C.
Object Type: Article
System: The UNT Digital Library