This paper provides a thematic approach to three major United States government document series relating to topics of early United States diplomatic relations with Mexico; treaty negotiations, the Santa 'Fe trade, the Texas question, and claims. The document series examined are .the United States presidential papers, United States Congressional documents , and the National Archives Record Group 59, diplomatic dispatches from United State Ministers to Mexico. Historians must make an evaluation of all: documentary evidence available for an accurate assessment of historical events. Inadequate analysis of these major United States document series has limited this necessary assessment in the area of United States Mexican diplomatic relations, 1821-1846.

This thesis presents a history of the United States' war with Mexico with a focus on the maturing of the United States artillery on the battlefields of Mexico.

This study analyzes the procedures and operations of the Quartermaster, Ordnance, Commissary, and Medical Departments during Scott's campaign to determine the efficiency of the prevailing logistical system. Unpublished and published government documents, official records, manuscript collections, memoirs, diaries, and newspapers provide the data. The first chapter describes the logistical departments interworkings; the remaining chapters detail the operations of the bureaus during the expedition's assembly and campaign against Mexico City. The evidence revealed organizational deficiencies which caused severe shortages, particularly in transportation, for Scott's army. The shortages severely hampered the expedition. Because of .the numerous victories over 'Mexican forces, however,. American leaders ignored the organizational deficiencies, These shortcomings reappeared to .impede operations during the Civil War.

This study examines the efforts of the Union and Confederate diplomatic agents to influence the events along the Rio Grande during the Civil War. The paper compares the successful accomplishments of Confederate agent Jose Quintero to the hindered maneuverings of the Union representatives, Leonard Pierce and M. M. Kimuey. Utilizing microfilmed sources from State Department records and Confederate despatches, the paper relates the steps Quintero took to secure the Confederate-Mexico border trade, obtain favorable responses from the various ruling parties in northern Mexico, and hamper the Union agents' attempts to quell the border trade.

María Grever (1885-1951) overcame racism and gender bias during a pivotal era in American music history to become the first commercially successful Mexican female composer and more specifically, a pioneer of popular music during the first half of the 20th century. Though named the "Madonna of song," her legacy is largely overshadowed by other compositional giants of the era, such as the Gershwin brothers, Cole Porter, and Irving Berlin. Grever's music is sophisticated, heartfelt, and worthy of attention. Her colorful, genuine music adds distinctiveness and variety to recital programs. Grever's songs offer a high level of musical integrity and socio-cultural value. Incorporating her compositions into a singer's vocal repertoire is an excellent way to broaden the scope of styles and languages while maintaining the highest standards of musical study. The following document considers the importance of performing and studying Grever's music by analyzing nine songs representing three compositional periods. I evaluated the songs considering pedagogical benefit, performance value, and significance to her overall oeuvre.

This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.