The Jewish revolt against the Romans in 66 CE can be seen as the culmination of years of oppression at the hands of their Roman overlords. The first-century historian Josephus narrates the developments of the war and the events prior. A member of the priestly class and a general in the war, Josephus provides us a detailed account that has long troubled historians. This book was an attempt by Josephus to explain the nature of the war to his primary audience of predominantly angry and grieving Jews. The causes of the war are explained in different terms, ranging from Roman provincial administration, Jewish apocalypticism, and Jewish internal struggles. The Jews eventually reached a tipping point and engaged the Romans in open revolt. Josephus was adamant that the origin of the revolt remained with a few, youthful individuals who were able to persuade the country to rebel. This thesis emphasizes the causes of the war as Josephus saw them and how they are reflected both within The Jewish War and the later work Jewish Antiquities. By observing the Roman provincial administration spanning 6-66 CE, I argue that Judaea had low moments sprinkled throughout the time but in 66 there was something …

The thesis studies the relations of Communist China's foreign policy and its military offensives in the battlefield in Korean Peninsula in late 1950 and early 1951, an important topic that has yet received little academic attention. As original research, this thesis cites extensively from newly declassified Soviet and Chinese archives, as well as American and UN sources. This paper finds that an adventurism dominated the thinking and decision-making of Communist leaders in Beijing and Moscow, who seriously underestimated the military capabilities and diplomatic leverages of the US-led West. The origin of this adventurism, this paper argues, lays in the CCP's civil war experience with their Nationalist adversaries, which featured a preference of mobile warfare over positional warfare, and an opportunist attitude on cease-fire. This adventurism ended only when Communist front line came to the verge of collapse in June 1951.

La Malinche is one of the most controversial figures in Mexican and Chicano literature. The historical facts about her life before and after the Spanish Conquest are largely speculative. What is reliably known is that she had a significant role as translator, which developed into something of mythic proportions. The ideological appropriation of her image by three authors, Octavio Paz, Laura Esquivel and Cherríe Moraga, are explored in this thesis. The full extent of the proposed rendition of La Malinche by Octavio Paz is the basis of the second chapter. The conclusion drawn by Paz, in The Labyrinth of Solitude (1950) is that La Malinche is what he calls la chingada [the raped/violated one] and proposes that all women are always open to conquest, sexually and otherwise. Laura Esquivel's novel Malinche (2006) is a re-interpretation that focuses on the tongue as the source of power and language as the ultimate source of autonomy for La Malinche. This aspect of La Malinche and the contrast of Paz's understanding are the basis of the third chapter of this thesis. Cherríe Moraga, in Loving in the War Years (1983), proposes that if women are to be traitors, it is not each other that …

This thesis discusses the decline of the Venetian nobility, the collapse of the Venetian economy, and the political results of the surrender of the Venetian Republic to Napoleon Bonaparte in 1797. Topics include the formation of Venice, Venetian domination of trade, the class system in Venice prior to 1797, the collapse of the aristocracy, feudalism in Venice, Venice’s presence in the Adriatic and Aegean seas, and the rise of the middle class within the provisional democratic government. Very few historians have attempted to research the provisional democracy of Venice and how the political and class structure of Venice changed as a result of the collapse of the Republic in 1797. Using primary sources, including government documents and contemporary histories, one can see how the once dominant noble class slowly fell victim to economic ruin and finally lost their role in the political leadership of Venice all together. During this same period, the middle class went from only holding secretarial jobs within the government, to leaders of a modern democratic movement. On top of primary research, several secondary sources helped in explaining the exclusivity of the noble class and their journey from economic dominance to economic ruin and the administrative consequences …

The study of terrorism has been both broad in scope and varied in approach. Little work has been done, however, on the territorial aspects of terrorist groups. Most terrorist groups are revolutionary to one degree or another, seeking the control of a piece of territory; but for the supportive population of a terrorist group, how important is the issue of territory? Are the intangible qualities of territory more salient to a given population than other factors? Are territorially based terrorist groups more durable than their ideologically or religiously motivated cohorts? This paper aims to propose the validity of the territorial argument for the study of political terrorism.

I argue that some ancient Jewish sects, specifically the community at Qumran and the early Christians, did in fact write against, speak out against, and interpret ancient tests as being against their fellow Jews, the Temple, Jerusalem or all three. Given the time in which these occurred, I argue that those sects believed that the Roman Empire would be means in which their god would punish/destroy Jews that did not believe as they did, the Temple that did not represent what they thought it should, and Jerusalem as they believed it had become a sinful city. I examine the writings and persons of the Greek Bible. I examine specifics such as the Parable of the Tenants and demonstrate that this was delivered against Jewish leadership and the Olivet Discourse that, like the book of Jubilees, presents a series of tribulations that will fall on a wicked generation, specifically the one living in Jerusalem during the first century C.E. I also demonstrate how the motif of these writings affected the book of Revelation. I examine the prophetic books of the Hebrew Bible and show how the author used them as allusions in regards to the Whore of Babylon that appear in …

In 1908 Jack Johnson became the first black heavyweight boxing champion of the world. His reign would be rife with controversy, leading to widespread racial violence and draconian government intervention. Lester Walton, theater critic for the New York Age, became obsessed with Johnson; his extensive writing on the boxer powerfully reveals not just Walton’s own struggle with issues of race in America, but sheds light on the difficulties the black community at large faced in trying to make sense of a figure who simultaneously represented hope for the positive change Reconstruction failed to produce and, ironically, also threatened to intensify the hardships of Jim Crow era oppression.

This project explores the representation of white, American masculinity within the Hollywood bromantic comedy cycle. By analyzing three interrelated components (close homosociality, infantilization, and relationship to patriarchy) of the model of masculinity perpetuated by this cycle of films, this study reveals the hegemonic motives therein. Despite the representation of a masculinity nervously questioning its position within the romantic comedy narrative and the broader patriarchal structure, the results of this representation are, ultimately, regressive and reactionary. Cultural gains made concerning gender, sexuality, and race are doubled back upon in a cycle of films that appeal to regressive modes of misogyny, homophobia, and racism still present in Hollywood filmmaking, and the hegemony of white, patriarchal heteronormativity is rigorously maintained.

This creative thesis collects five fictional stories, as well as a critical preface entitled “Fractals and the Gestalt: the Hybridization of Genre.” The critical preface discusses genre as a literary element and explores techniques for effective genre hybridization. The stories range from psychological fiction to science fiction and fantasy fiction. Each story also employs elements from other genres as well. These stories collectively explore the concept of the other and themes of connection and ostracization.

This study seeks to understand the development of early American ideas of race, religion, and gender as reflected in Indian and Barbary captivity narratives (tales of individuals taken captive by privateers in North Africa) and in plays that take American captives as their subject. Writers of both Indian and Barbary captivity narratives used racial and religious language – references to Indians and North Africans as demonic, physically monstrous, and animal – simultaneously to delineate Native American and North African otherness. The narrative writers reserved particular scorn for the figure of the Renegade – the willful cultural convert who chose to live among the Native Americans or adopt Islam and live among his North African captors. The narratives, too, reflect Early American gendered norms by defining the role of men as heads of household and women’s protectors, and by defining women by their status as dutiful wives and mothers. Furthermore, the narratives carefully treat the figure of the female captive with particular care – resisting implications of captive rape, even while describing graphic scenes of physical torture, and denying the possibility of willful transcultural sexual relationships.

Theatre is widely unrecognized for the compelling influence it has held in society throughout history. In this thesis, I specifically examine the implications surrounding the social protest theatre of black and Jewish American minority communities in the first half of the twentieth century. I discuss how their historical circumstance, culture, and idiosyncratic natures caused them to choose agitated propaganda theatre as an avenue for protest. I delve into the similarities in circumstance, but their theatre case studies separate the two communities in the end. I present case studies of each community, beginning with anti-lynching plays of the 1920s that were written by black American playwrights both in response to white supremacist propaganda theatre and to assert a dignified representation of the black community. However, their plays and protest movement never developed a larger popular following. My next minority theatre case study is an examination of 1930s Jewish labor drama created in protest of popular anti-Semitic theatre and poor labor conditions. The Jewish community differs from the black community in their case because the racist propaganda was produced by a man who was Jewish. Another difference is that their protest theatre was on the commercial stage by this point because of …

In early modern Europe, syphilis tormented individuals regardless of social standing. The various stages of infection rendered individuals with visible chancres or “pocky” marks throughout their body. The tertiary stage signaled the spreading of the disease from the infected parts into the brain and cardiovascular system, eventually leading to dementia and a painful death. Beginning with the initial medical responses to venereal disease in the sixteenth century and throughout the early modern period, medical practitioners attempted to identify the cause of syphilis. During the seventeenth century, English practitioners maintained that women were primarily responsible for both the creation and transmission of syphilis. In England, venereal disease became the physical manifestation of illicit sexual behavior and therefore women with syphilis demonstrated their sexual immorality. Contrastingly, French medical practitioners refrained from placing blame on women for venereal infection. The historiography of early modern discourse on venereal disease fails to account for this discrepancy between English and French perceptions of syphilis in the seventeenth century. This thesis seeks to fill the gap in this historiography and suggest why French practitioners abstained from singling out women as the primary source of venereal infection by suggesting the importance that cultural influences and religious practices had …